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Author: Barnaby Norman
Publisher: Routledge
ISBN: 1351559443
Category : Foreign Language Study
Languages : en
Pages : 289
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Book Description
The writings of the great Symbolist poet Stephane Mallarme (1842-1898) were to become uniquely influential in twentieth century literary criticism. For critics and philosophers such as Maurice Blanchot and Jacques Derrida, Mallarme's name came to represent a rupture in literary history, and an opening of literature onto a radically new kind of writing. Through close readings of key works, Norman retraces Mallarme's trajectory as a poet, showing in particular how he positioned his work in relation to Hegel's Aesthetics. Analysing the motif of the sunset Norman argues that Mallarme situated his work at the conclusion of the history of art, in Hegelian terms, and it is this that made him so interesting for Blanchot and Derrida. Their readings, born of their wish to subvert Hegel's totalizing impulse, give rise to an entirely new view of works now almost universally seen as masterpieces.
Author: Barnaby Norman
Publisher: Routledge
ISBN: 1351559443
Category : Foreign Language Study
Languages : en
Pages : 289
Get Book Here
Book Description
The writings of the great Symbolist poet Stephane Mallarme (1842-1898) were to become uniquely influential in twentieth century literary criticism. For critics and philosophers such as Maurice Blanchot and Jacques Derrida, Mallarme's name came to represent a rupture in literary history, and an opening of literature onto a radically new kind of writing. Through close readings of key works, Norman retraces Mallarme's trajectory as a poet, showing in particular how he positioned his work in relation to Hegel's Aesthetics. Analysing the motif of the sunset Norman argues that Mallarme situated his work at the conclusion of the history of art, in Hegelian terms, and it is this that made him so interesting for Blanchot and Derrida. Their readings, born of their wish to subvert Hegel's totalizing impulse, give rise to an entirely new view of works now almost universally seen as masterpieces.
Author: Joseph Cermatori
Publisher: JHU Press
ISBN: 1421441543
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
A groundbreaking study on the vital role of baroque theater in shaping modernist philosophy, literature, and performance. Finalist for the Outstanding Book Award by the Association for Theatre in Higher Education, Honorable Mention for the Balakian Prize by the International Comparative Literature Association, Winner of the Helen Tartar Book Subvention Award by the American Comparative Literature Association, Finalist of the MSA First Book Prize by the Modernist Studies Association Baroque style—with its emphasis on ostentation, adornment, and spectacle—might seem incompatible with the dominant forms of art since the Industrial Revolution, but between 1875 and 1935, European and American modernists connected to the theater became fascinated with it. In Baroque Modernity, Joseph Cermatori argues that the memory of seventeenth-century baroque stages helped produce new forms of theater, space, and experience around the turn of the twentieth century. In response, modern theater helped give rise to the development of the baroque as a modern philosophical idea. The book focuses on avant-gardists whose writing takes place between theory and performance: philosophical theater-makers and theatrical philosophers including Friedrich Nietzsche, Stéphane Mallarmé, Walter Benjamin, and Gertrude Stein. Moving between page and stage, this study tracks the remnants of seventeenth-century theater through modernist aesthetics across an array of otherwise disparate materials, including modern opera, Bertolt Brecht's Epic Theater, poetic tragedies, and miracle plays. By reexamining the twentieth century's engagements with Gianlorenzo Bernini, William Shakespeare, Claudio Monteverdi, Calderón de la Barca, and other seventeenth-century predecessors, the book delineates an enduring tradition of baroque performance. Along the way, Cermatori expands our familiar narratives of "the modern" and traces a history of theatricality that reverberates into the twenty-first century. Baroque Modernity will appeal to readers in a wide array of disciplines, including comparative literature, theater and performance, art and music history, intellectual history, and aesthetic theory.
Author: Charles Mauron
Publisher: University of California Press
ISBN: 0520331176
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
Author: Robert Boncardo
Publisher: Edinburgh University Press
ISBN: 1474429548
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
A radically new philosophy of experience and speculation, based on a reading of Whitehead's Process and Reality.
Author: Stéphane Mallarmé
Publisher: Univ of California Press
ISBN: 0520268148
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
In this classic tale, Richard Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of the Japanese empire. Lost Names is at once a loving memory of family and a vivid portrayal of life in a time of anguish.
