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Author: Théodore Duret
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
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Book Description
Author: Théodore Duret
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
Get Book Here
Book Description
Author: Jeffrey Meyers
Publisher: Oldcastle Books Ltd
ISBN: 1904915515
Category : Art
Languages : en
Pages : 343
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Book Description
In this book, Jeffrey Meyers follows the lives of four Impressionist painters whose rebellious work was scorned by the critics and derided by their contemporaries. The French art establishment dismissed them altogether and at the time their sold for very little. Impressionist Quartet describes the relationships between these artists and how they struggle emotionally and intellectually to create a new way of seeing and representing the world.
Author: Timothy J. Clark
Publisher:
ISBN: 9780691002750
Category : Impressionism (Art)
Languages : en
Pages : 338
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Book Description
The Paris of the 1860s and 1870s was supposedly a brand-new city, equipped with boulevards, cafes, parks, and suburban pleasure grounds--the birthplace of those habits of commerce and leisure that constitute "modern life." Questioning those who view Impressionism solely in terms of artistic technique, T. J. Clark describes the painting of Manet, Degas, Seurat, and others as an attempt to give form to that modernity and seek out its typical representatives--be they bar-maids, boaters, prostitutes, sightseers, or "petits bourgeois" lunching on the grass. The central question of "The Painting of Modern Life" is this: did modern painting as it came into being celebrate the consumer-oriented culture of the Paris of Napoleon III, or open it to critical scrutiny? The revised edition of this classic book includes a new preface by the author.
Author: Russell T. Clement
Publisher: Bloomsbury Publishing USA
ISBN: 0313032467
Category : Art
Languages : en
Pages : 212
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Book Description
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.
Author: Norma Broude
Publisher: Routledge
ISBN: 0429688946
Category : Art
Languages : en
Pages : 193
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Book Description
An original interpretation of Impressionism and nineteenth-century art and culture by a noted feminist art historian. This book is a pioneering reading of Impressionism from a feminist perspective by a noted art historian. Norma Broude analyzes the philosophical underpinnings of landscape painting in the late nineteenth century discussing the crit
Author: Russell T. Clement
Publisher: Bloomsbury Publishing USA
ISBN: 0313032181
Category : Art
Languages : en
Pages : 414
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Book Description
This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more. Art scholars will appreciate the comprehensive bibliographic research contained in this one volume. Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905. An index of art works and an index of personal names complete the volume.
Author: John Nici
Publisher: Rowman & Littlefield
ISBN: 1442249552
Category : Art
Languages : en
Pages : 331
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Book Description
In a world filled with great museums and great paintings, Leonardo da Vinci’s Mona Lisa is the reigning queen. Her portrait rules over a carefully designed salon, one that was made especially for her in a museum that may seem intended for no other purpose than to showcase her virtues. What has made this portrait so renowned, commanding such adoration? And what of other works of art that continue to enthrall spectators: What makes the Great Sphinx so great? Why do iterations of The Scream and American Gothic permeate nearly all aspects of popular culture? Is it because of the mastery of the artists who created them? Or can something else account for their popularity? In Famous Works of Art—And How They Got That Way, John B. Nici looks at twenty well-known paintings, sculptures, and photographs that have left lasting impressions on the general public. As Nici notes, there are many reasons why works of art become famous; few have anything to do with quality. The author explains why the reputations of some creations have grown over the years, some disproportionate to their artistic value. Written in a style that is both entertaining and informative, this book explains how fame is achieved, and ultimately how a work either retains that fame, or passes from the public consciousness. From ancient artifacts to a can of soup, this book raises the question: Did the talent to promote and publicize a work exceed the skills employed to create that object of worship? Or are some masterpieces truly worth the admiration they receive? The creations covered in this book include the Tomb of Tutankhamun, Botticelli’s Birth of Venus, Raphael’s Sistine Madonna, El Greco’s The Burial of Count Orgaz, Rodin’s The Thinker, Van Gogh’s Starry Night, and Picasso’s Guernica. Featuring more than sixty images, including color reproductions, Famous Works of Art—And How They Got That Way will appeal to anyone who has ever wondered if a great painting, sculpture, or photograph, really deserves to be called “great.”
Author: Gabriele Crepaldi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 490
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Book Description
This title on the Impressionists, features the work of 29 artists, including not only the most well-known French painters, but also English, American and Italian artists. It features the work of the precursors of the movement, such as Edouard Manet and Delacroix, and its most famous representatives like Claude Monet and Auguste Renoir. In addition, the eccentric and somewhat peripheral artists of the movement such as Vincent van Gogh and Paul Gauguin, are featured, as well as lesser-known Impressionists such as James Whistler and Mary Cassatt.
Author: Wolfgang M. Freitag
Publisher: Routledge
ISBN: 1134830416
Category : Literary Criticism
Languages : en
Pages : 572
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Book Description
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Author: Indrani Chaudhuri
Publisher: Blue Rose Publishers
ISBN:
Category : Art
Languages : en
Pages : 195
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Book Description
This book is an intriguing and intimate study of the dialogues forged between different forms of art, paintings and texts in particular. It entwines art with literature to create a complex yet marvellous mosaic of textures hitherto undiscussed in this manner. Reading, here, becomes both painting and travelling through Joseph Conrad’s Heart of Darkness and the works of the French Impressionist painters of the nineteenth century. Through an exploration of the distinctive characteristics of the paintings of Monet, Manet, Renoir, Pissarro, Cézanne and even Van Gogh and Gauguin, this book tries to decipher the codes and symbols of Conrad’s enigmatic novella. By taking the help of intertextuality, interdisciplinary and multidisciplinary approaches, detours and retours through time and space, this book offers extensive readings of texts on art, literature and Conrad’s works. Reading Heart of Darkness in this manner emerges as a kind of journey through the continents of imperial Europe and of colonized Africa, through diverse cultures, imaginary geographies, psychological processes that separate one human from another, through the metaphors and metonymies of the modern malaise that vacillated from Darwinian theories of evolution to Nietzsche’s proclamation of the death of God.
