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Author: George Maciunas
Publisher: Gilbert and Lila Silverman Fluxus Collection/V
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
Below the level of the musical note lies the realm of microsound, of sound particleslasting less than one-tenth of a second. Recent technological advances allow us to probe andmanipulate these pinpoints of sound, dissolving the traditional building blocks of music -- notesand their intervals -- into a more fluid and supple medium. The sensations of point, pulse (seriesof points), line (tone), and surface (texture) emerge as particle density increases. Soundscoalesce, evaporate, and mutate into other sounds.Composers have used theories of microsound incomputer music since the 1950s. Distinguished practitioners include Karlheinz Stockhausen and IannisXenakis. Today, with the increased interest in computer and electronic music, many young composersand software synthesis developers are exploring its advantages. Covering all aspects of compositionwith sound particles, Microsound offers composition theory, historical accounts, technicaloverviews, acoustical experiments, descriptions of musical works, and aesthetic reflections. Thebook is accompanied by an audio CD of examples.
Author: George Maciunas
Publisher: Gilbert and Lila Silverman Fluxus Collection/V
ISBN:
Category : Art
Languages : en
Pages : 136
Get Book
Book Description
Below the level of the musical note lies the realm of microsound, of sound particleslasting less than one-tenth of a second. Recent technological advances allow us to probe andmanipulate these pinpoints of sound, dissolving the traditional building blocks of music -- notesand their intervals -- into a more fluid and supple medium. The sensations of point, pulse (seriesof points), line (tone), and surface (texture) emerge as particle density increases. Soundscoalesce, evaporate, and mutate into other sounds.Composers have used theories of microsound incomputer music since the 1950s. Distinguished practitioners include Karlheinz Stockhausen and IannisXenakis. Today, with the increased interest in computer and electronic music, many young composersand software synthesis developers are exploring its advantages. Covering all aspects of compositionwith sound particles, Microsound offers composition theory, historical accounts, technicaloverviews, acoustical experiments, descriptions of musical works, and aesthetic reflections. Thebook is accompanied by an audio CD of examples.
Author: Emmett Williams
Publisher: Thames & Hudson
ISBN: 9780500974612
Category : Art
Languages : en
Pages : 352
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Book Description
George Maciunas was the founder and leader of a radical and experimental art movement of the 1960s known as Fluxus--which rejected traditional high art to practice an extraordinary form of anti-art. Maciunas attempted to rule Fluxus in totalitarian fashion, yet he laughed at himself and called forth laughter in others. This biography reveals the story of an unorthodox, contradictory, and elusive genius. 107 illustrations.
Author: Thomas Kellein
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 180
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Book Description
A biography of this leading member of the Fluxus movement. George Maciunas (1931-1978) established strangely radical modes of presentation in the name of Fluxus. In his view the bulk of the conventional art business--museums, theaters, concert halls, opera houses, and publishers--should cease to exist. Traditional works of art were to be replaced by Fluxus. Art was to be so uncomplicated that it could be realized by anyone, anywhere. New pieces would have their copyrights protected and would be available for the price of a paperback. Maciunas was a staunch opponent of personal enrichment and came up with spartan solutions for almost every life situation. Despite his tireless efforts, he never achieved his ultimate goal, and he died impoverished and in miserable circumstances. 100 duotone illustrations.
Author: Andreas Broeckmann
Publisher: MIT Press
ISBN: 0262035065
Category : Art
Languages : en
Pages : 400
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Book Description
An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.
Author: Colby Chamberlain
Publisher: University of Chicago Press
ISBN: 0226831388
Category : Art
Languages : en
Pages : 297
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Book Description
A new, innovative approach to the work of Fluxus artist George Maciunas. Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In Fluxus Administration, critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas’s varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy. In this deeply researched study, Chamberlain traces how Maciunas’s art insinuated itself into settings as unlikely as the routes of the postal service, the fine print of copyright law, the zoning strictures of urban planning, and the corridors of hospitals. These shifting frames of reference expand our understanding of where an artistic practice can operate and what forms it might assume. In particular, Chamberlain draws on media theory to highlight Maciunas’s ingeniously crafted paperwork, much of which is beautifully reproduced here for the first time.
Author: Hannah Higgins
Publisher: Univ of California Press
ISBN: 0520228677
Category : Art
Languages : en
Pages : 278
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Book Description
Hannah Higgins explores the influential art movement Fluxus. Daring, disparate and contentious, Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers as affirming transactions between the self and the world.
