Author: William Frederick Ludwig
Publisher:
ISBN:
Category : Timpani
Languages : en
Pages : 72
Book Description
Timpani instructor
Author: William Frederick Ludwig
Publisher:
ISBN:
Category : Timpani
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Timpani
Languages : en
Pages : 72
Book Description
Timpani Instructor
Author: William F. Ludwig
Publisher:
ISBN:
Category : Timpani
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Timpani
Languages : en
Pages : 72
Book Description
Timpani Tone and the Interpretation of Baroque and Classical Music
Author: Steven L. Schweizer
Publisher: Oxford University Press
ISBN: 0199750416
Category : Music
Languages : en
Pages : 210
Book Description
Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts. In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music. Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners.
Publisher: Oxford University Press
ISBN: 0199750416
Category : Music
Languages : en
Pages : 210
Book Description
Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts. In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music. Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners.
Encyclopedia of Percussion
Author: John H. Beck
Publisher: Routledge
ISBN: 1317747682
Category : Music
Languages : en
Pages : 467
Book Description
The Encyclopedia of Percussion is an extensive guide to percussion instruments, organized for research as well as general knowledge. Focusing on idiophones and membranophones, it covers in detail both Western and non-Western percussive instruments. These include not only instruments whose usual sound is produced percussively (like snare drums and triangles), but those whose usual sound is produced concussively (like castanets and claves) or by friction (like the cuíca and the lion’s roar). The expertise of contributors have been used to produce a wide-ranging list of percussion topics. The volume includes: (1) an alphabetical listing of percussion instruments and terms from around the world; (2) an extensive section of illustrations of percussion instruments; (3) thirty-five articles covering topics from Basel drumming to the xylophone; (4) a list of percussion symbols; (5) a table of percussion instruments and terms in English, French, German, and Italian; and (6) an updated section of published writings on methods for percussion.
Publisher: Routledge
ISBN: 1317747682
Category : Music
Languages : en
Pages : 467
Book Description
The Encyclopedia of Percussion is an extensive guide to percussion instruments, organized for research as well as general knowledge. Focusing on idiophones and membranophones, it covers in detail both Western and non-Western percussive instruments. These include not only instruments whose usual sound is produced percussively (like snare drums and triangles), but those whose usual sound is produced concussively (like castanets and claves) or by friction (like the cuíca and the lion’s roar). The expertise of contributors have been used to produce a wide-ranging list of percussion topics. The volume includes: (1) an alphabetical listing of percussion instruments and terms from around the world; (2) an extensive section of illustrations of percussion instruments; (3) thirty-five articles covering topics from Basel drumming to the xylophone; (4) a list of percussion symbols; (5) a table of percussion instruments and terms in English, French, German, and Italian; and (6) an updated section of published writings on methods for percussion.
The Teaching of Instrumental Music
Author: Richard Colwell
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 452
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 452
Book Description
The Timpani
Author: Edmund Addison Bowles
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 586
Book Description
This volume represents a unique iconographical and documentary history of the timpani. Combining a wealth of pictorial material with extensive written sources, it offers a rich and comprehensive survey of the instrument's history from the middle ages to the present. And in so doing it fills a gap of long standing in the published literature of kettledrums by providing for the first time a combination of visual and descriptive evidence. Presented here is a wide-ranging pictorial lode drawn from a variety of sources-for example, astronomical clocks with their instrumental automata; paintings; baroque organ cases topped by angel-musicians;engravings from books describing court festivals; prints and drawings; decorative etched glassware and inlaid tables; wood carvings; and photographs. Written references reflect a wide and fascinating panoply of descriptions concerning the construction, musical contexts and performance techniques of the timpani-for example, eyewitness accounts chronicling the role of instruments at various historical events; archival documents dealing with payments to musicians or the make-up of instrumental ensembles; regulations concerning court musicians; and even patent specifications. In addition, a prefatory chapter presents a detailed, succinct overview of the history, orchestral role and performance practices of the timpani, including numerous illustrative musical examples. A chart depicting representative milestones in the music for kettledrums highlights such works as the first published opera featuring timpani, the first major composition for two pairs of drums, music with unusual tunings, very high or very low notes demanding unusually small or large instruments, unique playing techniques, such as using the fingers, coins, a wire brush, etc., and the key examples of music requiring multiple timpani and two or more players in various configurations. In short, The Timpani: A History in Pictures and Documents is a fascinating and most unusual book of interest not only to performing musicians, teachers and scholars alike, but one which provides the general reader or music-lover with a glimpse into the world of a hitherto neglected musical instrument.
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 586
Book Description
This volume represents a unique iconographical and documentary history of the timpani. Combining a wealth of pictorial material with extensive written sources, it offers a rich and comprehensive survey of the instrument's history from the middle ages to the present. And in so doing it fills a gap of long standing in the published literature of kettledrums by providing for the first time a combination of visual and descriptive evidence. Presented here is a wide-ranging pictorial lode drawn from a variety of sources-for example, astronomical clocks with their instrumental automata; paintings; baroque organ cases topped by angel-musicians;engravings from books describing court festivals; prints and drawings; decorative etched glassware and inlaid tables; wood carvings; and photographs. Written references reflect a wide and fascinating panoply of descriptions concerning the construction, musical contexts and performance techniques of the timpani-for example, eyewitness accounts chronicling the role of instruments at various historical events; archival documents dealing with payments to musicians or the make-up of instrumental ensembles; regulations concerning court musicians; and even patent specifications. In addition, a prefatory chapter presents a detailed, succinct overview of the history, orchestral role and performance practices of the timpani, including numerous illustrative musical examples. A chart depicting representative milestones in the music for kettledrums highlights such works as the first published opera featuring timpani, the first major composition for two pairs of drums, music with unusual tunings, very high or very low notes demanding unusually small or large instruments, unique playing techniques, such as using the fingers, coins, a wire brush, etc., and the key examples of music requiring multiple timpani and two or more players in various configurations. In short, The Timpani: A History in Pictures and Documents is a fascinating and most unusual book of interest not only to performing musicians, teachers and scholars alike, but one which provides the general reader or music-lover with a glimpse into the world of a hitherto neglected musical instrument.
The Instrumentalist
Author:
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 606
Book Description
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 606
Book Description
Percussionist
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 204
Book Description
The percussion
Author: Charles L. Spohn
Publisher:
ISBN:
Category : Percussion instruments
Languages : en
Pages : 186
Book Description
Publisher:
ISBN:
Category : Percussion instruments
Languages : en
Pages : 186
Book Description
Percussion
Author: Dieter Bajzek
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 208
Book Description
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 208
Book Description