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Author: Anne Ellegood
Publisher: Prestel Publishing
ISBN: 9783791352312
Category : Art
Languages : en
Pages : 0
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Book Description
Bringing together the work of 60 artists from in and around Los Angeles--many of them emerging or under-recognized--this collection of paintings, sculpture, installations, and stills from video and performance art offers a snapshot of the current trends and practices coming out of one of the world's most active and energetic art communities. The book features 52 visual artists and 8 performance artists, each in double-page spreads, while an essay with contributions from the exhibition's 5 curators highlights the challenges and rewards of mounting such an extensive project. This groundbreaking exhibition takes place simultaneously at multiple Los Angeles locations: the Hammer Museum, LA>
Author: Anne Ellegood
Publisher: Prestel Publishing
ISBN: 9783791352312
Category : Art
Languages : en
Pages : 0
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Book Description
Bringing together the work of 60 artists from in and around Los Angeles--many of them emerging or under-recognized--this collection of paintings, sculpture, installations, and stills from video and performance art offers a snapshot of the current trends and practices coming out of one of the world's most active and energetic art communities. The book features 52 visual artists and 8 performance artists, each in double-page spreads, while an essay with contributions from the exhibition's 5 curators highlights the challenges and rewards of mounting such an extensive project. This groundbreaking exhibition takes place simultaneously at multiple Los Angeles locations: the Hammer Museum, LA>
Author: Myriam Ben Salah
Publisher: National Geographic Books
ISBN: 379135910X
Category : Art
Languages : en
Pages : 0
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Book Description
Made in L.A. 2020: a version brings together an intergenerational and interdisciplinary mix of artists, each of whom is contributing to L.A.'s vibrant art scene. Since its inception in 2012, the Hammer Museum's Made in L.A. biennial has brought together local artists from a wide range of discipline. Under the direction of co-curators Myriam Ben Salah and Lauren Mackler, the 2020 iteration will be no exception. The Hammer's Ikechukwu Onyewuenyi, who has previously served with Performa and The Kitchen in New York, will assist in the organization of the 2020 biennial in the role of assistant curator for performance. Drawing inspiration from historical artist magazines, this book is not documentation of the artists' work, but rather serves as an additional venue for the exhibition. It includes images of the artists' studios, art made specifically for the pages of the book, as well as essays and conversations between artists and curators that weave together the conceptual through-lines of the show. This book is published in two different covers. Published with the Hammer Museum
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Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 10
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Book Description
The first Los Angeles biennial, Made in L.A. 2012, organized by the Hammer Museum in collaboration with LAXART, will be presented at the Hammer, LAXART, and the Department of Cultural Affairs’ Los Angeles Municipal Art Gallery at Barnsdall Park. The exhibition will feature works by 60 artists from the L.A. region, with an emphasis on emerging and under-recognized artists, and will debut new installations, videos, films, sculptures, performances, and paintings produced for the biennial. This exhibition will offer a snapshot of the current trends and practices coming out of Los Angeles, one of the most active and energetic art communities worldwide. The biennial is organized by a team of curators from both institutions, including Hammer senior curator Anne Ellegood, Hammer curator Ali Subotnick, LAXART director and chief curator Lauri Firstenberg, LAXART associate director and senior curator Cesar Garcia, and LAXART curator-at-large Malik Gaines. Hammer Museum website.
Author: Anne Ellegood
Publisher: National Geographic Books
ISBN: 3791357417
Category : Art
Languages : en
Pages : 0
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Book Description
This book presents work featured in the 2018 edition of Made in L.A., the Hammer Museum's biennial exhibition. Since its inception in 2012, Made in L.A. has been bringing together regional artists from every discipline and has been curated by some of the most exciting figures in the art world. 2018 is no exception. Spanning sculpture, painting, installation, film and video, music, and performance, the exhibition is dedicated to giving emerging artists a platform alongside influential artists of an earlier generation. This volume features texts on each artist's practice, alongside a round table conversation exploring the city's various artistic communities and the latest preoccupations and inspirations driving artists' work today. This sumptuous catalog reveals the enormous diversity among L.A.'s artists and what makes the city such a vibrant cultural capital. Published in association with the Hammer Museum
Author: Aram Moshayedi
Publisher: Prestel
ISBN: 9783791355139
Category : Art, American
Languages : en
Pages : 0
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Book Description
"Each iteration of Made in L.A. sheds new light on the creative work of artists based in Los Angeles, expanding on the work of its predecessors and forging new relationships with the city's diverse artistic communities. 'Made in L.A. 2016: a, the, though, only' continues in this vein and investigates what is vital and distinctive about Los Angeles as an international destination and cutting-edge art center and how its artists--from vastly different backgrounds and disciplines--resist and defy categorization"--Foreword.
Author: Kellie Jones
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 362
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Book Description
This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.
Author: Margaret Atwood
Publisher: McClelland & Stewart
ISBN: 0771008791
Category : Fiction
Languages : en
Pages : 370
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Book Description
An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.
Author: Claire Bishop
Publisher: Verso Books
ISBN: 1781683972
Category : Art
Languages : en
Pages : 483
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Book Description
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Author: Daron Acemoglu
Publisher: Currency
ISBN: 0307719227
Category : Business & Economics
Languages : en
Pages : 546
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Book Description
Brilliant and engagingly written, Why Nations Fail answers the question that has stumped the experts for centuries: Why are some nations rich and others poor, divided by wealth and poverty, health and sickness, food and famine? Is it culture, the weather, geography? Perhaps ignorance of what the right policies are? Simply, no. None of these factors is either definitive or destiny. Otherwise, how to explain why Botswana has become one of the fastest growing countries in the world, while other African nations, such as Zimbabwe, the Congo, and Sierra Leone, are mired in poverty and violence? Daron Acemoglu and James Robinson conclusively show that it is man-made political and economic institutions that underlie economic success (or lack of it). Korea, to take just one of their fascinating examples, is a remarkably homogeneous nation, yet the people of North Korea are among the poorest on earth while their brothers and sisters in South Korea are among the richest. The south forged a society that created incentives, rewarded innovation, and allowed everyone to participate in economic opportunities. The economic success thus spurred was sustained because the government became accountable and responsive to citizens and the great mass of people. Sadly, the people of the north have endured decades of famine, political repression, and very different economic institutions—with no end in sight. The differences between the Koreas is due to the politics that created these completely different institutional trajectories. Based on fifteen years of original research Acemoglu and Robinson marshall extraordinary historical evidence from the Roman Empire, the Mayan city-states, medieval Venice, the Soviet Union, Latin America, England, Europe, the United States, and Africa to build a new theory of political economy with great relevance for the big questions of today, including: - China has built an authoritarian growth machine. Will it continue to grow at such high speed and overwhelm the West? - Are America’s best days behind it? Are we moving from a virtuous circle in which efforts by elites to aggrandize power are resisted to a vicious one that enriches and empowers a small minority? - What is the most effective way to help move billions of people from the rut of poverty to prosperity? More philanthropy from the wealthy nations of the West? Or learning the hard-won lessons of Acemoglu and Robinson’s breakthrough ideas on the interplay between inclusive political and economic institutions? Why Nations Fail will change the way you look at—and understand—the world.
Author: Mia Fineman
Publisher: Metropolitan Museum of Art
ISBN: 1588394735
Category : Exhibitions
Languages : en
Pages : 298
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Book Description
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.
