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Author: WALTER GRASSKAMP
Publisher: Getty Publications
ISBN: 1606065017
Category : Art
Languages : en
Pages : 244
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Book Description
In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
Author: WALTER GRASSKAMP
Publisher: Getty Publications
ISBN: 1606065017
Category : Art
Languages : en
Pages : 244
Get Book Here
Book Description
In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
Author: Claude Tannery
Publisher: University of Chicago Press
ISBN: 9780226789620
Category : Biography & Autobiography
Languages : en
Pages : 348
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Book Description
Moving beyond merely biographical or textual interpretation, Claude Tannery traces the philosophy of life and art developed by André Malraux. With both sensitivity and expert interpretation he defines the issues—personal and artistic as well as political—that underlie Malraux's writings—including early as well as late works, novels, speeches, and essays. The result is a new and subtle portrait of Malraux.
Author: André Malraux
Publisher: University of Chicago Press
ISBN: 0226502902
Category : Fiction
Languages : en
Pages : 213
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Book Description
The Conquerors describes the struggle between the Kuomintang and the Communists in the Cantonese revolution of the 1920s. It is both an exciting war story and a gallery of intellectual portraits: a ruthless Bolshevik revolutionary, a disillusioned master of propaganda, a powerful Chinese pacifist, and a young anarchist. Each of these "conquerors" will be crushed by the revolution they try to control. In a new Foreword, Herbert R. Lottman discusses the political background of the book, and the extent to which Malraux invented the history he wrote about. "[The Conquerors] is a valuable introduction to Malraux himself, who would, like his fictional counterpart, become an analgam of talents as novelist, essayist, Leftist and Gaullist, Resistance hero and art critic. He was among the most 'universal' of French men of letters."—Choice "The novel can be enjoyed as a remarkable work of modernism. With images derived from the silent cinema and prose from the telegraph, it moves at a tremendous pace. Canton all comes to violent life, seen as though from a speeding car."—Kirkus "No other writer of the 20th century had the same capacity to translate his personal adventure into a meeting with history and a dialogue of civilization."—Carlos Fuentes, New York Times Book Review
Author: Andre Malraux
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
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Book Description
Author: Jean François Lyotard
Publisher: U of Minnesota Press
ISBN: 9780816631070
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
Traces the life and career of the French novelist, describing his participation in the Spanish Civil War, command of a World War II resistance brigade, and his position as a government minister.
Author: Jean Lacouture
Publisher: New York : Pantheon Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 528
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Book Description
Few men have lived the twentieth century as André Malraux. From Angkor Wat to China in the 1920s, from the Spanish Civil War to the French Resistance against the Germans, from being an intellectual viewing the world from the outside to being the cabinet minister -- working for de Gaulle and others to rule it -- such is Malraux's life as it has been known to the world. But is this really Malraux's life? What is appearance and what reality? Jean Lacouture turns now to trace the life of this most ambiguous and complex person. Based on vast research and a great many interviews, some with Malraux himself, Lacouture has written a biography that is both a marvel of scholarly investigation and an exceptionally subtle description of those shadow areas that exist between a man's life and his work, his memory and his imagination. -- From publisher's description.
Author: Derek Allan
Publisher: Rodopi
ISBN: 9042027509
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
Derek Allan has published widely on aspects of Malraux's works and the theory of art and literature. He holds a PhD in Philosophy and a Masters degree in French Language and Literature. and is currently a Visiting Scholar in the School of Humanities at the Australian National University. --Book Jacket.
Author: André Malraux
Publisher:
ISBN:
Category : Oppression (Psychology)
Languages : en
Pages : 73
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Book Description
Author: Curtis Cate
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 488
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Book Description
At the age of seventeen he shocked his parents by abandoning his high-school studies, going on in just three years to become a prosperous rare-book publisher, a keen literary critic, and an author of fantastic fiction. He then turned himself into a self-taught archaeologist and staged a bold statue-lifting raid on an abandoned Cambodian temple - an exploit which catapulted him to notoriety when he was only twenty-three.
Author: Geoffrey T. Harris
Publisher: Rodopi
ISBN: 9789042010116
Category :
Languages : en
Pages : 310
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Book Description
André Malraux's output, spanning some 55 years, ranges from novels to philosophical essays, studies on the plastic arts and memorialist essays. The present volume is significantly innovative in that it sets out to elucidate this diversity by focusing, for the first time and from a variety of perspectives, on the erosion of boundaries which characterises Malraux's work. This erosion is multi-faceted and includes the crossing of genre boundaries; the appropriation of the literary text as political vehicle; the exploitation of the literary text as historical document; contemporary history as a source of literary texts; the slippage between autobiography and the novel, autobiography and the memorialist essay and between fiction and the memorialist essay. Contributors to this volume explore the complex relationship between fact and fiction underpinning Malraux's writing, and also his life. An understanding of Malraux's determination to ignore boundaries is crucial to the understanding of his life and work. In this respect the present study will interest academics and students, both undergraduate and postgraduate, of French literary and cultural studies.
