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Making New Zealand's Pop Renaissance PDF

Author: Michael Scott
Publisher: Routledge
ISBN: 1317102312
Category : Music
Languages : en
Pages : 198

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Book Description
Since the early 2000s New Zealand has undergone a pop renaissance. Domestic artists' sales, airplay and concert attendance have all grown dramatically while new avenues for 'kiwi' pop exports emerged. Concurrent with these trends was a new collective sentiment that embraced and celebrated domestic musicians. In Making New Zealand's Pop Renaissance, Michael Scott argues that this revival arose from state policies and shows how the state built market opportunities for popular musicians through public-private partnerships and organizational affinity with existing music industry institutions. New Zealand offers an instructive case for the ways in which 'after neo-liberal' states steer and co-ordinate popular culture into market exchange by incentivizing cultural production. Scott highlights how these music policies were intended to address various economic and social problems. Arriving with the creative industries' discourse and policy making, politicians claimed these expanded popular music supports would facilitate sustainable employment and a sense of national identity. Yet popular music as economic and social policy presents a paradox: the music industry generates commercial failure and thus requires a large unattached pool of potential talent. Considering this feature, Scott analyses how state programs induced an informal economy of proto-pop production aimed at accessing competitive state funding while simultaneously encouraging musicians to adopt entrepreneurial subjectivities. In doing so he argues New Zealand's music policies are a form of social policy that unintentionally deploy hierarchical structures to foster social inclusion amongst growing numbers of creative workers.

Author: Michael Scott
Publisher: Routledge
ISBN: 1317102304
Category : Music
Languages : en
Pages : 200

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Book Description
Since the early 2000s New Zealand has undergone a pop renaissance. Domestic artists' sales, airplay and concert attendance have all grown dramatically while new avenues for 'kiwi' pop exports emerged. Concurrent with these trends was a new collective sentiment that embraced and celebrated domestic musicians. In Making New Zealand's Pop Renaissance, Michael Scott argues that this revival arose from state policies and shows how the state built market opportunities for popular musicians through public-private partnerships and organizational affinity with existing music industry institutions. New Zealand offers an instructive case for the ways in which 'after neo-liberal' states steer and co-ordinate popular culture into market exchange by incentivizing cultural production. Scott highlights how these music policies were intended to address various economic and social problems. Arriving with the creative industries' discourse and policy making, politicians claimed these expanded popular music supports would facilitate sustainable employment and a sense of national identity. Yet popular music as economic and social policy presents a paradox: the music industry generates commercial failure and thus requires a large unattached pool of potential talent. Considering this feature, Scott analyses how state programs induced an informal economy of proto-pop production aimed at accessing competitive state funding while simultaneously encouraging musicians to adopt entrepreneurial subjectivities. In doing so he argues New Zealand's music policies are a form of social policy that unintentionally deploy hierarchical structures to foster social inclusion amongst growing numbers of creative workers.

Made in Australia and Aotearoa/New Zealand PDF

Author: Shelley Brunt
Publisher: Routledge
ISBN: 1317270479
Category : Music
Languages : en
Pages : 302

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Book Description
Made in Australia and Aotearoa/New Zealand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century popular music of Australia and Aotearoa/New Zealand. The volume consists of chapters by leading scholars of Australian and Aotearoan/New Zealand music, and covers the major figures, styles, and social contexts of pop music in Australia and Aotearoa/New Zealand. Each chapter provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Australian or Aotearoan/New Zealand popular music. The book first presents a general description of the history and background of popular music in these countries, followed by chapters that are organized into thematic sections: Place-Making and Music-Making; Rethinking the Musical Event; Musical Transformations: Decline and Renewal; and Global Sounds, Local Identity.

Author: Michael William Scott
Publisher:
ISBN:
Category : Capitalism
Languages : en
Pages : 516

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Book Description
"This thesis argues that the popular music policies of New Zealand's fifth Labour government can be understood as a form of 'after neo-liberal' social policy. In doing so, this thesis contributes to the literature on the state and popular music, work and entrepreneurship in the creative industries, and the sociology of cultural policy. On coming to power in 1999 Labour signalled both a renewed interest in supporting the arts and culture and a new enabling role for the state in the market economy. An explosion of national cultural production ensued. Popular music was at the forefront of this 'arts and cultural revival' as sales, airplay, and exports rose dramatically. This thesis investigates the macro-micro dynamics of this state-supported pop renaissance. At the macro-scale how Labour brought popular music into a strategic policy to address economic growth, employment, and national cultural identity is examined. How the state constituted an audience for Kiwi pop while simultaneously working to facilitate artists into global music markets through new institutional innovations is also explained. These policies illustrate emerging 'after neo-liberal' practices whereby the enabling state becomes another player in existing markets. At the micro-scale this state facilitation of pop production sees its agencies come to act as cultural intermediaries. This feature constructs a competitive game for pop producers who seek state support. Using Bourdieu's sociological concepts of fields and alternative forms of capital this thesis analyses how pop producing creative entrepreneurs - as entrepreneurs sans economic capital - use mostly non-market modes of exchange to construct the symbolic capital necessary to access state support. The 'after neo-liberal' state also seeks to repair the social dislocations of earlier neo-liberal reform. Using Bourdieu's concepts of new petit bourgeoisie and social trajectories it is argued Labour's music policies offer a way to include and provide meaning to an increasing number of potentially marginalised youthful agents and is thus homologous to the inclusionary pyramid of the earlier welfare state. Moreover it is argued music policy as social policy offers youthful creative entrepreneurs a belief that they may reconvert their alternative forms of capital - via the state - into an upward social trajectory"--Abstract.

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 284

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Book Description

Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 356

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Book Description

The Oxford History of New Zealand Music PDF

Author: John Mansfield Thomson
Publisher: Auckland ; New York : Oxford University Press
ISBN:
Category : History
Languages : en
Pages : 336

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Book Description
The Maori world of music - The frontier: explorers, sealers, whalers and missionaries - Music in the first settlements: On the voyage - Wellington, 1840-1870 - Auckland, 1840-1865 - Dunedin, 1848-1865 - Canterbury, 1851-1900 - The regions and the West Coast goldfields; Themes and variations: The colonial ball - Military and brass bands - Folk-music - Opera - Colonial choral societies and their successors - Orchestral patterns from the 19th century to the NZSO - Michael Balling at the Nelson Conservatorium; The world beyond: Visiting artists - The Sheffield Choir, 1911 - Henri Verbrugghen and the New South Wales State Orchestra, 1920 and 1922; Musical media: Silent film music - The rise of the gramophone and player piano - The growth of broadcasting - Music journals; The NZ performer: Introduction - Singers - Instrumentalists - Conductors; Meeting of 2 cultures: Waiata a ringa - Maori concert groups and solo artists - Recording Maori music - The two cultures today; Growth of a composing tradition: Early colonial composers and their publications - Alfred Hill - Douglas Lilburn - Composers since Lilburn (Carr, Pruden, Tremain and others) - New influences; Music in education; Instrument making in New Zealand.