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Author: Djuna Barnes
Publisher: Faber & Faber
ISBN: 057135467X
Category : Fiction
Languages : en
Pages : 43
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Book Description
Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. 'I have quite changed my mind. I am going to run away and become a boy.' In these three stories, written by Djuna Barnes under the pseudonym Lydia Steptoe, three characters find themselves on the brink of a sexual awakening - accompanied by guns, whips, and worldly innuendo. A fourteen-year-old girl plans to become 'a virago', until her mother intercepts her first tryst by dressing up as her male lover. A boy of the same age is lured into the forest by his father's mistress. A woman of forty falls in love and longs to kill herself, so unbearable is the return of the youth she thought she wanted. 'Alice', she tells herself, 'be a man.' Barnes makes gender and desire seem slippery and joyful - and makes the fictional Lydia Steptoe seem like a writer for our time.
Author: Djuna Barnes
Publisher: Faber & Faber
ISBN: 057135467X
Category : Fiction
Languages : en
Pages : 43
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Book Description
Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. 'I have quite changed my mind. I am going to run away and become a boy.' In these three stories, written by Djuna Barnes under the pseudonym Lydia Steptoe, three characters find themselves on the brink of a sexual awakening - accompanied by guns, whips, and worldly innuendo. A fourteen-year-old girl plans to become 'a virago', until her mother intercepts her first tryst by dressing up as her male lover. A boy of the same age is lured into the forest by his father's mistress. A woman of forty falls in love and longs to kill herself, so unbearable is the return of the youth she thought she wanted. 'Alice', she tells herself, 'be a man.' Barnes makes gender and desire seem slippery and joyful - and makes the fictional Lydia Steptoe seem like a writer for our time.
Author: Djuna Barnes
Publisher: Faber & Faber Limited
ISBN: 9780571352470
Category : Man-woman relationships
Languages : en
Pages : 48
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Book Description
In these three stories, written by Djuna Barnes under the pseudonym Lydia Steptoe, three characters find themselves on the brink of a sexual awakening - accompanied by guns, whips, and worldly innuendo.
Author: Kazuo Ishiguro
Publisher: Faber & Faber Limited
ISBN: 9780571351749
Category : Friendship
Languages : en
Pages : 0
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Book Description
In Kazuo Ishiguro's hands, a snapshot of domestic realism becomes a miniature masterpiece of memory and forgetting.
Author: Robert Aickman
Publisher: Faber & Faber
ISBN: 0571354661
Category : Fiction
Languages : en
Pages : 60
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Book Description
Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. In perhaps the most magnificent of what he called his 'strange stories', Robert Aickman blurs the lines between memory, premonition and the hallucinated life.Lene, a woman now recovering from the losses of the Second World War, recalls a gothic dolls' house of her childhood and the way in which its uncanny inhabitants entered her dreams. Most chillingly, the geometries of the house didn't add up; there had to be a secret room inside it.Years later, she comes across a life-size version in a wood not marked on any map . . .
Author: Djuna Barnes
Publisher: Simon and Schuster
ISBN: 1961341239
Category : Fiction
Languages : en
Pages : 165
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Book Description
The best of Djuna Barnes’s dark, droll, incisive short fiction, spanning her all-too-brief career, edited and introduced by Merve Emre. Djuna Barnes is rightly remembered for Nightwood, her breakthrough and final novel: a hallmark of modernist literature, championed by T. S. Eliot, and one of the first, strangest, and most brilliant novels of love between women to be published in the twentieth century. Barnes’s career began long before Nightwood, however, with journalism, essays, drama, and satire of extraordinary wit and courage. Long into her later life, after World War II, when she published nothing more, it was her short fiction above all that she prized and would continue to revise. Here are all the stories Barnes sought to preserve, in the versions she preferred, as well as a smattering of rarities as selected by critic and New Yorker contributor Merve Emre. These are tales of women “‘tragique’ and ‘triste’ and ‘tremendous’ all at once,” of sons and daughters being initiated into the ugly comedy of life, monuments all to a worldview singular and scathing. As Emre writes in her foreword, “[Barnes’s] themes are love and death, especially in Paris and New York; the corruption of nature by culture; the tainted innocence of children; and the mute misery of beasts . . . her characters may be alien to life, but they are alive—spectacularly, grotesquely alive.”
