Luxuriant Forest Among Distant Peaks PDF Download
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Author: Cheng Li
Publisher: Royal Collection of Imperi
ISBN: 9781487801571
Category : Art
Languages : en
Pages : 0
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Book Description
Handscroll; Ink and light color on silk; 147cm(width)*22cm(height) In the foreground, light boats are moored, with pedestrians and horse carts moving between them. In the distance a peak rises, the shadow of a looming tower implying that a city lies not far away. Springs and waterfalls flow between the peaks, embellishing the rolling mountains and turning them green and lush. The overall composition suggests both noise and silence, with contrasting hardness and softness. It is a harmonious, vivid image.
Author: Cheng Li
Publisher: Royal Collection of Imperi
ISBN: 9781487801571
Category : Art
Languages : en
Pages : 0
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Book Description
Handscroll; Ink and light color on silk; 147cm(width)*22cm(height) In the foreground, light boats are moored, with pedestrians and horse carts moving between them. In the distance a peak rises, the shadow of a looming tower implying that a city lies not far away. Springs and waterfalls flow between the peaks, embellishing the rolling mountains and turning them green and lush. The overall composition suggests both noise and silence, with contrasting hardness and softness. It is a harmonious, vivid image.
Author: Yaoting Wang
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Beautifully illustrated by paintings from the National Palace Museum, this volume is the very first English guidebook written by a Chinese scholar, covering the history, philosophy, and techniques of traditional Chinese painting. Mr. Wang, curator of painting at the National Palace Museum, discusses pigments and colors, ink, inscriptions, seals and mounting, relationship between painting and calligraphy, and copies and forgeries.
Author: Minna Törmä
Publisher:
ISBN:
Category : Chinese poetry
Languages : en
Pages : 186
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Author:
Publisher: Cornell University Press
ISBN: 1501766724
Category : Art
Languages : en
Pages : 295
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Book Description
Xuanhe Catalogue of Paintings is the first complete translation of the well-known document produced at the court of Emperor Huizong (r. 1100–1125). Dated to 1120, the Catalogue is divided into ten categories of subject matter. Under Daoist and Buddhist Subjects, Figural Subjects, Architecture, Barbarian Tribes, Dragons and Fish, Landscape, Domestic and Wild Animals, Flowers and Birds, Ink Bamboo, and Vegetables and Fruit are biographies of 231 painters, ranging from famous early masters, such as Wu Daozi (ca. 685-758) and Li Cheng (919-967), to otherwise unknown artists of the Song-dynasty court, including fourteen eunuch officials and sixteen male and female members of the royal family. Titles of their pictures held in the palace collection are listed for each artist. These 6,396 paintings testify to the visual culture experienced by viewers of the twelfth century. The author's Introduction analyzes the Catalogue as a source of evidence about the formation of the Song-dynasty palace collection and argues that the majority of its pictures were already in the collection before Huizong's reign, as a result of conquest, confiscation, tribute, gift culture, collecting by earlier emperors, and the production of academy artists and regular officials at the Song court. Under Huizong's reign, around a thousand other pictures were added to the Catalogue through acquisition and reattribution. Open access edition funded by the National Endowment for the Humanities.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Author: Olin Dunbar Wheeler
Publisher:
ISBN:
Category : Northwestern States
Languages : en
Pages : 122
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Author: Walter Montague Kerr
Publisher:
ISBN:
Category : South Africa
Languages : en
Pages : 364
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Author: Robert Maeda
Publisher: University of Michigan Press
ISBN: 0472901540
Category : Art
Languages : en
Pages : 85
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Book Description
Two Twelfth-Century Texts on Chinese Painting presents two texts in translation that provide dual insight into the Painting Academy of Emperor Hui-tsung and the literati school of painting. The Shan-shui ch’un-ch’uan chi is a treatise for beginning landscape painters dated to the Hsüan-ho era. The treatise was written by Han Cho, a reputed member of the Academy, but the text was not specifically directed at Academicians. The treatise collects and orders previous writings on landscape painting; one of Han Cho’s main goals is to list all landscape definitions and their practical application in painting. Yet his view is more detached and analytical than a stereotypical Academy painter, revealing an approach reminiscent of Confucian scholarship and literati painting as well. The Hua-chi by Teng Ch’un is a history of painting that was written as a sequel to two earlier painting histories. In ten chapters, Teng Ch’un compiles facts and critical evaluations of painters from 1075 to 1167, as well as listings of selected masterpieces. Teng Ch’un provides more specific information about the Academy than Han Cho, discussing its organization and examination system, and noting that “form-likeness” and adherence to rules were leading standards for painting in the Academy. On the other hand, he thinks that painting should transmit “soul,” not just “form.” Thus, Teng Ch’un writes the history of both the establishment values of the Academy and the intellectual tendencies of the literati.
Author:
Publisher:
ISBN:
Category : Outdoor recreation
Languages : en
Pages : 688
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Author:
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 576
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