Author: Richard Kiel
Publisher: Reynolds & Hearn
ISBN: 9781904674382
Category :
Languages : en
Pages :

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Author: Ben Fritz
Publisher: Houghton Mifflin Harcourt
ISBN: 0544789768
Category : Hollywood (Los Angeles, Calif.)
Languages : en
Pages : 309

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A chronicle of the massive transformation in Hollywood since the turn of the century and the huge changes yet to come, drawing on interviews with key players, as well as documents from the 2014 Sony hack

Author: Richard Kiel
Publisher:
ISBN: 9781903111314
Category : Motion picture actors and actresses
Languages : en
Pages : 0

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As "Jaws, " Richard Kiel took on James Bond in both "The Spy Who Loved Me" and "Moonraker." With a seven-foot-three physique and a mouth full of steel teeth, this startling villain proved to be so popular in his first appearance that the character returned for a second tilt at 007 -- becoming a hero in the process. Although he is most famous as James Bond's archenemy, Richard Kiel is also an accomplished screen actor, writer, and producer, who has worked in almost every area of the movie business. In this revealing autobiography, Kiel tells the story of his career, from his early prop and stunt work, through his roles in classic TV series like "The Man from U.N.C.L.E., " "The Wild Wild West, " and "The Twilight Zone, " to his work in films as varied as "The Nutty Professor, " "Silver Streak, " and "Pale Rider."

Author: Anita Elberse
Publisher: Henry Holt and Company
ISBN: 142994532X
Category : Business & Economics
Languages : en
Pages : 321

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Why the future of popular culture will revolve around ever bigger bets on entertainment products, by one of Harvard Business School's most popular professors What's behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Entertainment, and the NFL—along with such stars as Jay-Z, Lady Gaga, and LeBron James? Which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals? Anita Elberse, Harvard Business School's expert on the entertainment industry, has done pioneering research on the worlds of media and sports for more than a decade. Now, in this groundbreaking book, she explains a powerful truth about the fiercely competitive world of entertainment: building a business around blockbuster products—the movies, television shows, songs, and books that are hugely expensive to produce and market—is the surest path to long-term success. Along the way, she reveals why entertainment executives often spend outrageous amounts of money in search of the next blockbuster, why superstars are paid unimaginable sums, and how digital technologies are transforming the entertainment landscape. Full of inside stories emerging from Elberse's unprecedented access to some of the world's most successful entertainment brands, Blockbusters is destined to become required reading for anyone seeking to understand how the entertainment industry really works—and how to navigate today's high-stakes business world at large.

Author: Sidney Lumet
Publisher: Vintage
ISBN: 0307763668
Category : Performing Arts
Languages : en
Pages : 240

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Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening, Making Movies is a master’s take, delivered with clarity, candor, and a wealth of anecdote. For in this book, Sidney Lumet, one of our most consistently acclaimed directors, gives us both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on forty years of experience on movies that range from Long Day’s Journey into Night to Network and The Verdict—and with such stars as Katharine Hepburn, Paul Newman, Marlon Brando, and Al Pacino—Lumet explains how painstaking labor and inspired split-second decisions can result in two hours of screen magic.

Author: Michael McKenna
Publisher: Scarecrow Press
ISBN: 0810891573
Category : Performing Arts
Languages : en
Pages : 393

