Author: Hal Leonard Corp
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780634025655
Category : Popular music
Languages : en
Pages : 0
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Book Description
(Lyric Library). This exciting new book compiles the lyrics to more than 1,000 songs, in genres ranging from Broadway to jazz standards to early rock 'n' roll to rap to Tin Pan Alley to love songs to today's favorite hits! Highlights include: Adia * All I Ask of You * All You Need Is Love * Always * Amazed * And So It Goes * Angel * Barely Breathing * Beast of Burden * Beauty and the Beast * Bewitched * Brand New Day * Breathe * Building a Mystery * Can You Feel the Love Tonight * Can't Help Falling in Love * Come Rain or Come Shine * Could I Have This Dance * Crazy * A Day in the Life * Diamonds Are a Girl's Best Friend * Don't Fear the Reaper * Don't Get Around Much Anymore * Edelweiss * Eleanor Rigby * Endless Love * Every Breath You Take * Fast Car * Fields of Gold * The First Time Ever I Saw Your Face * Fly Me to the Moon * The Fool on the Hill * Forever Young * 4 Seasons of Loneliness * Friends in Low Places * Galileo * Genie in a Bottle * Gettin' Jiggy Wit It * Give Me One Reason * Grow Old with Me * Here, There and Everywhere * Hey Jude * Hold My Hand * How Am I Supposed to Live Without You * How Deep Is Your Love * I Don't Want to Wait * I Heard It Through the Grapevine * I Write the Songs * Imagine * Iris * Isn't It Romantic? * Joy to the World * King of Pain * Lady in Red * Let It Be * Love Me Tender * Luck Be a Lady * Lucy in the Sky with Diamonds * Mambo No. 5 (A Little Bit of ...) * Misty * Moon River * More Than Words * My Funny Valentine * My Girl * My Heart Will Go On * Our House * Owner of a Lonely Heart * Penny Lane * Piano Man * The Rainbow Connection * Rainy Days and Mondays * Real World * Reflection * Respect * Rhiannon * Ribbon in the Sky * The River of Dreams * Route 66 * Sgt. Pepper's Lonely Hearts Club Band * Sometimes When We Touch * Stella by Starlight * Stormy Weather * Strawberry Fields Forever * There's No Business like Show Business * 3 AM * Three Times a Lady * Time in a Bottle * Turn! Turn! Turn! * The Way We Were * We've Only Just Begun * What a Wonderful World * When I Fall in Love * Where Have All the Cowboys Gone? * A Whiter Shade of Pale * A Whole New World * With a Little Help from My Friends * Yesterday * You'll Be in My Heart * You're the Inspiration * You've Got a Friend * and hundreds more! Songs are presented alphabetically, and the book also includes an artist index, a songwriter index, and an index listing songs from musicals, movies and television.
Author: Jonathan Culler
Publisher: Harvard University Press
ISBN: 0674425804
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
What sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric—the older Romantic model and the modern conception that has come to dominate the study of poetry—both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities. “Theory of the Lyric brings Culler’s own earlier, more scattered interventions together with an eclectic selection from others’ work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers’ attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems.” —Elizabeth Helsinger, Critical Theory
Author: Robert von Hallberg
Publisher: University of Chicago Press
ISBN: 0226865029
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
The authority of poetry varies from one period to another, from one culture to another. For Robert von Hallberg, the authority of lyric poetry has three sources: religious affirmation, the social institutions of those who speak the idioms from which particular poems are made, and the extraordinary cognition generated by the formal and musical resources of poems. Lyric Powers helps students, poets, and general readers to recognize the pleasures and understand the ambitions of lyric poetry. To explain why a reader might prefer one kind of poem to another, von Hallberg analyzes—beyond the political and intellectual significance of poems—the musicality of both lyric poetry and popular song, including that of Tin Pan Alley and doo-wop. He shows that poets have distinctive intellectual resources—not just rhetorical resources—for examining their subjects, and that the power of poetic language to generalize, not particularize, is what justly deserves a critic’s attention. The first book in more than a decade from this respected critic, Lyric Powers will be celebrated as a genuine event by readers of poetry and literary criticism.
Author: Claudia Rankine
Publisher: Graywolf Press
ISBN: 1555973485
Category : Literary Collections
Languages : en
Pages : 166
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Book Description
* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.
Author: Andrea Stolpe
Publisher: Hal Leonard Corporation
ISBN: 1476867437
Category : Music
Languages : en
Pages : 113
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Book Description
(Berklee Guide). Write songs that sell! Hit-songwriter/educator Andrea Stolpe shares time-tested tools of commercial songwriting. Her ten-step process will help you to craft lyrics that communicate heart to heart with your audience. She analyzes hit lyrics from artists such as Faith Hill and John Mayer, and reveals why they are successful and how you can make your own songs successful too. Stolpe advises on how to: streamline and accelerate your writing process; use lyric structures and techniques at the heart of countless hit songs; write even when you're not inspired; more!
Author: Ziggy Alberts
Publisher:
ISBN: 9780648705703
Category :
Languages : en
Pages :
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Book Description
This isn't just any lyric book, this is a work of passion, lovingly hand drawn and designed by fan, Leonor Araújo. It's a beautiful story and illustrated description of a fan's interpretation of Ziggy's lyrics. A coffee table book to treasure and bring a smile to your face for years to come.Featuring Ziggy Alberts 'Hands I Can Hold' lyrics and original artwork by Leonor Araújo.
Author: Sharon Hinck
Publisher: NavPress Publishing Group
ISBN: 9781600061318
Category : Christian fiction
Languages : en
Pages : 0
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Book Description
When Susan stumbles into an alternate universe, she must overcome tremendous odds to deliver a desperate people and restore hope to a world far from her own.
Author: G. Gabrielle Starr
Publisher: JHU Press
ISBN: 1421418223
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Eighteenth-century British literary history was long characterized by two central and seemingly discrete movements—the emergence of the novel and the development of Romantic lyric poetry. In fact, recent scholarship reveals that these genres are inextricably bound: constructions of interiority developed in novels changed ideas about what literature could mean and do, encouraging the new focus on private experience and self-perception developed in lyric poetry. In Lyric Generations, Gabrielle Starr rejects the genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead that novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice. "Refreshingly, this impressive study of poetic form does not read the eighteenth century as a slow road to Romanticism, but fleshes out the period with surprising and important new detail."—Times Literary Supplement G. Gabrielle Starr is the Seryl Kushner Dean of the College of Arts and Science and a professor of English at New York University. She is the author of Feeling Beauty: The Neuroscience of Aesthetic Experience.
Author: Mutlu Blasing
Publisher: Princeton University Press
ISBN: 1400827418
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.
Author: Sharon Cameron
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 418
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Book Description
Lyric Time offers a detailed critical reading of a particularly difficult poet, an analysis of the dominance of temporal structures and concerns in the body of her poetry, and finally, an important original contribution to a theory of the lyric. Poised between analysis of Emily Dickinson's poetic texts and theoretical inquiry, Lyric Time suggests that the temporal problems of Dickinson's poems are frequently exaggerations of the features that distinguish the lyric as a genre. "It is precisely the distance some of Dickinson's poems go toward the far end of coherence, precisely the outlandishness of their extremity, that allows us to see, magnified, the fine workings of more conventional lyrics," writes Sharon Cameron. Lyric Time is written for the literary audience at large—Dickinsonians, romanticists, theorists, anyone interested in American poetry, or in poetry at all, and especially anyone who admires a risky book that succeeds.
