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Author: Sir Peter Hall
Publisher:
ISBN:
Category : Theatrical producers and directors
Languages : en
Pages : 464
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Book Description
Author: Sir Peter Hall
Publisher:
ISBN:
Category : Theatrical producers and directors
Languages : en
Pages : 464
Get Book Here
Book Description
Author: Peter Hall
Publisher: Bloomsbury Publishing
ISBN: 184943686X
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
The story of a railway worker's son who became one of the most powerful, outspoken and charismatic figures in European theatre. Sir Peter Hall has been director of the Royal Shakespeare Company, artistic director of Glyndebourne, and director of Britain's National Theatre from 1973 to 1988. He has directed over 150 productions of plays, operas and films, and now runs his own acclaimed theatre company.
Author: Peter Hall
Publisher: Vintage
ISBN: 9781856194945
Category : Theatrical producers and directors
Languages : en
Pages : 419
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Book Description
Author: Robert Sellers
Publisher: Macmillan
ISBN: 1250095956
Category : Biography & Autobiography
Languages : en
Pages : 450
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Book Description
Peter O’Toole was supremely talented, a unique leading man and one of the most charismatic actors of his generation. Described by his friend Richard Burton as “the most original actor to come out of Britain since the war,” O’Toole was also unpredictable, with a dangerous edge he brought to his roles and to his real life. With the help of exclusive interviews with colleagues and close friends, Robert Sellers' Peter O’Toole: The Definitive Biography paints the first complete picture of this complex and much-loved man. The book reveals what drove him to extremes, why he drank to excess for many years and hated authority, but it also describes a man who was fiercely intelligent, with a great sense of humor and huge energy. Giving full weight to his extraordinary career, this is an insightful, funny, and moving tribute to an iconic actor who made a monumental contribution to theater and cinema.
Author: Kate Bassett
Publisher: Bloomsbury Publishing
ISBN: 1849437386
Category : Biography & Autobiography
Languages : en
Pages : 587
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Book Description
In Two Minds is the first comprehensive biography of Jonathan Miller – the story of one of post-war Britain's most intriguing polymaths. Descended from immigrants who fled Tsarist anti-Semitism to become shopkeepers in Ireland and London's East End, Miller was born into an intellectual milieu, between Bloomsbury and Harley Street – the son of a novelist and a leading child psychiatrist. Miller trained as adoctor but then forged a career as a stellar comedian and as a world-renowned theatre and opera director. He is a controversial humorist, public intellectual and TV personality. As a star in the groundbreaking satirical revue Beyond the Fringe, he shot to fame alongside Peter Cook, Dudley Moore and Alan Bennett. His expertise and interests encompass many areas, from medicine (he wrote and presented the hugely acclaimed BBC documentary series The Body in Question) to the history of art, Mozart, atheism and the nature of laughter. Jonathan Miller is one of the most multi-talented Britons of his generation, celebrated for his dazzling intelligence and anti-establishmentarian wit. Drawing on in-depth interviews, this is an entertaining and illuminating portrait of a fascinatingly complex man.
Author: Gyles Brandreth
Publisher: Oxford University Press
ISBN: 0191066524
Category : Performing Arts
Languages : en
Pages : 511
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Book Description
This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.
