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Author: Rossel
Publisher: BRILL
ISBN: 900465125X
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Ludvig Holberg is the most important man of letters in eighteenth-century Denmark-Norway and is often referred to as the father of Danish and Norwegian Literature, the Molière of the North, the founder of Scandinavian drama, or even as the first Scandinavian feminist. In all his writings - apart from being a dramatist in his own right - he excelled as a satirist, historian and essayist, Holberg is a true child of the Enlightenment advocating tolerance and moderation. At the same time, however, he transgressed its parameters. He introduced a series of classical genres but also violated their rules; he generally supported absolute monarchy but criticized its deficiencies, sometimes with subtlety, sometimes openly and relentlessly when, for instance, aiming his satire at the outdated educational system. Above all, Holberg was a towering cosmopolitan figure in eighteenth-century intellectual life, extremely well-read not only in the classics but also in contemporary literature. Furthermore, he was one of the most avid travelers of his time. He saw himself foremost as a European writer, attacking provincialism and narrow-mindedness wherever he encountered it. Holberg was strongly influenced by the European intellectual tradition and, in return also impacted literary trends abroad. This volume, written by experts from various countries, attempts to place Holberg in this international context. It highlights both the European influence on him and the influence he exerted in his own time as well as the fascination he holds to this very day because of his probing, critical mind, complex personality and, above all, because of the purely artistic quality and modernity found particularly in his immortal comedies.
Author: Rossel
Publisher: BRILL
ISBN: 900465125X
Category : Literary Criticism
Languages : en
Pages : 250
Get Book Here
Book Description
Ludvig Holberg is the most important man of letters in eighteenth-century Denmark-Norway and is often referred to as the father of Danish and Norwegian Literature, the Molière of the North, the founder of Scandinavian drama, or even as the first Scandinavian feminist. In all his writings - apart from being a dramatist in his own right - he excelled as a satirist, historian and essayist, Holberg is a true child of the Enlightenment advocating tolerance and moderation. At the same time, however, he transgressed its parameters. He introduced a series of classical genres but also violated their rules; he generally supported absolute monarchy but criticized its deficiencies, sometimes with subtlety, sometimes openly and relentlessly when, for instance, aiming his satire at the outdated educational system. Above all, Holberg was a towering cosmopolitan figure in eighteenth-century intellectual life, extremely well-read not only in the classics but also in contemporary literature. Furthermore, he was one of the most avid travelers of his time. He saw himself foremost as a European writer, attacking provincialism and narrow-mindedness wherever he encountered it. Holberg was strongly influenced by the European intellectual tradition and, in return also impacted literary trends abroad. This volume, written by experts from various countries, attempts to place Holberg in this international context. It highlights both the European influence on him and the influence he exerted in his own time as well as the fascination he holds to this very day because of his probing, critical mind, complex personality and, above all, because of the purely artistic quality and modernity found particularly in his immortal comedies.
Author: Knud Haakonssen
Publisher: Taylor & Francis
ISBN: 1317103068
Category : History
Languages : en
Pages : 269
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Book Description
Ludvig Holberg (1684–1754) was the foremost representative of the Danish-Norwegian Enlightenment and also a European figure of note. He published significant works in natural law and history, but also a very important body of moral essays and epistles. He authored several engaging autobiographies and European travelogues, a major utopian novel that was an immediate European succes, interesting satires that advocated women’s education and career, and a large number of comedies. These comedies secured Holberg’s status as the most significant playwright in Scandinavia before Ibsen and Strindberg. Through his extensive oeuvre, but especially through his plays, Holberg had a decisive influence on the formation of modern Danish as a literary language, something that was a self-conscious effort on the part of a man who saw himself as an educator of the public. Despite his contemporary impact at home and abroad and his ongoing popularity in Scandinavia, he remains little known in the wider world of enlightenment studies. It is the aim of this volume to revive Holberg as a major figure from a minor corner of the Enlightenment world by presenting the full variety of his work and giving it a European context.
