Street Art, Public City

Street Art, Public City PDF Author: Alison Young
Publisher: Routledge
ISBN: 113514351X
Category : Art
Languages : en
Pages : 198

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Book Description
What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally.

Street Art, Public City

Street Art, Public City PDF Author: Alison Young
Publisher: Routledge
ISBN: 113514351X
Category : Art
Languages : en
Pages : 198

Get Book Here

Book Description
What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally.

The Art Public

The Art Public PDF Author: Oskar Bätschmann
Publisher: Reaktion Books
ISBN: 1789147271
Category : Art
Languages : en
Pages : 241

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Book Description
A brief intellectual history of the idea of the art public. The Art Public explores the history of efforts to imagine a collective, general audience for art in the world. Oskar Bätschmann explores both written and pictorial evidence of the development of the “art public” as an idea and disentangles connections between art production, audiences, and actual reception. Two aspects shape the narrative: the transformation of the audience from passive recipient to active agent as well as satirical jabs at audiences by the likes of Cruikshank, Rowlandson, and Daumier. This sweeping account connects the ancient Greeks with Renaissance painters, modern writers, and contemporary movie stars in a deft survey of the ways we imagine art’s immediate impact on audiences and its afterlives in museums, galleries, and the world.

Human Geographies of Stellenbosch

Human Geographies of Stellenbosch PDF Author: Ronnie Donaldson
Publisher: African Sun Media
ISBN: 1991201001
Category : Social Science
Languages : en
Pages : 234

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Book Description
Amid a growing ‘turn’ towards Southern cities, South African urban geographers continue to remind us why and how to attend to local context and draw on theory from elsewhere. Human Geographies of Stellenbosch: Transforming Space, Preserving Place? (edited by Ronnie Donaldson) provides a deep look at crucial questions facing one of South Africa’s most well-known town-cities. Written from years of local knowledge by scholars at Stellenbosch University, this volume asks what urban transformation means, who it is for, and the politically tantalising question of whether and how we might hold on to some of the old while aspiring towards the new? In a global context in which we are all searching for how to justly remember our messy past, how to decolonise and hold onto what makes places unique, this volume will be of interest to scholars asking such questions in and beyond urban studies.

The Artist's Guide to Public Art

The Artist's Guide to Public Art PDF Author: Lynn Basa
Publisher: Simon and Schuster
ISBN: 1581159765
Category : Art
Languages : en
Pages : 352

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Book Description
Public art commissions--how to find them, how to get them. * First-hand advice from experienced public artists * Written by an artist for artists * Includes expert information on public art law Learn how to find, apply for, compete for, and win a public art commission. First-hand interviews with experienced public artists and arts administrators provide in-the-trenches advice and insight, and a chapter on public art law, written by Barbara Hoffman, the country's leading public art law attorney, answers questions about this complex area. Packed with details on working with contracts, conflict, controversy, communities, committees, and more, The Artist’s Guide to Public Art shows artists the way to cut through the red tape and win commissions that are rewarding both financially and artistically.

Museum Gallery Interpretation and Material Culture

Museum Gallery Interpretation and Material Culture PDF Author: Juliette Fritsch
Publisher: Routledge
ISBN: 1135767955
Category : Art
Languages : en
Pages : 278

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Book Description
Museum Gallery Interpretation and Material Culture publishes the proceedings of the first annual Sackler Centre for Arts Education conference at the Victoria and Albert Museum (V&A) in London. The conference launched the annual series by addressing the question of how gallery interpretation design and management can help museum visitors learn about art and material culture. The book features a range of papers by leading academics, museum learning professionals, graduate researchers and curators from Europe, the USA and Canada. The papers present diverse new research and practice in the field, and open up debate about the role, design and process of exhibition interpretation in museums, art galleries and historic sites. The authors represent both academics and practitioners, and are affiliated with high quality institutions of broad geographical scope. The result is a strong, consistent representation of current thinking across the theory, methodology and practice of interpretation design for learning in museums.

