Author: Madeleine de Scudéry
Publisher:
ISBN: 9781649590220
Category :
Languages : en
Pages : 360
Book Description
"The story of the chaste matron Lucretia as told from a feminist perspective by 17th-century French novelist Madeleine de Scudéry in eleven pieces of writing, most of them extracts, from three of her works"--
Lucrece and Brutus
Author: Madeleine de Scudéry
Publisher:
ISBN: 9781649590220
Category :
Languages : en
Pages : 360
Book Description
"The story of the chaste matron Lucretia as told from a feminist perspective by 17th-century French novelist Madeleine de Scudéry in eleven pieces of writing, most of them extracts, from three of her works"--
Publisher:
ISBN: 9781649590220
Category :
Languages : en
Pages : 360
Book Description
"The story of the chaste matron Lucretia as told from a feminist perspective by 17th-century French novelist Madeleine de Scudéry in eleven pieces of writing, most of them extracts, from three of her works"--
The Rape of Lucrece
Author: William Shakespeare
Publisher: tredition
ISBN: 3347643984
Category : Poetry
Languages : en
Pages : 70
Book Description
The Rape of Lucrece - William Shakespeare - The Rape of Lucrece (1594) is a narrative poem by William Shakespeare about the legendary Roman noblewoman Lucretia. In his previous narrative poem, Venus and Adonis (1593), Shakespeare had included a dedicatory letter to his patron, the Earl of Southampton, in which he promised to compose a "graver labour". Accordingly, The Rape of Lucrece has a serious tone throughout. The poem begins with a prose dedication addressed directly to the Earl of Southampton, which begins, "The love I dedicate to your Lordship is without end." It refers to the poem as a pamphlet, which describes the form of its original publication of 1594.The dedication is followed by "The Argument", a prose paragraph that summarizes the historical context of the poem, which begins in medias res. The poem contains 1,855 lines, divided into 265 stanzas of seven lines each. The meter of each line is iambic pentameter. The rhyme scheme for each stanza is ABABBCC, a format known as "rhyme royal", which has been used by Geoffrey Chaucer, John Milton and John Masefield. One evening, at the town of Ardea, where a battle is being fought, two leading Roman soldiers, Tarquin and Collatine, are talking. Collatine describes his wife, Lucrece, in glowing terms—she is beautiful and chaste. The following morning, Tarquin travels to Collatine's home. Lucrece welcomes him. Tarquin entertains her with stories of her husband's deeds on the battlefield.Tarquin spends the night, and is torn by his desire for Lucrece. His desire overcomes him, and he goes to Lucrece's chamber, where she is asleep. He reaches out and touches her breast, which wakes her up. She is afraid. He tells her that she must give in to him, or else he will kill her. He also threatens to cause her dishonor by murdering a slave and placing the two bodies in each other's arms, and then he would claim that he killed her because he discovered them in this embrace. If she would give in to him, Tarquin promises to keep it all secret. Lucrece pleads with him to no avail. He rapes her. Full of shame and guilt, Tarquin sneaks away. Lucrece is devastated, furious and suicidal. She writes a letter to her husband, asking him to come home. When Collatine gets home, Lucrece tells him the whole story, but doesn't say who did it. Collatine demands to know. Before she tells him, Lucrece gets the soldiers, who are also there, to promise to avenge this crime. She then tells her husband who did it, and she immediately pulls out a knife, stabs herself and dies. Collatine's grief is great—he wants to kill himself, as well. His friend, Brutus, suggests that revenge is a better choice. The soldiers carry Lucrece's body through the streets of Rome. The citizens, angered, banish Tarquin and his family.
