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Author: John Skelton
Publisher: BoD - Books on Demand
ISBN:
Category : Poetry
Languages : en
Pages : 78
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Book Description
"Magnifience" by John Skelton is a satirical poem that skewers the hypocrisy and moral decay of the English court during the reign of King Henry VIII. Through the antics of the parrot, who serves as a witty and outspoken commentator on the affairs of state, Skelton offers a biting critique of the corruption and excesses of the royal court. With its clever wordplay and irreverent humor, "Speke Parrot" provides a window into the political and social climate of the time, while also showcasing Skelton's mastery of poetic form and language. As a scathing indictment of the abuse of power and privilege, "Speke Parrot" remains a timeless work of satire that continues to resonate with readers today.
Author: John Skelton
Publisher: BoD - Books on Demand
ISBN:
Category : Poetry
Languages : en
Pages : 78
Get Book Here
Book Description
"Magnifience" by John Skelton is a satirical poem that skewers the hypocrisy and moral decay of the English court during the reign of King Henry VIII. Through the antics of the parrot, who serves as a witty and outspoken commentator on the affairs of state, Skelton offers a biting critique of the corruption and excesses of the royal court. With its clever wordplay and irreverent humor, "Speke Parrot" provides a window into the political and social climate of the time, while also showcasing Skelton's mastery of poetic form and language. As a scathing indictment of the abuse of power and privilege, "Speke Parrot" remains a timeless work of satire that continues to resonate with readers today.
Author: Jane Griffiths
Publisher: Oxford University Press
ISBN: 019927360X
Category : Language Arts & Disciplines
Languages : en
Pages : 226
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Book Description
John Skelton and Poetic Authority is the first book-length study of Skelton for almost twenty years, and the first to trace the roots of his poetic theory to his practice as a writer and translator. It demonstrates that much of what has been found challenging in his work may be attributed to his attempt to reconcile existing views of the poet's role in society with discoveries about the writing process itself. The result is a highly idiosyncratic poetics that locates thepoet's authority decisively within his own person, yet at the same time predicates his 'liberty to speak' upon the existence of an engaged, imaginative audience. Skelton is frequently treated as a maverick, but this book places his theory and practice firmly in the context of later sixteenth as well asfifteenth-century traditions. Focusing on his relations with both past and present readers, it reassess his place in the English literary canon.
Author: Alistair Fox
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 1032
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Book Description
Author: Elaine Treharne
Publisher: OUP Oxford
ISBN: 0191572594
Category : Literary Criticism
Languages : en
Pages : 792
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Book Description
The study of medieval literature has experienced a revolution in the last two decades, which has reinvigorated many parts of the discipline and changed the shape of the subject in relation to the scholarship of the previous generation. 'New' texts (laws and penitentials, women's writing, drama records), innovative fields and objects of study (the history of the book, the study of space and the body, medieval masculinities), and original ways of studying them (the Sociology of the Text, performance studies) have emerged. This has brought fresh vigour and impetus to medieval studies, and impacted significantly on cognate periods and areas. The Oxford Handbook of Medieval Literature in English brings together the insights of these new fields and approaches with those of more familiar texts and methods of study, to provide a comprehensive overview of the state of medieval literature today. It also returns to first principles in posing fundamental questions about the nature, scope, and significance of the discipline, and the directions that it might take in the next decade. The Handbook contains 44 newly commissioned essays from both world-leading scholars and exciting new scholarly voices. Topics covered range from the canonical genres of Saints' lives, sermons, romance, lyric poetry, and heroic poetry; major themes including monstrosity and marginality, patronage and literary politics, manuscript studies and vernacularity are investigated; and there are close readings of key texts, such as Beowulf, Wulf and Eadwacer, and Ancrene Wisse and key authors from Ælfric to Geoffrey Chaucer, Langland, and the Gawain Poet.
Author: John Skelton
Publisher:
ISBN:
Category :
Languages : en
Pages : 78
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Book Description
Author:
Publisher: BRILL
ISBN: 9401205892
Category : Drama
Languages : en
Pages : 380
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Book Description
The essays in this collection, contributed by an internationally distinguished group of scholars, bring up to date many aspects of the criticism of the English Interludes. The development of these plays was a significant part of the history of the growth of English drama in the sixteenth century to the extent that they may be regarded as its main stream. Arising by means of a felicitous combination of the development of printing and the growth of a professional theatre, plays of this type quickly became a forum for the presentation and exploration of many contemporary themes. They became a useful means of disseminating a wide variety of opinions and public concerns as well as exhibiting at times the intellectual brilliance of the Renaissance. The essays here are concentrated upon power, particularly in its religious and political aspects, gender and theatricality. The political and religious upheavals of the Reformation under the Tudor monarchy form a background as well as a focus at times. In particular the position of women in sixteenth-century society is examined in essays on several plays. There is also discussion of the development of theatrical techniques as playwrights worked closely with small acting companies to reach a wide audience ranging from the royal court to the common streets. This was achieved, as a number of essays make clear, through a variety of entertaining theatrical devices.
Author: John Skelton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 140
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Book Description
Author: Greg Walker
Publisher: Cambridge University Press
ISBN: 9780521374361
Category : Drama
Languages : en
Pages : 266
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Book Description
A detailed study of the interaction between drama and politics in the reign of Henry VIII. The subject is addressed both in general terms and through a series of case-studies of individual early Tudor plays. Through its innovative use of dramatic texts as historical source material, the book provides illuminating insights into the political and cultural history of the Henrician period, and into the perceived character of the King himself. It focuses on the troubled religious and political history of the reign, the culture of the Court, and the personality and governmental style of its head. In doing so the book argues for a reassessment of the reign, which places the King once more at the centre of affairs, and acknowledges the determining effect which this egotistical, charismatic but, above all, pragmatic monarch exercised on the artistic culture, as much as on the politics, of the Court. The book also demonstrates the close and specific links between the drama and the politics of the reign, through a detailed study of a number of key works, links which have hitherto been viewed only as general or peripheral.
Author: Sebastian I. Sobecki
Publisher: Boydell & Brewer
ISBN: 184384513X
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Introduces Skelton and his work to readers unfamiliar with the poet, gathers together the vibrant strands of existing research, and opens up new avenues for future studies.
Author: Thomas Betteridge
Publisher: OUP Oxford
ISBN: 0191651516
Category : Drama
Languages : en
Pages : 710
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Book Description
The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