Economics and the Public Good

Economics and the Public Good PDF Author: John Antonio Pascarella
Publisher: Rowman & Littlefield
ISBN: 1786608448
Category : Business & Economics
Languages : en
Pages : 403

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Book Description
What is the nature of economics? How does economics relate to politics? Readers searching for the Ancient Greeks’ answers to these questions often turn to Aristotle, focusing on small portions of the Politics and Nicomachean Ethics that relate to money-making, exchange, and household management. While this approach yields some understanding of economics and politics, it fails to account for how Aristotle’s theoretical inquiry into these practical matters reflects the character of his political philosophy. According to Aristotle, the Ethics and Politics together form “the philosophy concerning the human things.” All human things begin with choice, an intellectual desire and need for the good. Aristotle’s care for this desire is the heart of his political philosophy. Through a close, literal, and careful reading of Aristotle’s political philosophy, readers discover the natural boundaries to economic and political life. Simultaneously theoretical and practical, Aristotle’s political philosophy offers readers a perspective of economics and politics that provides them the experience of the knowledge they need to desire and live within the limit of the good.

Leaving Art

Leaving Art PDF Author: Suzanne Lacy
Publisher: Duke University Press
ISBN: 0822391228
Category : Art
Languages : en
Pages : 422

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Book Description
Since the 1970s, the performance and conceptual artist Suzanne Lacy has explored women’s lives and experiences, as well as race, ethnicity, aging, economic disparities, and violence, through her pioneering community-based art. Combining aesthetics and politics, and often collaborating with other artists and community organizations, she has staged large-scale public art projects, sometimes involving hundreds of participants. Lacy has consistently written about her work: planning, describing, and analyzing it; advocating socially engaged art practices; theorizing the relationship between art and social intervention; and questioning the boundaries separating high art from popular participation. By bringing together thirty texts that Lacy has written since 1974, Leaving Art offers an intimate look at the development of feminist, conceptual, and performance art since those movements’ formative years. In the introduction, the art historian Moira Roth provides a helpful overview of Lacy’s art and writing, which in the afterword the cultural theorist Kerstin Mey situates in relation to contemporary public art practices.

Use and Reuse of the Digital Archive

Use and Reuse of the Digital Archive PDF Author: John Potts
Publisher: Springer Nature
ISBN: 3030795233
Category : Social Science
Languages : en
Pages : 172

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Book Description
This book examines the use and re-use of digital archives in a unique manner, by combining theoretical and practical approaches to the contemporary digital archive. The book brings together a range of writers - specialising in media and cultural studies, contemporary art and art history, digital and networked culture, library and museum studies - to explore the cultural impact of digital archives. Several of the essays describe the process of constructing a digital archive as a specific case study – in digitising a physical archive and designing a searchable digital database as the core of the digital archive. Other chapters explore the cultural significance of digital archives in more general theoretical terms. These considerations include: the specific properties of the digital archive; its similarities and differences to the traditional paper-based archive; the ethical decisions made in the design of an archive; and the potential for creative re-use of online archived materials.

artWORK

artWORK PDF Author: Paula Serafini
Publisher: Rowman & Littlefield
ISBN: 1786601907
Category : Social Science
Languages : en
Pages : 274

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Book Description
artWork: Art, Labour and Activism brings together a variety of perspectives on contemporary cultural production and activism in order to interrogate how the concepts of art, labour and activism intersect in practices for social change. What can we learn about contemporary art and politics by looking at the intersections between art, labour and activism? What theoretical tools can help us arrive at a deeper understanding of these intersections? In order to address these questions, this collection explores the role of art as activism, the use of social media and technology in creative production and organising, the politics of artmaking, the commodification of culture and the possibility of a creative commons, and the work of artist activists as educators. In addition to offering a variety of new perspectives from researchers and practitioners, it proposes new paths towards interdisciplinary research in this field that combine sociological, anthropological, philosophical and art theory perspectives. It will be of interest to students and scholars interested in creative labour, social movements and political arts practice.

Public Art

Public Art PDF Author: Hilde Hein
Publisher: Rowman Altamira
ISBN: 075911417X
Category : Art
Languages : en
Pages : 197

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Book Description
Public Art acknowledges the trend among contemporary museums to promote participatory and processual exhibition strategies meant to elicit subjective experience. At the same time it valorizes the object-oriented tradition that has long differentiated museums from other institutions similarly committed to public service and the perpetuation of cultural values. To blend and expand these aims, Hein draws upon a movement toward ephemerality and impermanence in public art. She proposes a new dynamic for the museum that is temporal and pluralistic, while retaining a grounding in material things. The museum is an agent, not a repository; and like public art, it interacts constructively with passing and transitory publics. As an actor with social clout, the museum has moral impact and responsibilities beyond those of the individuals that comprise its collective identity. The book should be read by museum workers and students, by arts and foundation administrators, critics, educators, aestheticians, institutional historians and theorists, and by anyone interested in the transmission of cultural concepts and values.