Publisher: tredition
ISBN: 3347643984
Category : Poetry
Languages : en
Pages : 70
Book Description
The Rape of Lucrece - William Shakespeare - The Rape of Lucrece (1594) is a narrative poem by William Shakespeare about the legendary Roman noblewoman Lucretia. In his previous narrative poem, Venus and Adonis (1593), Shakespeare had included a dedicatory letter to his patron, the Earl of Southampton, in which he promised to compose a "graver labour". Accordingly, The Rape of Lucrece has a serious tone throughout. The poem begins with a prose dedication addressed directly to the Earl of Southampton, which begins, "The love I dedicate to your Lordship is without end." It refers to the poem as a pamphlet, which describes the form of its original publication of 1594.The dedication is followed by "The Argument", a prose paragraph that summarizes the historical context of the poem, which begins in medias res. The poem contains 1,855 lines, divided into 265 stanzas of seven lines each. The meter of each line is iambic pentameter. The rhyme scheme for each stanza is ABABBCC, a format known as "rhyme royal", which has been used by Geoffrey Chaucer, John Milton and John Masefield. One evening, at the town of Ardea, where a battle is being fought, two leading Roman soldiers, Tarquin and Collatine, are talking. Collatine describes his wife, Lucrece, in glowing terms—she is beautiful and chaste. The following morning, Tarquin travels to Collatine's home. Lucrece welcomes him. Tarquin entertains her with stories of her husband's deeds on the battlefield.Tarquin spends the night, and is torn by his desire for Lucrece. His desire overcomes him, and he goes to Lucrece's chamber, where she is asleep. He reaches out and touches her breast, which wakes her up. She is afraid. He tells her that she must give in to him, or else he will kill her. He also threatens to cause her dishonor by murdering a slave and placing the two bodies in each other's arms, and then he would claim that he killed her because he discovered them in this embrace. If she would give in to him, Tarquin promises to keep it all secret. Lucrece pleads with him to no avail. He rapes her. Full of shame and guilt, Tarquin sneaks away. Lucrece is devastated, furious and suicidal. She writes a letter to her husband, asking him to come home. When Collatine gets home, Lucrece tells him the whole story, but doesn't say who did it. Collatine demands to know. Before she tells him, Lucrece gets the soldiers, who are also there, to promise to avenge this crime. She then tells her husband who did it, and she immediately pulls out a knife, stabs herself and dies. Collatine's grief is great—he wants to kill himself, as well. His friend, Brutus, suggests that revenge is a better choice. The soldiers carry Lucrece's body through the streets of Rome. The citizens, angered, banish Tarquin and his family.
The Politics of Rape
Author: Jennifer L. Airey
Publisher: Rowman & Littlefield
ISBN: 1611494044
Category : Drama
Languages : en
Pages : 261
Book Description
Beginning with the outbreak of the Irish Rebellion of 1641 and concluding with reactions to the accession of William and Mary, The Politics of Rape is the first full-length study to examine theatrical representations of sexual violence in the latter-half of the seventeenth century.
Publisher: Rowman & Littlefield
ISBN: 1611494044
Category : Drama
Languages : en
Pages : 261
Book Description
Beginning with the outbreak of the Irish Rebellion of 1641 and concluding with reactions to the accession of William and Mary, The Politics of Rape is the first full-length study to examine theatrical representations of sexual violence in the latter-half of the seventeenth century.
Lucrece
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
Book Description
Sexuality and Citizenship
Author: Jim Ellis
Publisher: University of Toronto Press
ISBN: 9780802087355
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Based for the most part on Ovid's Metamorphoses, epyllia retell stories of the dalliances of gods and mortals, most often concerning the transformation of beautiful youths. This short-lived genre flourished and died in England in the 1590s. It was produced mainly by and for the young men of the Inns of Court, where the ambitious came to study law and to sample the pleasures London had to offer. Jim Ellis provides detailed readings of fifteen examples of the epyllion, considering the poems in their cultural milieu and arguing that these myths of the transformations of young men are at the same time stories of sexual, social, and political metamorphoses. Examining both the most famous (Shakespeare's Venus and Adonis and Marlowe's Hero and Leander) and some of the more obscure examples of the genre (Hiren, the Fair Greek and The Metamorphosis of Tabacco), Ellis moves from considering fantasies of selfhood, through erotic relations with others, to literary affiliation, political relations, and finally to international issues such as exploration, settlement, and trade. Offering a revisionist account of the genre of the epyllion, Ellis transforms theories of sexuality, literature, and politics of the Elizabethan age, making an erudite and intriguing contribution to the field.
