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Author: James Reeve Pusey
Publisher: SUNY Press
ISBN: 9780791436479
Category : Literary Collections
Languages : en
Pages : 282
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Book Description
Lu Xun (1881-1936), China's greatest modern writer, remains important today both as an official icon and a patron saint of dissent. This book deals with Lu Xun's struggle to make sense of the "Darwinian Revolution." It illuminates not only Lu Xun's thought, but also the current crisis in Chinese thought caused by the loss of faith in Marxism.
Author: James Reeve Pusey
Publisher: SUNY Press
ISBN: 9780791436479
Category : Literary Collections
Languages : en
Pages : 282
Get Book Here
Book Description
Lu Xun (1881-1936), China's greatest modern writer, remains important today both as an official icon and a patron saint of dissent. This book deals with Lu Xun's struggle to make sense of the "Darwinian Revolution." It illuminates not only Lu Xun's thought, but also the current crisis in Chinese thought caused by the loss of faith in Marxism.
Author: James Reeve Pusey
Publisher: State University of New York Press
ISBN: 1438416601
Category : History
Languages : en
Pages : 280
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Book Description
This book studies one of the most important figures in modern Chinese intellectual history, China's greatest modern writer, Lu Xun (1881-1936). His trenchant criticisms of the China of his day still speak directly to what can be called, without hyperbole, the current crisis in philosophical and political thought in the People's Republic. It is also a study of a non-Western intellectual's struggle--in a time of crisis--to make practical sense of the "Darwinian Revolution," a revolution not limited to the West. Although Lu Xun died more than sixty years ago, his work is still alive in China (more so than any American writer of the 1920s and 1930s is in the United States). He is viewed paradoxically as both an official icon and as a patron saint of dissent. This book is, therefore, about Lu Xun both in his lifetime and in his second lifetime--and it looks to his third. But it is not just about Lu Xun. It is about Lu Xun and evolution. As a philosophical critique of Lu Xun's thought, it looks to Lu Xun's struggle to make practical sense of evolution, a contradiction that forces "either/or" questions on the Chinese, and on us all.
Author: Wenjin Cui
Publisher: Routledge
ISBN: 1000476499
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
This book explores an extraordinary case of affirmative biopolitics through the study of Lu Xun (1881–1936), the most prominent cultural figure of modern China. Diverging from the Enlightenment-humanist framework in reference to which Lu Xun is commonly interpreted, it demonstrates how his thinking is defined by a naturalistic conception of culture that is best understood in the global context of what Foucault defines as the biological turn of modernity. In comparison to ontologically-grounded modern Western theories of life, it brings to light the deep connection between Lu Xun’s affirmative biopolitics and the epistemic ground of Chinese tradition―what is known as correlative thinking. Combining close readings of literary texts with a theoretical consideration of broader issues of culture, this book is an essential read for scholars and students who are interested in Lu Xun, modern Chinese intellectual history, comparative studies of Chinese and Western thought, and the question of affirmative biopolitics.
Author: Andrew F. Jones
Publisher: Harvard University Press
ISBN: 0674047958
Category : History
Languages : en
Pages : 269
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Book Description
In 1992 Deng Xiaoping famously declared, “Development is the only hard imperative.” What ensued was the transformation of China from a socialist state to a capitalist market economy. The spirit of development has since become the prevailing creed of the People’s Republic, helping to bring about unprecedented modern prosperity, but also creating new forms of poverty, staggering social upheaval, physical dislocation, and environmental destruction. In Developmental Fairy Tales, Andrew F. Jones asserts that the groundwork for this recent transformation was laid in the late nineteenth century, with the translation of the evolutionary works of Lamarck, Darwin, and Spencer into Chinese letters. He traces the ways that the evolutionary narrative itself evolved into a form of vernacular knowledge which dissolved the boundaries between beast and man and reframed childhood development as a recapitulation of civilizational ascent, through which a beleaguered China might struggle for existence and claim a place in the modern world-system. This narrative left an indelible imprint on China’s literature and popular media, from children’s primers to print culture, from fairy tales to filmmaking. Jones’s analysis offers an innovative and interdisciplinary angle of vision on China’s cultural evolution. He focuses especially on China’s foremost modern writer and public intellectual, Lu Xun, in whose work the fierce contradictions of his generation’s developmentalist aspirations became the stuff of pedagogical parable. Developmental Fairy Tales revises our understanding of literature’s role in the making of modern China by revising our understanding of developmentalism’s role in modern Chinese literature.
Author: 魯迅
Publisher:
ISBN:
Category : China
Languages : en
Pages : 296
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Book Description
"Lu Hsun (1881-1936), chief commander of China's modern cultural revolution, was not only a great thinker and political commentator but the founder of modern Chinese literature. As early as in the May 1918 issue of the magazine New Youth, Lu Hsun published one of his best stories, A Madman's Diary. This was his "declaration of war" against China's feudal society, and the first short story in the history of modern Chinese literature. Thereafter he followed up with a succession of stories such as The True Story of Ah Q and The New Year's Sacrifice, which cut through and sharply attacked stark reality in the dark old society. These stories were later included in the three volumes Call to Arms, Wandering and Old Tales Retold, and have become treasures in the Chinese people's literary heritage. In his early life Lu Hsun was a revolutionary democrat, who later matured into a communist. His earlier works were mainly stories, 18 of the more important of which, plus the preface to Call to Arms, his first short story collection, have been selected for this volume. The stories show clearly his method in this period of creative writing, thoroughgoing critical realism, a method closely related to the outright anti-imperialist and anti-feudal views which he formed in his early days. In his preface to Call to Arms, the author tells his motive in choosing literature as a weapon of struggle. This will give readers a deeper understanding of Lu Hsun's stories." --
Author: Lung-Kee Sun
Publisher: M.E. Sharpe
ISBN: 9780765608260
Category : History
Languages : en
Pages : 324
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Book Description
This unique survey of the evolution of the modern Chinese national character incorporates a rich blend of history and theory as well as nation, gender, and film studies. It begins with the dawn of the concept of "nation" in China at the end of the Imperial period, and follows its development from early Republican China to the present People's Republic, drawing on themes of national identity, "Orientalness," racial evolution and purity, cultural and gender roles, regional animosities, historical impediments, and more. The book also takes up the changing American perceptions of Chinese personality development and gender, using materials from American popular culture.
