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Author: Thomas Ford
Publisher: A-R Editions, Inc.
ISBN: 0895794128
Category : Music
Languages : en
Pages : 106
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Book Description
Enth.: Tabulatur und Transkr.
Author: Thomas Ford
Publisher: A-R Editions, Inc.
ISBN: 0895794128
Category : Music
Languages : en
Pages : 106
Get Book Here
Book Description
Enth.: Tabulatur und Transkr.
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1400
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Book Description
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1924
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Book Description
Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378
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Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1460
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Book Description
Author: Andrew Ashbee
Publisher: Routledge
ISBN: 0429766076
Category : Music
Languages : en
Pages : 375
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Book Description
First published in 1998, this volume comprises papers given at a conference on Lawes and his music held at Oxford in September 1995 to commemorate the 350th anniversary of his death. They examine not only Lawes’s music but the milieu in which he worked. Part One examines the musical life of the English Court in Lawes’s day, noting his activities there and his involvement with companies of players. Manuscript studies and a detailed account of the fatal battle are also included. Part Two comprises seven essays exploring the wide range of his instrumental and vocal music. William Lawes is acknowledged as the most exciting and innovative composer working in England during the reign of Charles I. His tragic early death at the Siege of Chester in 1645 only served to heighten his reputation among his contemporaries, lending him also the cloak of martyrdom in the service of his king.
Author: William Babell
Publisher: A-R Editions, Inc.
ISBN: 0895795760
Category : Music
Languages : en
Pages : 130
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Book Description
Pagination: xvii + 82 pp.Parts (violin) available as B140P
Author: Stewart Carter
Publisher: Indiana University Press
ISBN: 0253005280
Category : Music
Languages : en
Pages : 558
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Book Description
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Author: Silvius Leopold Weiss
Publisher: A-R Editions, Inc.
ISBN: 0895795515
Category : Biography & Autobiography
Languages : en
Pages : 138
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Book Description
xxii + 102 pp.Performance part (lute) available from publisher.
Author: John Blow
Publisher: A-R Editions, Inc.
ISBN: 0895796511
Category : Music
Languages : en
Pages : 128
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Book Description
The eight verse anthems in this edition constitute the only full scores of works in Blow's hand that survive in this abundant genre. The scores are located in two manuscripts that are now parts of the collections at Christ Church, Oxford, and the Fitzwilliam Museum, Cambridge. The Oxford manuscript includes five anthems from the 1670s, and each displays a variety of structural and musical-rhetoric procedures, making them ideal representatives of Blow's multifaceted early style. The Cambridge manuscript dates from ca. 1704 and contains three late works on a much larger scale. As a group, the later anthems require considerably greater virtuosity from the solo singers, and individual verse sections grow both longer and more numerous. As representative examples within a much larger repertoire, the works selected for this edition help to reveal important facets in the career of the first person to hold the title, Composer of the Chapel Royal.