Author: Eva Respini
Publisher: Yale University Press
ISBN: 0300228252
Category : Art
Languages : en
Pages : 317
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Book Description
Art in the Age of the Internet, 1989 to Today is the first major thematic group exhibition in the United States to examine the radical impact of internet culture on visual art. Featuring 60 artists, collaborations, and collectives, the exhibition is comprised of over 70 works across a variety of mediums, including painting, performance, photography, sculpture, video, web-based projects, and virtual reality. The exhibition is divided into five sections that explore themes such as emergent ideas of the body and notions of human enhancement; the internet as a site of both surveillance and resistance; the circulation and control of images and information; the possibilities for exploring identity and community afforded by virtual domains; and new economies of visibility accelerated by social media. Throughout, the work in the exhibition addresses the internet-age democratization of culture that comprises our current moment. The earliest work in the exhibition is from 1989, the year that Tim Berners-Lee invented the World Wide Web. This development, and others that followed in quick succession, modernized the internet, and in the process radically changed our way of life--from how we access and generate information, make friends and share experiences, to how we imagine our future bodies and how nations police national security. 1989 also marked a watershed moment across the globe, with significant shifts in politics, geographies, and economies. Events such as the fall of the Berlin Wall and protests in Tiananmen Square signaled the beginning of our current globalized age, which cannot be imagined without the internet.
Author: Brigid Cohen
Publisher: University of Chicago Press
ISBN: 0226818020
Category : Music
Languages : en
Pages : 390
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Book Description
Through archival work and storytelling, Musical Migration and Imperial New York revises many inherited narratives about experimental music and art in postwar New York. From the urban street level of music clubs and arts institutions to the world-making routes of global migration and exchange, this book redraws the map of experimental art to reveal the imperial dynamics and citizenship struggles that continue to shape music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years, Brigid Cohen looks at a wide range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Edgard Varèse, Charles Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity. Cohen links them with other migrant creators vital to the city’s postwar culture boom, creators whose stories have seldom been told (Halim El-Dabh, Michiko Toyama, Vladimir Ussachevsky). She also gives sustained and serious treatment to the work of Yoko Ono, something long overdue in music scholarship. Musical Migration and Imperial New York is indispensable reading, offering a new understanding of global avant-gardes and American experimental music as well as the contrasting feelings of belonging and exclusion on which they were built.
Author: Mari Dumett
Publisher: Univ of California Press
ISBN: 0520290380
Category : Art
Languages : en
Pages : 396
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Book Description
The first extended study of the renowned artists’ collective Fluxus, Corporate Imaginations examines the group as it emerged on three continents from 1962 to 1978 in its complexities, contradictions, and historical specificity. The collective’s founder, George Maciunas, organized Fluxus like a multinational corporation, simulating corporate organization and commodity flows, yet it is equally significant that he imagined critical art practice in this way at that time. For all its avant-garde criticality, Fluxus also ambivalently shared aspects of the rising corporate culture of the day. In this book, Mari Dumett addresses the “business” of Fluxus and explores the larger discursive issues of organization, mediatization, routinization, automation, commoditization, and systematization that Fluxus artists both manipulated and exposed. A study of six central figures in the group—George Brecht, Alison Knowles, George Maciunas, Nam June Paik, Mieko Shiomi, and Robert Watts—reveals how they developed historically specific strategies of mimicking the capitalist system. These artists appropriated tools, occupied spaces, revealed operations, and, ultimately, “performed the system” itself via aesthetics of organization, communication, events, branding, routine, and global mapping. Through “corporate imaginations,” Fluxus artists proposed “strategies for living” as conscious creative subjects within a totalizing and increasingly global system, demonstrating how these strategies must be repeated in an ongoing negotiation of new relations of power and control between subject and system.
Author: Tatiana Bazzichelli
Publisher: BoD – Books on Demand
ISBN: 8791810086
Category : Computers
Languages : en
Pages : 338
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Book Description
Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book is a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities. The Italian network proposes a form of critical information, disseminated through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during the past twenty years a vast national network of people who share political, cultural and artistic views has been formed. The book describes the evolution of the Italian hacktivism and net culture from the 1980s till today. It builds a reflection on the new role of the artist and author who becomes a networker, operating in collective nets, reconnecting to Neoavant-garde practices of the 1960s (first and foremost Fluxus), but also Mail Art, Neoism and Luther Blissett. A path which began in BBSes, alternative web platforms spread in Italy through the 1980s even before the Internet even existed, and then moved on to Hackmeetings, to Telestreet and networking art by different artists such as 0100101110101101.ORG, [epidemiC], Jaromil, Giacomo Verde, Giovanotti Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi, Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca, Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many others.