Author: Eileen J. Cheng
Publisher: University of Hawaii Press
ISBN: 0824837800
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
Lu Xun (1881–1936), arguably twentieth-century China’s greatest writer, is commonly cast in the mold of a radical iconoclast who vehemently rejected traditional culture. The contradictions and ambivalence so central to his writings, however, are often overlooked. Challenging conventional depictions, Eileen J. Cheng’s innovative readings capture Lu Xun’s disenchantment with modernity and his transformative engagements with traditional literary conventions in his “modern” experimental works. Lurking behind the ambiguity at the heart of his writings are larger questions on the effects of cultural exchange, accommodation, and transformation that Lu Xun grappled with as a writer: How can a culture estranged from its vanishing traditions come to terms with its past? How can a culture, severed from its roots and alienated from the foreign conventions it appropriates, conceptualize its own present and future? Literary Remains shows how Lu Xun’s own literary encounter with the modern involved a sustained engagement with the past. His creative writings—which imitate, adapt, and parody traditional literary conventions—represent and mirror the trauma of cultural disintegration, in content and in form. His contradictory, uncertain, and at times bizarrely incoherent narratives refuse to conform to conventional modes of meaning making or teleological notions of history, opening up imaginative possibilities for comprehending the past and present without necessarily reifying them. Behind Lu Xun’s “refusal to mourn,” that is, his insistence on keeping the past and the dead alive in writing, lies an ethical claim: to recover the redemptive meaning of loss. Like a solitary wanderer keeping vigil at the site of destruction, he sifts through the debris, composing epitaphs to mark both the presence and absence of that which has gone before and will soon come to pass. For in the rubble of what remains, he recovered precious gems of illumination through which to assess, critique, and transform the moment of the present. Literary Remains shows how Lu Xun’s literary enterprise is driven by a “radical hope”—that, in spite of the destruction he witnessed and the limits of representation, his writings, like the texts that inspired his own, might somehow capture glimmers of the past and the present, and illuminate a future yet to unfold. Literary Remains will appeal to a wide audience of students and scholars interested in Lu Xun, modern China, cultural studies, and world literature.
Author: Emily Baum
Publisher: University of Chicago Press
ISBN: 022655824X
Category : History
Languages : en
Pages : 281
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Book Description
Throughout most of history, in China the insane were kept within the home and treated by healers who claimed no specialized knowledge of their condition. In the first decade of the twentieth century, however, psychiatric ideas and institutions began to influence longstanding beliefs about the proper treatment for the mentally ill. In The Invention of Madness, Emily Baum traces a genealogy of insanity from the turn of the century to the onset of war with Japan in 1937, revealing the complex and convoluted ways in which “madness” was transformed in the Chinese imagination into “mental illness.” Focusing on typically marginalized historical actors, including municipal functionaries and the urban poor, The Invention of Madness shifts our attention from the elite desire for modern medical care to the ways in which psychiatric discourses were implemented and redeployed in the midst of everyday life. New meanings and practices of madness, Baum argues, were not just imposed on the Beijing public but continuously invented by a range of people in ways that reflected their own needs and interests. Exhaustively researched and theoretically informed, The Invention of Madness is an innovative contribution to medical history, urban studies, and the social history of twentieth-century China.
Author: Larry Arnhart
Publisher: State University of New York Press
ISBN: 0791495302
Category : Philosophy
Languages : en
Pages : 360
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Book Description
This book shows how Darwinian biology supports an Aristotelian view of ethics as rooted in human nature. Defending a conception of "Darwinian natural right" based on the claim that the good is the desirable, the author argues that there are at least twenty natural desires that are universal to all human societies because they are based in human biology. The satisfaction of these natural desires constitutes a universal standard for judging social practice as either fulfilling or frustrating human nature, although prudence is required in judging what is best for particular circumstances. The author studies the familial bonding of parents and children and the conjugal bonding of men and women as illustrating social behavior that conforms to Darwinian natural right. He also studies slavery and psychopathy as illustrating social behavior that contradicts Darwinian natural right. He argues as well that the natural moral sense does not require religious belief, although such belief can sometimes reinforce the dictates of nature.
Author: Tao Tao Liu
Publisher: Hong Kong University Press
ISBN: 9622094023
Category : Social Science
Languages : en
Pages : 223
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Book Description
This book examines the evolution of the local identity in China from historical times to the present day. It traces the expression of local identity in religion and myth, in the construction of the provincial character, in the growth of cities, in literature, in economic development and in the expansion of the Chinese state. It argues that the growth of a local identity was part and parcel of the evolution of a national character. But, it notes also that the transforming of the local identity with the extension of the state has often come with a sense of nostalgia, a yearning for a world that has perhaps never been.
