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Author: Joan Ramon Resina
Publisher: Bloomsbury Publishing
ISBN: 1350185795
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Luchino Visconti (1906-1976) was one of Europe's most prestigious filmmakers, who rose to prominence as part of the Italian neo-realist movement, alongside contemporaries Vittorio De Sica and Roberto Rossellini. Famous for his elegant lifestyle, as friend of Jean Renoir and Coco Chanel amongst others, his vibrant technicolour dramas are also known for their decadence and stunning display of aesthetic mastery and sensory pleasure. Looking beyond this colourful façade, however, Resina explores the philosophical implications of decadence with a particular focus on three films from the late phase in Visconti's production, Damned (1969), Death in Venice (1971), and Ludwig (1972). From the incestuous relationship between decadence and power to decadence as an outcome of straining toward formal perfection, Resina uncovers the unity and philosophical cohesiveness of these films that deal with different subjects and historical periods. Reading these films and their decadence in light of the time of filming and Visconti's own sense of cultural doom, Resina further demonstrates the relevance of Visconti's philosophy today and how much they still have to say to our contemporary situation.
Author: Joan Ramon Resina
Publisher: Bloomsbury Publishing
ISBN: 1350185795
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Luchino Visconti (1906-1976) was one of Europe's most prestigious filmmakers, who rose to prominence as part of the Italian neo-realist movement, alongside contemporaries Vittorio De Sica and Roberto Rossellini. Famous for his elegant lifestyle, as friend of Jean Renoir and Coco Chanel amongst others, his vibrant technicolour dramas are also known for their decadence and stunning display of aesthetic mastery and sensory pleasure. Looking beyond this colourful façade, however, Resina explores the philosophical implications of decadence with a particular focus on three films from the late phase in Visconti's production, Damned (1969), Death in Venice (1971), and Ludwig (1972). From the incestuous relationship between decadence and power to decadence as an outcome of straining toward formal perfection, Resina uncovers the unity and philosophical cohesiveness of these films that deal with different subjects and historical periods. Reading these films and their decadence in light of the time of filming and Visconti's own sense of cultural doom, Resina further demonstrates the relevance of Visconti's philosophy today and how much they still have to say to our contemporary situation.
Author: James Phillips
Publisher: Stanford University Press
ISBN: 9780804758000
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
This anthology of philosophical essays explores the interpersonal and political contexts in and against which the films of ten major postwar filmmakers were made.
Author: Alexander García Düttmann
Publisher: Stanford University Press
ISBN: 0804757402
Category : Philosophy
Languages : en
Pages : 169
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Book Description
Through an analysis of the works of Italian filmmaker Luchino Visconti, García Düttmann explores the insight that it is never the real but always the possible that blocks the path to change.
Author: Laurence Schifano
Publisher: HarperCollins
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 496
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Book Description
Winner of the French Academy's prize for biography in 1988, this book describes the passionate life of the great opera, theatre and film director. He was both a reactionary and a rebel, a Catholic and an iconoclast, a homosexual Don Juan and friend of a galaxy of international figures.
Author: Ivo Blom
Publisher:
ISBN: 9789462980532
Category :
Languages : en
Pages : 390
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Book Description
In this book, Ivo Blom offers unique insights into the visual vocabulary of Italian filmmaker Luchino Visconti (1906-76), whose cinematic masterpieces include canonical works like Obsession, The Earth Trembles, and The Leopard. Meticulously examining Visconti's use of European art in his set and costume design, Reframing Luchino Visconti also investigates his cinematography in terms of staging, framing, and mirroring, among other aspects, offering valuable contextualization for the optical splendor in Visconti's films and revealing their close ties to the other visual arts.
Author: Claretta Tonetti
Publisher: Boston : Twayne Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Biography of Luchino Visconti, an Italian theatre, opera and cinema director, as well as a screenwriter.
Author: Geoffrey Nowell SMITH
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Book Description
Author: David Weir
Publisher: Bloomsbury Publishing
ISBN: 1839026162
Category : Performing Arts
Languages : en
Pages : 164
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Book Description
Luchino Visconti's The Leopard (Il Gattopardo, 1963) tells the story of an aristocratic Sicilian family adjusting to the realities of political and commercial modernity after the unification Italy during the Risorgimento. The film, starring Claudia Cardinale, Burt Lancaster and Alain Delon, met with success upon its initial release, winning the Palme d'Or at Cannes and having a successful theatrical run in Europe. Despite this, however, it did not do well with English-speaking audiences, and eventually even fell out of favour with Italian audiences, who took issue with the way Risorgimento history was represented. David Weir's study of the film seeks to understand the film's paradoxical place in Italian film history. He argues that Visconti's use of artifice, narrative and history, all aspects that came to be criticised, were in fact, essential to his cinematic art, and can all be understood as strengths of the film. Providing a scene-by-scene analysis of the film, as well as illuminating its relationship to the Lampedusa novel from which it was adapted, Weir suggests that Visconti's film goes beyond mere adaptation, using the form of the novel for cinematic purposes and making The Leopard a cinematic novel in its own right. He goes on to situate the film within Visconti's career, questioning whether the uneven reception of the film reflects the paradox of Visconti's social status as a Marxist aristocrat and his position as an auteur director whose films borrowed heavily from the decadent tradition, while at the same time professing allegiance to the Italian Communist Party.
Author: Gaia Servadio
Publisher: London : Weidenfeld & Nicolson
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
Levensbeschrijving van de Italiaanse filmregisseur (1906-1976)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 31
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Book Description