Author: Renée Watson
Publisher: Bloomsbury Publishing USA
ISBN: 1681191091
Category : Juvenile Fiction
Languages : en
Pages : 227
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Book Description
From Newbery Honor- and Coretta Scott King Author Award-winning, New York Times bestselling author Renée Watson comes a heartwarming and inspiring novel for middle schoolers about finding deep roots and exploring the past, the present, and the places that make us who we are. All Amara wants for her birthday is to visit her father's family in New York City--Harlem, to be exact. She can't wait to finally meet her Grandpa Earl and cousins in person, and to stay in the brownstone where her father grew up. Maybe this will help her understand her family--and herself--in new way. But New York City is not exactly what Amara thought it would be. It's crowded, with confusing subways, suffocating sidewalks, and her father is too busy with work to spend time with her and too angry to spend time with Grandpa Earl. As she explores, asks questions, and learns more and more about Harlem and about her father and his family history, she realizes how, in some ways more than others, she connects with him, her home, and her family. Acclaim for Piecing Me Together Newbery Honor Book Coretta Scott King Author Award Los Angeles Times Book Prize, Young Adult Finalist A New York Public Library Best Book for Teens A Chicago Public Library Best Book, Teen Fiction An ALA Top Ten Best Fiction for Young Adults An NPR Best Book A Kirkus Reviews' Best Teen Book A Refinery29 Best Book
Author: Djuna Barnes
Publisher: Sun and Moon Press
ISBN:
Category : Fiction
Languages : en
Pages : 496
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Book Description
In this carefully edited collection, which contains several unpublished works, all of Barnes's stories are brought together for the first time. These stories, along with earlier ones, reveal the breadth and consistency of Barnes's story writing and should establish her as one of the most interesting and vital storytellers of American literature after World War I.
Author: Djuna Barnes
Publisher: Deep Vellum Publishing
ISBN: 1628975237
Category : Fiction
Languages : en
Pages : 286
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Book Description
From the author of Nightwood, Djuna Barnes has written a book that is all that she was, and must still be vulgar, beautiful, defiant, witty, poetic, and a little mad. Told as through a kaleidoscope, the chronicle of the Ryder family is a bawdy tale of eccentricity and anarchy; through sparkling detours and pastiche, cult author Djuna Barnes spins an audacious, intricate story of sexuality, power, and praxis. Ryder, like its namesake, Wendell Ryder, is many things—lyric, prose, fable, illustration; protagonist, bastard, bohemian, polygamist. Born in the 1800s to infamous nonconformist Sophia Grieve Ryder, Wendell’s search for identity takes him from Connecticut to England to multifarious digressions on morality, tradition, and gender. Censored upon its first release in 1928, Ryder’s portrayal of sexuality remains revolutionary despite the passing of time and the expurgations in the text, preserved by Barnes in protest of the war “blindly raged against the written word.” The weight of Wendell’s story endures despite this censorship, as his drive to assume the masculine roles of patriarch and protector comes at the sacrifice of the women around him. A vanguard modernist, Djuna Barnes has been called the patron literary saint of Bohemia, and her second novel, Ryder, evinces her cutting wit and originality. The nonlinear structure and polyphonic narration pull the reader into Barnes’ harlequin world like a riptide, echoing the melodic cascade of James Joyce’s Ulysses and the avant-garde feminism of Dorothy Richardson. The novel is a rhapsodic saga that could have come only from Barnes’ pen—and politics—as impactful today upon at its first pressing, a document of sexual revolution and censorship.
Author: Brian Aldiss
Publisher: Faber & Faber
ISBN: 057135498X
Category : Fiction
Languages : en
Pages : 38
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Book Description
Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. Brian Aldiss, who died in 2017, was best known for his science fiction - and in particular for a short story optioned by Stanley Kubrick, which would, under the direction of Steven Spielberg, become the film A.I. Artificial Intelligence. Aldiss's first book was published by Faber in 1955. This brief, late trilogy contains much of his lively humour, one improbable invention, and a pervasive sense of loneliness and longing. 'Sadness is just happiness in reverse,' says someone in a story within the story, 'We humans have to put up with it.'
Author: Diane Warren
Publisher: Routledge
ISBN: 1351159666
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Djuna Barnes (1892-1982) was a pioneering female journalist, experimental novelist, playwright, and poet whose influence on literary modernism was profound and whose writings anticipated many of the preoccupations of poststructuralist and feminist thought. In her new book,the author argues that Barnes' writings made significant contributions to gender and aesthetic debates in their immediate early twentieth-century context, and that they continue to contribute to present-day debates on identity. In particular, Warren traces the works' close engagement with the effects of cultural boundaries on the individual, showing how the journalism, Ryder, Ladies Almanack, and the early chapters of Nightwood energetically and playfully subvert such boundaries. In this reading, Nightwood is contextualised as a pivotal text which poses questions about the limits of subversion, thereby positioning The Antiphon (1958) as an analysis of why such boundaries are sometimes necessary. Djuna Barnes' Consuming Fictions shows that from the irreverent and carnivalesque iconoclasm of Barnes' early works, to the bleak assessment that conflict lies at the root of culture, seen from the close of Nightwood, Barnes' oeuvre offers a profound analysis of the relationship between culture, the individual and textual expression.
