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Author: Robert Pinget
Publisher: French Literature
ISBN: 9781564783776
Category : Fiction
Languages : en
Pages : 144
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Book Description
Robert Pinget's Mahu or The Material tells the story of Mahu, who, unlike his ambitious, successful brothers, is a lazy man who approaches the world around him with a defiant spirit and a witty outlook on life. Part of the reason for Mahu's laziness is that he may be nothing more than a character in a failing novel by his friend Latirail, a novel that is being overrun by characters invented by yet a different author The second half of this book consists of Mahu's strange and hilarious musings on everything from belly dancers to how he catches ideas from other people in the same way he catches germs.
Author: Robert Pinget
Publisher: French Literature
ISBN: 9781564783776
Category : Fiction
Languages : en
Pages : 144
Get Book Here
Book Description
Robert Pinget's Mahu or The Material tells the story of Mahu, who, unlike his ambitious, successful brothers, is a lazy man who approaches the world around him with a defiant spirit and a witty outlook on life. Part of the reason for Mahu's laziness is that he may be nothing more than a character in a failing novel by his friend Latirail, a novel that is being overrun by characters invented by yet a different author The second half of this book consists of Mahu's strange and hilarious musings on everything from belly dancers to how he catches ideas from other people in the same way he catches germs.
Author: Danielle Marx-Scouras
Publisher: Penn State Press
ISBN: 0271041072
Category : History
Languages : en
Pages : 269
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Book Description
Author: Fran Mason
Publisher: Rowman & Littlefield
ISBN: 0810868555
Category : Literature, Modern
Languages : en
Pages : 464
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Book Description
"The A to Z of Postmodernist Literature and Theater examines the different areas of postmodernist literature and theater and the variety of forms that have been produced. It contains a list of acronyms, a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual writers, important aesthetic practices, significant texts, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first centuries operates." --Book Jacket.
Author: Fran Mason
Publisher: Rowman & Littlefield
ISBN: 1442276207
Category : Literary Criticism
Languages : en
Pages : 587
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Book Description
The main aim of the book has been to include writers, movements, forms of writing and textual strategies, critical ideas, and texts that are significant in relation to postmodernist literature. In addition, important scholars, journals, and cultural processes have been included where these are felt to be relevant to an understanding of postmodernist writing. This second edition of Historical Dictionary of Postmodernist Literature and Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. This book is an excellent access point for students, researchers, and anyone wanting to know more about the postmodernist literature and theater.
Author: John Flower
Publisher: Rowman & Littlefield
ISBN: 1538168588
Category : Literary Criticism
Languages : en
Pages : 659
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Book Description
With the possible exception of Great Britain, France can justifiably lay claim to possess the richest literary history of any country in Western Europe. This book covers the authors and their works, literary movements, and philosophical and social developments that have had a direct impact on style or content, and major historical events such as the two world wars, the Franco-Prussian War, the Algerian War, or the events of May 1968 that are directly reflected in a substantial body of imaginative writing. Historical Dictionary of French Literature, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on individual writers and key texts, significant movements, groups, associations, and periodicals, and on the literary reactions to major national and international events such as revolutions and wars. This book is an excellent resource for students, researchers, and anyone wanting to know more about French literature.
Author: Karen L. Taylor
Publisher: Infobase Publishing
ISBN: 0816074992
Category : Electronic books
Languages : en
Pages : 497
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Book Description
French novels such as "Madame Bovary" and "The Stranger" are staples of high school and college literature courses. This work provides coverage of the French novel since its origins in the 16th century, with an emphasis on novels most commonly studied in high school and college courses in world literature and in French culture and civilization.
Author: M. Ryle
Publisher: Springer
ISBN: 1137349557
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
A collection of essays on the 1960s experimental writer B.S. Johnson, this book draws together new research on all aspects of his work, and, in tracing his connections to a wider circle of continental, British and American avant-garde writers, offers exciting new approaches to reading 1960s experimental fiction.