Author: John Russell Brown
Publisher: Routledge
ISBN: 1134146477
Category : Drama
Languages : en
Pages : 658
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Book Description
The Routledge Companion to Directors' Shakespeare is a major collaborative book about plays in performance. Thirty authoritative accounts describe in illuminating detail how some of theatre’s most talented directors have brought Shakespeare’s texts to the stage. Each chapter has a revealing story to tell as it explores a new and revitalising approach to the most familiar works in the English language. A must-have work of reference for students of both Shakespeare and theatre, this book presents some of the most acclaimed productions of the last hundred years in a variety of cultural and political contexts. Each entry describes a director’s own theatrical vision, and methods of rehearsal and production. These studies chart the extraordinary feats of interpretation and innovation that have given Shakespeare’s plays enduring life in the theatre. Notable entries include: Ingmar Bergman * Peter Brook * Declan Donnellan * Tyrone Guthrie * Peter Hall * Fritz Kortner * Robert Lepage * Joan Littlewood * Ninagawa Yukio * Joseph Papp * Roger Planchon * Max Reinhardt * Giorgio Strehler * Deborah Warner * Orson Welles * Franco Zeffirelli
Author: John Russell Brown
Publisher: Routledge
ISBN: 1317911784
Category : Design
Languages : en
Pages : 221
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Book Description
Theatre Design involves everything seen on stage: not only scenery but costumes, wigs, makeup, properties, lighting, sound, even the shape and material of the stage itself. Designers’ Shakespeare presents and analyses the work of a half-dozen leading practitioners of this specialist art. By focusing specifically on their Shakespearean work, it also offers a fresh, exciting perspective on some of the best-known drama of all time. Shakespeare’s plays offer an unusual range of opportunities to designers. As they were written for a theatre which gave no opportunity for scenic support or embellishment, designers are freed from any compulsion to imitate original practices. This has resulted in the extraordinarily diverse range of works presented in this volume, which considers among others the work of Josef Svoboda, Karl-Ernst Herrmann, Ming Cho Lee, Alison Chitty, Robert Wilson, Societas Raffaello Sanzio, Filter Theatre, Catherine Zuber, John Bury , Christopher Morley, Ralph Koltai and Sean Kenny. Designers’ Shakespeare joins Actors’ Shakespeare and Directors’ Shakespeare as essential reading for lovers of Shakespeare from theatre-goers and students to directors and theatre designers.
Author: David Tucker
Publisher: Bloomsbury Publishing
ISBN: 1474240194
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
Beckett's relationship with British theatre is complex and underexplored, yet his impact has been immense. Uniquely placing performance history at the centre of its analysis, this volume examines Samuel Beckett's drama as it has been staged in Great Britain, bringing to light a wide range of untold histories and in turn illuminating six decades of drama in Britain. Ranging from studies of the first English tour of Waiting for Godot in 1955 to Talawa's 2012 all-black co-production of the same play, Staging Samuel Beckett in Great Britain excavates a host of archival resources in order to historicize how Beckett's drama has interacted with specific theatres, directors and theatre cultures in the UK. It traces production histories of plays such as Krapp's Last Tape; presents Beckett's working relationships with the Royal Court, Riverside and West Yorkshire Playhouse, as well as with directors such as Peter Hall; looks at the history of Beckett's drama in Scotland and how the plays have been staged in London's West End. Production analyses are mapped onto political, economic and cultural contexts of Great Britain so that Beckett's drama resonates in new ways, through theatre practice, against the complex contexts of Great Britain's regions. With contributions from experts in the fields of both Beckett studies and UK drama, including S.E. Gontarski, David Pattie, Mark Taylor-Batty and Sos Eltis, the volume offers an exceptional and unique understanding of Beckett's reception on the UK stage and the impact of his drama within UK theatre practices. Together with its sister volume, Staging Samuel Beckett in Ireland and Northern Ireland it will prove a terrific resource for students, scholars and theatre practitioners.
Author: Alistair Fair
Publisher: Routledge
ISBN: 1317056922
Category : Architecture
Languages : en
Pages : 270
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Book Description
During the twentieth century, an increasingly diverse range of buildings and spaces was used for theatre. Theatre architecture was re-formed by new approaches to staging and performance, while theatre was often thought to have a reforming role in society. Innovation was accompanied by the revival and reinterpretation of older ideas. The contributors to this volume explore these ideas in a variety of contexts, from detailed discussions of key architects’ work (including Denys Lasdun, Peter Moro, Cedric Price and Heinrich Tessenow) to broader surveys of theatre in West Germany and Japan. Other contributions examine the Malmö Stadsteater, ’ideal’ theatres in post-war North America, ’found space’ in 1960s New York, and Postmodernity in 1980s East Germany. Together these essays shed new light on this complex building type and also contribute to the wider architectural history of the twentieth century.