Author: Knud Haakonssen
Publisher: Routledge
ISBN: 131710305X
Category : History
Languages : en
Pages : 472
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Book Description
Ludvig Holberg (1684–1754) was the foremost representative of the Danish-Norwegian Enlightenment and also a European figure of note. He published significant works in natural law and history, but also a very important body of moral essays and epistles. He authored several engaging autobiographies and European travelogues, a major utopian novel that was an immediate European succes, interesting satires that advocated women’s education and career, and a large number of comedies. These comedies secured Holberg’s status as the most significant playwright in Scandinavia before Ibsen and Strindberg. Through his extensive oeuvre, but especially through his plays, Holberg had a decisive influence on the formation of modern Danish as a literary language, something that was a self-conscious effort on the part of a man who saw himself as an educator of the public. Despite his contemporary impact at home and abroad and his ongoing popularity in Scandinavia, he remains little known in the wider world of enlightenment studies. It is the aim of this volume to revive Holberg as a major figure from a minor corner of the Enlightenment world by presenting the full variety of his work and giving it a European context.
Author: Ludvig Holberg
Publisher: SIU Press
ISBN: 0809333732
Category : Drama
Languages : en
Pages : 365
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Book Description
This book presents English translations of eight of the comedies Holberg wrote for the Lille Grønnegade Theatre in Copenhagen in the 1720s. The most extensive collection of Holberg plays available in English, the translation and other materials are based on research materials not available to earlier translators and are thus more accurate.
Author: S. C. Hammer
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 39
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Book Description
"Ludvig Holberg, The Founder of Norwegian Literature and an Oxford Student" by S. C. Hammer is an extensive and meticulously researched biography that offers a comprehensive exploration of the life, accomplishments, and cultural significance of Ludvig Holberg. From his formative years as an Oxford student to his groundbreaking contributions to Norwegian literature, Hammer delves deep into Holberg's experiences, intellectual pursuits, and literary legacy. This engaging narrative sheds light on the intricate connections between Holberg's education, his exposure to European ideas, and his role in shaping Norwegian cultural identity. With its detailed analysis and scholarly approach, this book serves as an invaluable resource for anyone interested in the life and works of Ludvig Holberg.
Author: Ludvig Holberg
Publisher: BRILL
ISBN: 9004595082
Category : Law
Languages : en
Pages : 333
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Book Description
Author: Bent Holm
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990940341
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
KynochLudvig Holberg (1684–1754) is to Danish theatre what Shakespeare, Molière and Strindberg are to their national stages – and the world stage. During his lifetime, Holberg was a major figure in European literature and thought. In the Nordic region, his work forms the backdrop to writers such as Søren Kierkegaard, Hans Christian Andersen, Henrik Ibsen and Karen Blixen. The quality of Holberg's writings, the universality of his themes, his understanding of stage and auditorium all more than qualify him to resume his role on the international stage. This second volume in a series of new translations presents Holberg's radical defence of women's equal right to education and employment, and two of his witty plays about playing roles, the professional and the self-delusional alike, in life and in the theatre. "Zille Hans-daughter's Gynaicologia, or Defence of Womankind" is a sparkling, witty and bitingly satirical poem 'penned by' a young woman named Zille, the teenage daughter of Hans, in which she dissects the absurdity of male dominance and the patriarchal society. "Erasmus Montanus" follows the self-titled, self-delusional, city-slicker university student (real name: Rasmus Berg) on a visit to the small rural community where he grew up. His arrogant and know-all behaviour throws everyone and everything into outrageous turmoil. The play is a caustic satire about what happens when abstract, unworldly scholarship collides with real life and material needs. In "Witchcraft, or False Alarm", actors in the theatre troupe working in a dormant provincial town are rumoured to be dangerous Satanists. The entire community erupts in a frenzy of terrified conspiracy theory paranoia, reaching the brink of violence before the misunderstanding is cleared up: the overheard 'pact with the Devil' was simply an actor rehearsing his role in a play he hoped would make some money for the empty theatre coffers. "I never tire of reading Holberg's plays." (Henrik Ibsen, 1869)