Author: Cristopher Nash
Publisher: Taylor & Francis
ISBN: 1040145191
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
Contemporary readers face a literature that seems to ‘speak for’ them, yet they often struggle to say just how or why. Out of the deluge of works from such writers as Barth, Barthelme, Beckett, Borges, Brooke-Rose, Burroughs, Butor, Calvino, Cortázar, Federman, Fuentes, Le Guin, Márquez, McElroy, Nabokov, O’Brien, Pynchon, Robbe-Grillet, Sanguineti, Sarraute, Sollers, Sukenick, Tolkien, Vonnegut, new words and world-models that demand understanding fill the air. Yet they seem frequently beyond reach because the framework of ideas within which this often brilliant but seemingly bewilderingly disparate flood of discourses might make sense remains largely unexpressed. Beginning with the first concisely concerted assessment in English of the premisses and practice of Realism as viewed by those who feel that there is no choice but to move on, this book (first published in 1987) confronts the vocabulary and rhetoric of current radical theory with the actual procedures of post-war fiction. In a spirit of challenging experiment, it scrutinizes the themes, motifs, and strategies of contemporary narrative and reveals an unsuspected continuity of hitherto concealed premisses and dilemmas built into recent postmodern and poststructuralist thought. As provocative as the literature it regards, it proposes that anti-Realism is no longer merely a ‘movement’ – that it has become a massive and equally conventionalized and problematical tradition living alongside Realism throughout the Western world.
Author: Léonard A. Rosmarin
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
"In this first comprehensive study of Pinget published in English, Leonard A. Rosmarin argues that each of Pinget's novels, plays, and even narratives represents successive stages in an inner voyage of exploration. As Pinget probes deeper and deeper into his imaginary universe, its confines, Rosmarin asserts, seem to expand, opening up innumerable perspectives, bringing forth all kinds of disquieting paradoxes." "Rosmarin shows how Pinget's fascination with the subconscious explains, at least in part, his attraction to the Nouveau Roman. Lucid control is a means to an end, Rosmarin maintains, with the end being the in-depth exploration of the unfathomable riches hidden within the subconscious. Because the subconscious contains an infinite variety of possibilities to explore, Pinget has always found it necessary to devise a special tone for each novel he embarked on." "Ultimately, Rosmarin observes that Pinget, like his enigmatic protagonists, has embarked on an endless search for a magical formula - the essential truth or truths of his being that will make him whole again."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Adam Guy
Publisher: Oxford University Press
ISBN: 0192589946
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
The nouveau roman and Writing in Britain After Modernism recovers a neglected literary history. In the late 1950s, news began to arrive in Britain of a group of French writers who were remaking the form of the novel. In the work of Michel Butor, Marguerite Duras, Robert Pinget, Alain Robbe-Grillet, Nathalie Sarraute, and Claude Simon, the hallmarks of novelistic writing—discernible characters, psychological depth, linear chronology—were discarded in favour of other aesthetic horizons. Transposed to Britain's highly polarized literary culture, the nouveau roman became a focal point for debates about the novel. For some, the nouveau roman represented an aberration, and a pernicious turn against the humanistic values that the novel embodied. For others, it provided a route out of the stultifying conventionality and conformism that had taken root in British letters. On both sides, one question persisted: given the innovations of interwar modernism, to what extent was the nouveau roman actually new? This book begins by drawing on publishers' archives and hitherto undocumented sources from a wide range of periodicals to show how the nouveau roman was mediated to the British public. Of central importance here is the publisher Calder & Boyars, and its belief that the nouveau roman could be enjoyed by a mass public. The book then moves onto literary responses in Britain to the nouveau roman, focusing on questions of translation, realism, the end of empire, and the writing of the project. From the translations of Maria Jolas, through to the hostile responses of the circle around C. P. Snow, and onto the literary debts expressed in novels by Brian W. Aldiss, Christine Brooke-Rose, Eva Figes, B. S. Johnson, Alan Sheridan, Muriel Spark, and Denis Williams, the nouveau roman is shown to be a central concern in the postwar British literary field.