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On September 23, 1969, five years after the first made-for-television movie premiered, the ABC network broadcast Seven in Darkness. This was the first television film for an anthology show called the Tuesday Night Movie of the Week. Dedicating ninety minutes of weekly airtime to a still-emerging genre was a financial risk for the third-place network—a risk that paid off. The films were so successful that in 1972 the network debuted The Wednesday Movie of the Week. Although most of the movies are no longer remembered, a handful are still fondly recalled by viewers today, including Duel, Brian’s Song, and The Night Stalker. The series also showcased pilot films for many eventual series, such as Alias Smith and Jones, The Six Million Dollar Man, and Starsky and Hutch. By the end of both shows’ regular runs in the spring of 1975, the network had broadcast more than 200 made-for-television films. In The ABC Movie of the Week: Big Movies for the Small Screen, Michael McKenna examines this programming experiment that transformed the television landscape and became a staple of broadcast programming for several years. The author looks at how the revolving films showcased the right mixture of romantic comedy, action, horror, and social relevance to keep viewers interested week after week. McKenna also chronicles how the ratings success led to imitations from the other networks, resulting in a saturation of television movies. As a cultural touchstone for millions who experienced the first run and syndicated versions of these films, The ABC Movie of the Week is a worthy subject ofstudy. Featuring a complete filmography of all 240 movies with credit information and plot summaries, a chronology, and a list of pilots—both failed and successful—this volume will be valuable to television historians and scholars, as well as to anyone interested in one of the great triumphs of network programming.

Author: Robert Rodriguez
Publisher: Penguin
ISBN: 9780452271876
Category : Biography & Autobiography
Languages : en
Pages : 316

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Named One of The Hollywood Reporter’s “100 Greatest Film Books of All Time” Famed independent screenwriter and director Robert Rodriguez (Sin City, Once Upon a Time in Mexico, Spy Kids, Machete) discloses all the unique strategies and original techniques he used to make his remarkable debut film El Mariachi on a shoestring budget. This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through. Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget. Also included is the appendix, "The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting. A perfect gift for the aspiring filmmaker.

Author: Sam Wasson
Publisher: Flatiron Books
ISBN: 1250301831
Category : Performing Arts
Languages : en
Pages : 336

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From the New York Times bestselling author of Fifth Avenue, Five A.M. and Fosse comes the revelatory account of the making of a modern American masterpiece Chinatown is the Holy Grail of 1970s cinema. Its twist ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of the most colorful characters in the most colorful period of Hollywood history. Here is Jack Nicholson at the height of his powers, as compelling a movie star as there has ever been, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage death of his wife, returning to Los Angeles, the scene of the crime, where the seeds of his own self-destruction are quickly planted. Here is the fevered dealmaking of "The Kid" Robert Evans, the most consummate of producers. Here too is Robert Towne's fabled script, widely considered the greatest original screenplay ever written. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today. In telling that larger story, The Big Goodbye will take its place alongside classics like Easy Riders, Raging Bulls and The Devil's Candy as one of the great movie-world books ever written. Praise for Sam Wasson: "Wasson is a canny chronicler of old Hollywood and its outsize personalities...More than that, he understands that style matters, and, like his subjects, he has a flair for it." - The New Yorker "Sam Wasson is a fabulous social historian because he finds meaning in situations and stories that would otherwise be forgotten if he didn't sleuth them out, lovingly." - Hilton Als

Author: Brian Raftery
Publisher: Simon & Schuster
ISBN: 1501175394
Category : Performing Arts
Languages : en
Pages : 416

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From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).

Author: Lincoln Peirce
Publisher: Andrews McMeel Publishing
ISBN: 1449402321
Category : Humor
Languages : en
Pages : 227

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Book Description
Big Nate, a.k.a. middle schooler Nate Wright, is eleven years old, four-and-a-half feet tall, and the wunderkind creation of cartoonist Lincoln Peirce. Nate is also the star of six novelized books to be published by HarperCollins, the first of which debuted on the New York Times children's best-seller list. This Big Nate Collection collects Peirce's Big Nate strips, originally published only in newspapers. For those not familiar with Big Nate, think Diary of a Wimpy Kid meets Calvin and Hobbes. Nate is a self-described genius and a sixth-grade Renaissance man equipped with only a #2 pencil and the unshakable belief that he is destined for greatness (a fortune cookie told him so). He fights a daily battle against overzealous teachers, undercooked cafeteria food, and all-around conventionality. He's the original rebel without a clue, alternately abrasive and endearing to classmates and teachers alike. Throughout Peirce's Big Nate Collection, Nate blazes an unforgettable trail through the sixth grade at P.S. 38, earning straight As in laughs (and numerous detentions) along the way.