Publisher: University of Toronto Press
ISBN: 9780802087355
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Based for the most part on Ovid's Metamorphoses, epyllia retell stories of the dalliances of gods and mortals, most often concerning the transformation of beautiful youths. This short-lived genre flourished and died in England in the 1590s. It was produced mainly by and for the young men of the Inns of Court, where the ambitious came to study law and to sample the pleasures London had to offer. Jim Ellis provides detailed readings of fifteen examples of the epyllion, considering the poems in their cultural milieu and arguing that these myths of the transformations of young men are at the same time stories of sexual, social, and political metamorphoses. Examining both the most famous (Shakespeare's Venus and Adonis and Marlowe's Hero and Leander) and some of the more obscure examples of the genre (Hiren, the Fair Greek and The Metamorphosis of Tabacco), Ellis moves from considering fantasies of selfhood, through erotic relations with others, to literary affiliation, political relations, and finally to international issues such as exploration, settlement, and trade. Offering a revisionist account of the genre of the epyllion, Ellis transforms theories of sexuality, literature, and politics of the Elizabethan age, making an erudite and intriguing contribution to the field.
Barbarous Antiquity
Author: Miriam Jacobson
Publisher: University of Pennsylvania Press
ISBN: 0812246322
Category : Business & Economics
Languages : en
Pages : 296
Book Description
In the late sixteenth century, English merchants and diplomats ventured into the eastern Mediterranean to trade directly with the Turks, the keepers of an important emerging empire in the Western Hemisphere, and these initial exchanges had a profound effect on English literature. While the theater investigated representations of religious and ethnic identity in its portrayals of Turks and Muslims, poetry, Miriam Jacobson argues, explored East-West exchanges primarily through language and the material text. Just as English markets were flooded with exotic goods, so was the English language awash in freshly imported words describing items such as sugar, jewels, plants, spices, paints, and dyes, as well as technological advancements such as the use of Arabic numerals in arithmetic and the concept of zero. Even as these Eastern words and imports found their way into English poetry, poets wrestled with paying homage to classical authors and styles. In Barbarous Antiquity, Jacobson reveals how poems adapted from Latin or Greek sources and set in the ancient classical world were now reoriented to reflect a contemporary, mercantile Ottoman landscape. As Renaissance English writers including Shakespeare, Jonson, Marlowe, and Chapman weighed their reliance on classical poetic models against contemporary cultural exchanges, a new form of poetry developed, positioned at the crossroads of East and West, ancient and modern. Building each chapter around the intersection of an Eastern import and a classical model, Jacobson shows how Renaissance English poetry not only reconstructed the classical past but offered a critique of that very enterprise with a new set of words and metaphors imported from the East.
Publisher: University of Pennsylvania Press
ISBN: 0812246322
Category : Business & Economics
Languages : en
Pages : 296
Book Description
In the late sixteenth century, English merchants and diplomats ventured into the eastern Mediterranean to trade directly with the Turks, the keepers of an important emerging empire in the Western Hemisphere, and these initial exchanges had a profound effect on English literature. While the theater investigated representations of religious and ethnic identity in its portrayals of Turks and Muslims, poetry, Miriam Jacobson argues, explored East-West exchanges primarily through language and the material text. Just as English markets were flooded with exotic goods, so was the English language awash in freshly imported words describing items such as sugar, jewels, plants, spices, paints, and dyes, as well as technological advancements such as the use of Arabic numerals in arithmetic and the concept of zero. Even as these Eastern words and imports found their way into English poetry, poets wrestled with paying homage to classical authors and styles. In Barbarous Antiquity, Jacobson reveals how poems adapted from Latin or Greek sources and set in the ancient classical world were now reoriented to reflect a contemporary, mercantile Ottoman landscape. As Renaissance English writers including Shakespeare, Jonson, Marlowe, and Chapman weighed their reliance on classical poetic models against contemporary cultural exchanges, a new form of poetry developed, positioned at the crossroads of East and West, ancient and modern. Building each chapter around the intersection of an Eastern import and a classical model, Jacobson shows how Renaissance English poetry not only reconstructed the classical past but offered a critique of that very enterprise with a new set of words and metaphors imported from the East.
Telling, Turning Moments in the Classical Political World
Author: Jan H. Blits
Publisher: Lexington Books
ISBN: 073916449X
Category : History
Languages : en
Pages : 186
Book Description
Turning, Telling Moments in the Classical Political World examines developments in the classical political world which are both turning and telling moments. All the moments--from Theseus's founding of Athens to Augustus's establishment of the Principate--possess the double character of being turning points and revealing fundamental aspects of the ancient political world. While most books on ancient history are chiefly concerned with questions of literary sources and historical accuracy, this book deals with the significance of the facts and reports themselves. Blits treats the ancient histories as works of reflection rather than works of research. Instead of focusing on whether, or how, the ancient historians meet the professional standards of present-day historiography, Blits reveals the way they themselves understand-and intend us to understand-the ancient world.
