'Love looks not with the eyes but with the mind': Shakespeare's Sonnets, Alchemy and Individuation. PDF Download
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Author: William Bishop
Publisher: William Bishop
ISBN: 1987073142
Category : Literary Criticism
Languages : en
Pages : 71
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Book Description
It is my intention, in reading together literary critics, artists and theorists, to show how the development of Shakespeare's conception of his own subjectivity develops over the course of his sonnet sequence. I will discuss and utilise the Jungian concept of individuation, and the Lacanian concept of desire, as well as language from the lexicon of the fifteenth and sixteenth century alchemists to develop an understanding of how the intimately psychological nature of the production of art is being demonstrated by Shakespeare in his poems.
Author: William Bishop
Publisher: William Bishop
ISBN: 1987073142
Category : Literary Criticism
Languages : en
Pages : 71
Get Book Here
Book Description
It is my intention, in reading together literary critics, artists and theorists, to show how the development of Shakespeare's conception of his own subjectivity develops over the course of his sonnet sequence. I will discuss and utilise the Jungian concept of individuation, and the Lacanian concept of desire, as well as language from the lexicon of the fifteenth and sixteenth century alchemists to develop an understanding of how the intimately psychological nature of the production of art is being demonstrated by Shakespeare in his poems.
Author: Margaret Healy
Publisher: Cambridge University Press
ISBN: 1107004047
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Healy demonstrates how Renaissance alchemy shaped Shakespeare's bawdy but spiritual sonnets, transforming our understanding of Shakespeare's art and beliefs.
Author: Edward F. Edinger
Publisher:
ISBN: 9780919123670
Category : Individuation (Psychologie)
Languages : en
Pages : 0
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Book Description
Edinger puts a human face on the union of opposites in two concise essays: "Introduction to Jung's Mysterium Coniunctionis" and "A Psychological Interpretation of the Rosarium Pictures"--the alchemical drawings on which Jung based The Psychology of the Transference.
Author: Юрий Михайлович Лотман
Publisher: Indiana University Press
ISBN: 9780253214058
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Universe of the Mind A Semiotic Theory of Culture Yuri M. Lotman Introduction by Umberto Eco Translated by Ann Shukman A major book by one of the initiators of cultural studies. "Universe of the Mind is an ambitious, complex, and wide-ranging book that semioticians, textual critics, and those interested in cultural studies will find stimulating and immensely suggestive." --Journal of Communication "Soviet semiotics offers a distinctive, richly productive approach to literary and cultural studies and Universe of the Mind represents a summation of the intellectual career of the man who has done most to guarantee this." --Slavic and East European Journal Universe of the Mind addresses three main areas: meaning and text, culture, and history. The result is a full-scale attempt to demonstrate the workings of the semiotic space or intellectual world. Part One is concerned with the ways that texts generate meaning. Part Two addresses Lotman's central idea of the semiosphere--the domain in which all semiotic systems can function--presented through an analogy with the global biosphere. Part Three focuses on semiotics from the point of view of history. A seminal text in cultural semiotics, the book's ambitious scope also makes it applicable to disciplines outside semiotics. The book will be of great interest to those concerned with cultural studies, anthropology, Slavic studies, critical theory, philosophy, and historiography. Yuri Mikhailovich Lotman is the founder of the Moscow-Tartu School and the initiator of the discipline of cultural semiotics.
Author: Lowell Gallagher
Publisher: University of Toronto Press
ISBN: 1487536240
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
To entertain an idea is to take it in, pay attention to it, give it breathing room, dwell with it for a time. The practice of entertaining ideas suggests rumination and meditation, inviting us to think of philosophy as a form of hospitality and a kind of mental theatre. In this collection, organized around key words shared by philosophy and performance, the editors suggest that Shakespeare’s plays supply readers, listeners, viewers, and performers with equipment for living. In plays ranging from A Midsummer Night’s Dream to King Lear and The Winter’s Tale, Shakespeare invites readers and audiences to be more responsive to the texture and meaning of daily encounters, whether in the intimacies of love, the demands of social and political life, or moments of ethical decision. Entertaining the Idea features established and emerging scholars, addressing key words such as role play, acknowledgment, judgment, and entertainment as well as curse and care. The volume also includes longer essays on Shakespeare, Kant, Husserl, and Hegel as well as an afterword by theatre critic Charles McNulty on the philosophy and performance history of King Lear.
Author: G. Stanley Hall
Publisher: BoD – Books on Demand
ISBN: 3387325754
Category : Fiction
Languages : en
Pages : 494
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Blurb, Incorporated
Publisher:
ISBN: 9781715123406
Category :
Languages : en
Pages :
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Book Description
Personalised vegan recipe book written by Glasgow-based students.
Author: Annemarie Schimmel
Publisher: UNC Press Books
ISBN: 9780807856208
Category : Literary Criticism
Languages : en
Pages : 562
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Book Description
Two-Colored Brocade: The Imagery of Persian Poetry
Author: Julian Young
Publisher: Routledge
ISBN: 1135020906
Category : Philosophy
Languages : en
Pages : 262
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Book Description
What is the meaning of life? In today's secular, post-religious scientific world, this question has become a serious preoccupation. But it also has a long history: many major philosophers have thought deeply about it, as Julian Young so vividly illustrates in this thought-provoking second edition of The Death of God and the Meaning of Life. Three new chapters explore Søren Kierkegaard’s attempts to preserve a Christian answer to the question of the meaning of life, Karl Marx's attempt to translate this answer into naturalistic and atheistic terms, and Sigmund Freud’s deep pessimism about the possibility of any version of such an answer. Part 1 presents an historical overview of philosophers from Plato to Marx who have believed in a meaning of life, either in some supposed ‘other’ world or in the future of this world. Part 2 assesses what happened when the traditional structures that give life meaning began to erode. With nothing to take their place, these structures gave way to the threat of nihilism, to the appearance that life is meaningless. Young looks at the responses to this threat in chapters on Nietzsche, Heidegger, Sartre, Camus, Foucault and Derrida. Fully revised and updated throughout, this highly engaging exploration of fundamental issues will captivate anyone who’s ever asked themselves where life’s meaning (if there is one) really lies. It also makes a perfect historical introduction to philosophy, particularly to the continental tradition.
Author: Maria Manuel Lisboa
Publisher: Open Book Publishers
ISBN: 1783747595
Category : Art
Languages : en
Pages : 293
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Book Description
In these powerful and stylishly written essays, Maria Manuel Lisboa dissects the work of Paula Rego, the Portuguese-born artist considered one of the greatest artists of modern times. Focusing primarily on Rego’s work since the 1980s, Lisboa explores the complex relationships between violence and nurturing, power and impotence, politics and the family that run through Rego’s art. Taking a historicist approach to the evolution of the artist’s work, Lisboa embeds the works within Rego’s personal history as well as Portugal’s (and indeed other nations’) stories, and reveals the interrelationship between political significance and the raw emotion that lies at the heart of Rego’s uncompromising iconographic style. Fundamental to Lisboa’s analysis is an understanding that apparent opposites – male and female, sacred and profane, aggression and submissiveness – often co-exist in Rego’s work in a way that is both disturbing and destabilising. This collection of essays brings together both unpublished and previously published work to make a significant contribution to scholarship about Paula Rego. It will also be of interest to scholars and students of contemporary painting, Portuguese and British feminist art, and the political and ideological aspects of the visual arts.