Author: Bent Holm
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990125958
Category : Performing Arts
Languages : en
Pages : 169
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Book Description
Ludvig Holberg (1684–1754) is to the Danish stage what Shakespeare, Molière and Strindberg are to their national stages – and the world. In his day, Holberg was part of the European literary canon; in the Nordic region, his work forms the backdrop to writers such as Søren Kierkegaard, Hans Christian Andersen, Henrik Ibsen and Karen Blixen. The quality of Holberg's writing, the universality of his themes, his understanding of stage and auditorium, more than qualify him to resume his place on the international stage. This first volume in a trilogy of new translations starts by presenting Holberg's 'poetics of dramaturgy' in the short treatise Just Justesen's Ref lections on Theatre, followed by two of his robust comedies dealing with power, illusion and dreams of greatness. Jeppe of The Hill depicts the lowly peasant who is momentarily elevated to a position of splendour. Clad in the trappings of his new and powerful status, he is soon well on the way to upending the established social order. But, alas, it was all a stage-managed trick, exposing the fundamental dilemma of (his) existence: "Am I dreaming, or am I awake?" Ulysses von Ithacia is essentially a surreal harlequinade about self-delusion, craving for empire and the heroic roles played in corridors of power. A metatheatrical play exposing the absurdity of war and stripping this pompous ruler of his 'new clothes'. "I never tire of reading Holberg's plays." Henrik Ibsen, 1869
Author: Ludvig Holberg
Publisher:
ISBN:
Category : Utopias
Languages : en
Pages : 336
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Book Description
Author: Jon Stewart
Publisher: Routledge
ISBN: 1351874519
Category : Philosophy
Languages : en
Pages : 295
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Book Description
The long period from the Renaissance to the nineteenth century supplied numerous sources for Kierkegaard's thought in any number of different fields. The present, rather heterogeneous volume covers the long period from the birth of Savonarola in 1452 through the beginning of the nineteenth century and into Kierkegaard's own time. The Danish thinker read authors representing vastly different traditions and time periods. Moreover, he also read a diverse range of genres. His interests concerned not just philosophy, theology and literature but also drama and music. The present volume consists of three tomes that are intended to cover Kierkegaard's sources in these different fields of thought. Tome III covers the sources that are relevant for literature, drama and music. Kierkegaard was well read in the European literature of the seventeenth and eighteenth century. He was captivated by the figure of Cervantes' Don Quixote, who is used as a model for humor and irony. He also enjoyed French literature, represented here by articles on Chateaubriand, Lamartine, and Mérimée. French dramatists were popular on the Danish stage, and Kierkegaard demonstrated an interest in, among others, Moliére and Scribe. Although he never possessed strong English skills, this did not prevent him from familiarizing himself with English literature, primarily with the help of German translations. While there is an established body of secondary material on Kierkegaard's relation to Shakespeare, little has been said about his use of the Irish dramatist Sheridan. It is obvious from, among other things, The Concept of Irony that Kierkegaard knew in detail the works of some of the main writers of the German Romantic movement. However, his use of the leading figures of the British Romantic movement, Byron and Shelley, remains largely unexplored terrain. The classic Danish authors of the eighteenth century, Holberg, Wessel and Ewald, were influential figures who prepared the way for the Golden Age of Danish poetry. Kierkegaard constantly refers to their dramatic characters, whom he often employs to illustrate a philosophical idea with a pregnant example or turn of phrase. Finally, while Kierkegaard is not an obvious name in musicology, his analysis of Mozart's Don Giovanni shows that he had a keen interest in music on many different levels.