Author: International Society for Phenomenology and Literature. Congress
Publisher: Springer Science & Business Media
ISBN: 9780792366751
Category : Language Arts & Disciplines
Languages : en
Pages : 344
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Book Description
Literature reveals that the hidden strings of the human passional soul are the creative source of the specifically human existence. Continuing the inquiry into the elemental passions of the soul and the human creative soul pursued in several previous volumes of this series, the present volume focuses on the passions of the earth, bringing to light some of the primogenital existential threads of the innermost bonds of the Human Condition and mother earth. In the author's words, the book's purpose is to unravel the essential bond between the living human being and the earth - a bond that lies at the heart of our existence. A heightened awareness of this bond should enlighten our situation and help us find our existential bearings.
Author: Robert Greer Cohn
Publisher: Univ of California Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Author: Roger Pearson
Publisher: Clarendon Press
ISBN: 9780199266746
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Following his Unfolding Mallarme: The Development of a Poetic Art, this book is the second in Roger Pearson's authoritative two-volume study of the work of Stephanie Mallarme (1842-1898), and the first comprehensive study of Mallarme's 'poetry of circumstance' in any language. For Mallarme,in a world without God, the role of the poet is to break the silence with language and to confer upon the contingency of circumstance a therapeutic semblance of formal and semantic pattern. Literature provides a 'translation of silence', 'intimate galas' in which the mysterious drama of the humancondition is performed for and by the reader on the stage of the verse poem, the prose poem, and what Mallarme calls the 'poeme critique'. In Part 1, Pearson examines the prose poems within the context of Mallarme's writing about the theatre. In Part II, he focuses on the 'circumstanzas' - thefamous 'Tombeaux', 'Hommages', 'Eventails', and 'vers de circonstance' - in which Mallarme invests the quotidian with the 'glorious lie' of poetry. In a series of close readings Pearson demonstrates how complex poetic structures, and especially the sonnet, may serve to guide the human search formeaning and shape our anguish in a 'ceremony of the Book.'
Author: Rosemary Lloyd
Publisher: Cornell University Press
ISBN: 9780801436628
Category : Biography & Autobiography
Languages : en
Pages : 302
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Book Description
"In this book, Lloyd views the letters Mallarme sent and received as explorations and extensions of the prose and poetry he wrote for publication. In engrossing detail, she explores such themes as the interrelationships of letters and literature, the transformation of epistolary rhetoric into poetic creativity, the evolution of Symbolism, and the nature of friendship."--BOOK JACKET.
Author: Barnaby Norman
Publisher:
ISBN:
Category : Aesthetics, French
Languages : en
Pages : 426
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Book Description
This thesis aims to show why and how the text of Stephane Mallarme opened itself to the radical readings undertaken by Maurice Blanchot and then Jacques Derrida in the second half of the 20th-Century. Through analysis of Mallarme's 'crisis' period of the mid to late 1860s, the thesis shows why his text could later be taken as a key reference in the criticism of the Hegelian dialectic developed in the work of Blanchot and Derrida. After a first chapter looking at the art-historical schema developed in Hegel's Aesthetics, I go on to argue in Chapter 2 that as Mallarme develops his understanding of the auvre pure, through his work on Herodiade, he conceives a poetic absolute which coordinates perfectly with the dissolution of the artwork in the poetic form as envisaged by Hegel. I am able to do this by mapping Mallarme's own comments on the history of art, and his place in that history, onto the Hegelian schema analysed in the first chapter. In Chapter 3 I give a reading of Mallarme's Sonnet allegorique de lui-meme in which I argue that the work's achievement of perfect reflexivity is irreducibly ambiguous. On the one hand, this poem is seen to be the achievement of the poetic absolute as it 'fixes' the infinite in a completely self-sufficient work. On the other hand, I argue that this achievement is essentially impossible; a revelation that can only occur in the same instant as the apotheosis of the poetic absolute. I argue that the sunset is the 'motif of this ambiguity in Mallarme's work which, I go on to argue in Chapters 4 and 5, closes down the epoch of the 'Livre' and opens up the space of 'litterature'. In work published in the late 1960s, both Blanchot and Derrida situate Mallarme as a transitional writer whose work marks out the closure of the 'Livre' and the opening of a radically different kind of writing which they call 'literary'.