Publisher: Lexington Books
ISBN: 073916449X
Category : History
Languages : en
Pages : 186
Book Description
Turning, Telling Moments in the Classical Political World examines developments in the classical political world which are both turning and telling moments. All the moments--from Theseus's founding of Athens to Augustus's establishment of the Principate--possess the double character of being turning points and revealing fundamental aspects of the ancient political world. While most books on ancient history are chiefly concerned with questions of literary sources and historical accuracy, this book deals with the significance of the facts and reports themselves. Blits treats the ancient histories as works of reflection rather than works of research. Instead of focusing on whether, or how, the ancient historians meet the professional standards of present-day historiography, Blits reveals the way they themselves understand-and intend us to understand-the ancient world.
Shakespeare and Domestic Loss
Author: Heather Dubrow
Publisher: Cambridge University Press
ISBN: 9780521543491
Category : Drama
Languages : en
Pages : 264
Book Description
This 1999 book examines Shakespeare's engagement with forms of deprivation which threatened domestic security in early modern England.
Publisher: Cambridge University Press
ISBN: 9780521543491
Category : Drama
Languages : en
Pages : 264
Book Description
This 1999 book examines Shakespeare's engagement with forms of deprivation which threatened domestic security in early modern England.
Female Mourning and Tragedy in Medieval and Renaissance English Drama
Author: Katharine Goodland
Publisher: Routledge
ISBN: 1351936646
Category : Literary Criticism
Languages : en
Pages : 468
Book Description
Grieving women in early modern English drama, this study argues, recall not only those of Classical tragedy, but also, and more significantly, the lamenting women of medieval English drama, especially the Virgin Mary. Looking at the plays of Shakespeare, Kyd, and Webster, this book presents a new perspective on early modern drama grounded upon three original interrelated points. First, it explores how the motif of the mourning woman on the early modern stage embodies the cultural trauma of the Reformation in England. Second, the author here brings to light the extent to which the figures of early modern drama recall those of the recent medieval past. Finally, Goodland addresses how these representations embody actual mourning practices that were viewed as increasingly disturbing after the Reformation. Female Mourning and Tragedy in Medieval and Renaissance English Drama synthesizes and is relevant to several areas of recent scholarly interest, including the performance of gender, the history of emotion, studies of death and mourning, and the cultural trauma of the Reformation.
Publisher: Routledge
ISBN: 1351936646
Category : Literary Criticism
Languages : en
Pages : 468
Book Description
Grieving women in early modern English drama, this study argues, recall not only those of Classical tragedy, but also, and more significantly, the lamenting women of medieval English drama, especially the Virgin Mary. Looking at the plays of Shakespeare, Kyd, and Webster, this book presents a new perspective on early modern drama grounded upon three original interrelated points. First, it explores how the motif of the mourning woman on the early modern stage embodies the cultural trauma of the Reformation in England. Second, the author here brings to light the extent to which the figures of early modern drama recall those of the recent medieval past. Finally, Goodland addresses how these representations embody actual mourning practices that were viewed as increasingly disturbing after the Reformation. Female Mourning and Tragedy in Medieval and Renaissance English Drama synthesizes and is relevant to several areas of recent scholarly interest, including the performance of gender, the history of emotion, studies of death and mourning, and the cultural trauma of the Reformation.
A Mieke Bal Reader
Author: Mieke Bal
Publisher: University of Chicago Press
ISBN: 0226035859
Category : Art
Languages : en
Pages : 516
Book Description
This reader brings together a representative collection of Mieke Bal's work that distills her broad interests and areas of expertise. It is organised into four parts, reflecting the fields that Bal has most profoundly influenced: literary study, interdisciplinary methodology, visual analysis, and postmodern theology.
Publisher: University of Chicago Press
ISBN: 0226035859
Category : Art
Languages : en
Pages : 516
Book Description
This reader brings together a representative collection of Mieke Bal's work that distills her broad interests and areas of expertise. It is organised into four parts, reflecting the fields that Bal has most profoundly influenced: literary study, interdisciplinary methodology, visual analysis, and postmodern theology.