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Author: John T. Paoletti
Publisher: Laurence King Publishing
ISBN: 1856694399
Category : Art, Italian
Languages : en
Pages : 575
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Book Description
'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.
Author: Collegio Clementino (ROME, The City)
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
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Book Description
Author: Juan Antonio de VERA Y. FIGUEROA (Count de la Roca.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 246
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Book Description
Author: Christina (Queen of Sweden)
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Book Description
![Lettera circolare di Sua Maestà Fedelissima [dated: 19 Jan., 1759] a S. A. R. l'Arcivescovo di Braga Primate. Con cui gli trasmette copie dell'ordine regio ... per il sequestro di tutti i beni, ec., spettanti ai Padri Gesuiti del Regno: del sommario degli errori ... insegnati da'medesimi Gesuiti ... Della rappresentanza fatta dal Giudice del Popolo, etc PDF](https://books.google.com/books/content/images/frontcover/iWujEm1Z040C?fife=w80-h100)
Author: Portugal
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
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Book Description
![Alla sacra ... Maestà di Francesco I. ... per la riunione della provincia di Ragusa all' Impero, poesie. [By R. Androvich and others.] PDF](https://books.google.com/books/content/images/frontcover/v61WAAAAcAAJ?fife=w80-h100)
Author: Raffaele ANDROVICH
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
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Book Description
Author: Diana Norman
Publisher: Yale University Press
ISBN: 9780300061277
Category : Art
Languages : en
Pages : 314
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Book Description
The eleven papers in this volume present a series of case studies of major works of art either produced in Sien, Florence or Padua or executed by artists associated with the three cities. Contributors include: T Benton (The three cities compared: Urbanism) ; C Cunningham (The design of town halls) ; D Norman (Duccio's `Maestà') ; C Harrison (The Arena Chapel: Patronage and authorship) ; C King (Effigies: Human and Divine) ; T Benton (The design of Siena and Florence Duomos) ; D Norman (The paintings of the Sala dei Nove in the Palazzo Pubblico, Siena) ; D Norman (Change and continuity in Marian altarpieces) ; C King (Women as patrons: Nuns, widows and rulers) . These two volumes together form the basis of an Open University undergraduate course in art history.
Author: Giovanna Lucia DiGiacomo Costantini
Publisher:
ISBN:
Category :
Languages : en
Pages : 482
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Book Description
Author: Richard Kenneth Emmerson
Publisher: Taylor & Francis
ISBN: 0415973856
Category : Biography & Autobiography
Languages : en
Pages : 780
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Book Description
From emperors and queens to artists and world travelers, from popes and scholars to saints and heretics, Key Figures in Medieval Europe brings together in one volume the most important people who lived in medieval Europe between 500 and 1500. Gathered from the biographical entries from the on-going series, the Routledge Encyclopedias of the Middle Ages, these a-z biographical entries discuss the lives of over 600 individuals who have had a historical impact in such areas as politics, religion, or the arts. Individuals from places such as medieval England, France, Germany, Iberia, Italy, and Scandinavia are included as well as those from the Jewish and Islamic worlds. A thematic outline is included that lists people not only by categories, but also by regions. Entries fall under the following categories: * Artists/Architects * Authors * Commercial Figures * Musicians * Political Figures * Religious Figures * Scientific Figures * Travelers * Women In one convenient volume, students, scholars, and interested readers will find the biographies of the people whose actions, beliefs, creations, and writings shaped the Middle Ages, one of the most fascinating periods of world history.
Author: Diana Norman
Publisher: Yale University Press
ISBN: 0300080069
Category : Art
Languages : en
Pages : 276
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Book Description
Celebrating the Virgin Mary as both an object of religious affection and a focus of civic pride, artists of fourteenth-century Siena established for their city a vibrant tradition that continued into the early decades of the next century. Such celebratory portraits of the Virgin were also common in Siena's extensive subject territories, the contado. This richly illustrated book explores late medieval Sienese art--how it was created, commissioned, and understood by the citizens of Siena. Examining political, economic, and cultural relations between Siena and the contado, Diana Norman offers a new understanding of Marian art and its political function as an expression of civic ideology. Drawing on extensive unpublished archives, Norman reconstructs the circumstances surrounding the commission of Marian art in the three most prestigious locations of fourteenth-century Siena: the cathedral, the Palazzo Pubblico, and the hospital of Santa Maria della Scala. She analyzes similarly important commissions in the contado towns of Massa Marittima, Montalcino, and Montepulciano. Casting new light on such topics as the original site for the reliquary tomb of Saint Cerbone, patron saint of Massa Marittima, and the identity of the patrons of the Marian frescoes in the rural hermitage of San Leonardo al Lago, the author deepens our insight into the origins and meanings of Sienese art production of the late medieval period.
Author: Christa Gardner von Teuffel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 756
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Book Description
Christa Gardner von Teuffel's studies of Italian altarpieces have provided fundamental insights concerning the original structure and setting of some of the canonical monuments of Italian late medieval and Renaissance painting. Studies of panel type and frame architecture are combined with an investigation of original sites. Archival discoveries at Florence and Palermo have led to a new assessment of institutional patronage and private benefaction, and illuminated the formulation of altarpiece programmes, such as Perugino's Vallombrosan Assumption and Raphael's Lo Spasimo. These essays contribute enduringly to our understanding of contractual obligation, design process and altarpiece installation, and demonstrate the nexus between ecclesiastical and lay patrons, artists and congregations. The author's pioneering examination of Carmelite patronage and subsequent investigation of the iconographical impact of Benedictine and Franciscan reform movements have prompted others to re-assess the patronage of religious Orders in the Quattrocento. The pervasive iconographical influence of the Holy Land is traced through Sansepolcro, Santa Croce in Gerusalemme at Rome and as far as the astonishing View of Sinai by El Greco.
