Author: Daniel Gustafson
Publisher: Rutgers University Press
ISBN: 1684482135
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Lothario’s Corpse unearths a performance history, on and off the stage, of Restoration libertine drama in Britain’s eighteenth and early nineteenth centuries. While standard theater histories emphasize libertine drama’s gradual disappearance from the nation’s acting repertory following the dispersal of Stuart rule in 1688, Daniel Gustafson traces its persistent appeal for writers and performers wrestling with the powers of the emergent liberal subject and the tensions of that subject with sovereign absolutism. With its radical, absolutist characters and its scenarios of aristocratic license, Restoration libertine drama became a critical force with which to engage in debates about the liberty-loving British subject’s relation to key forms of liberal power and about the troubling allure of lawless sovereign power that lingers at the heart of the liberal imagination. Weaving together readings of a set of literary texts, theater anecdotes, political writings, and performances, Gustafson illustrates how the corpse of the Restoration stage libertine is revived in the period’s debates about liberty, sovereign desire, and the subject’s relation to modern forms of social control. Ultimately, Lothario’s Corpse suggests the “long-running” nature of Restoration theatrical culture, its revived and revised performances vital to what makes post-1688 Britain modern. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Lothario's Corpse
Author: Daniel Gustafson
Publisher: Rutgers University Press
ISBN: 1684482135
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Lothario’s Corpse unearths a performance history, on and off the stage, of Restoration libertine drama in Britain’s eighteenth and early nineteenth centuries. While standard theater histories emphasize libertine drama’s gradual disappearance from the nation’s acting repertory following the dispersal of Stuart rule in 1688, Daniel Gustafson traces its persistent appeal for writers and performers wrestling with the powers of the emergent liberal subject and the tensions of that subject with sovereign absolutism. With its radical, absolutist characters and its scenarios of aristocratic license, Restoration libertine drama became a critical force with which to engage in debates about the liberty-loving British subject’s relation to key forms of liberal power and about the troubling allure of lawless sovereign power that lingers at the heart of the liberal imagination. Weaving together readings of a set of literary texts, theater anecdotes, political writings, and performances, Gustafson illustrates how the corpse of the Restoration stage libertine is revived in the period’s debates about liberty, sovereign desire, and the subject’s relation to modern forms of social control. Ultimately, Lothario’s Corpse suggests the “long-running” nature of Restoration theatrical culture, its revived and revised performances vital to what makes post-1688 Britain modern. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Publisher: Rutgers University Press
ISBN: 1684482135
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Lothario’s Corpse unearths a performance history, on and off the stage, of Restoration libertine drama in Britain’s eighteenth and early nineteenth centuries. While standard theater histories emphasize libertine drama’s gradual disappearance from the nation’s acting repertory following the dispersal of Stuart rule in 1688, Daniel Gustafson traces its persistent appeal for writers and performers wrestling with the powers of the emergent liberal subject and the tensions of that subject with sovereign absolutism. With its radical, absolutist characters and its scenarios of aristocratic license, Restoration libertine drama became a critical force with which to engage in debates about the liberty-loving British subject’s relation to key forms of liberal power and about the troubling allure of lawless sovereign power that lingers at the heart of the liberal imagination. Weaving together readings of a set of literary texts, theater anecdotes, political writings, and performances, Gustafson illustrates how the corpse of the Restoration stage libertine is revived in the period’s debates about liberty, sovereign desire, and the subject’s relation to modern forms of social control. Ultimately, Lothario’s Corpse suggests the “long-running” nature of Restoration theatrical culture, its revived and revised performances vital to what makes post-1688 Britain modern. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Lothario's Corpse
Author: Daniel Gustafson
Publisher: Rutgers University Press
ISBN: 1684482119
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Introduction: The long-running Restoration -- Corpsing Lothario -- Debating Dorimant -- Stuarts without end -- Libertines and liberalism.
Publisher: Rutgers University Press
ISBN: 1684482119
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Introduction: The long-running Restoration -- Corpsing Lothario -- Debating Dorimant -- Stuarts without end -- Libertines and liberalism.
A Book of the Play
Author: Dutton Cook
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 414
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 414
Book Description
Every Saturday
All the Year Round
The Two Friends: Or, Crime and Retribution, a Tragedy in Five Acts
Author: George Duncan (Dramatist.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
The Lavender Lane Lothario
Author: David Handler
Publisher: Minotaur Books
ISBN: 1466887494
Category : Fiction
Languages : en
Pages : 272
Book Description
Every year, the Gant family performs an annual ritual desecrating the tomb of Aurora Bing. The Gants have held a grudge against the legendary silent film star for almost eighty years, but for Shem Gant and his son, things have become personal. Aurora's only grandchild, Hubie Swope, has shut down Shem's notoriously rowdy beachfront bar, and refuses to allow The Pit to reopen until Shem undertakes expensive upgrades. This means war. And when The Pit catches fire and Hubie Swope's charred remains are found in the rubble, it also means murder. Who killed Hubie Swope? Crime-fighting duo Mitch and Des have no idea. Not only are Shem and his son prime suspects, but so are the women in Hubie's life. To their surprise, Mitch and Des discover that Dorset's building inspector, a quiet widower who repaired cuckoo clocks in his little house on Lavender Lane, was secretly juggling four girlfriends at once. And then there's Gaylord Holland, a builder who had a beef of his own with Hubie. Dorset is in turmoil, and only New York City film critic Mitch Berger and Connecticut State Police Resident Trooper Des Mitry can put it back together. The Lavender Lane Lothario is the eleventh in David Handler's original, hilarious and charming series featuring the engaging biracial couple that fans love.
Publisher: Minotaur Books
ISBN: 1466887494
Category : Fiction
Languages : en
Pages : 272
Book Description
Every year, the Gant family performs an annual ritual desecrating the tomb of Aurora Bing. The Gants have held a grudge against the legendary silent film star for almost eighty years, but for Shem Gant and his son, things have become personal. Aurora's only grandchild, Hubie Swope, has shut down Shem's notoriously rowdy beachfront bar, and refuses to allow The Pit to reopen until Shem undertakes expensive upgrades. This means war. And when The Pit catches fire and Hubie Swope's charred remains are found in the rubble, it also means murder. Who killed Hubie Swope? Crime-fighting duo Mitch and Des have no idea. Not only are Shem and his son prime suspects, but so are the women in Hubie's life. To their surprise, Mitch and Des discover that Dorset's building inspector, a quiet widower who repaired cuckoo clocks in his little house on Lavender Lane, was secretly juggling four girlfriends at once. And then there's Gaylord Holland, a builder who had a beef of his own with Hubie. Dorset is in turmoil, and only New York City film critic Mitch Berger and Connecticut State Police Resident Trooper Des Mitry can put it back together. The Lavender Lane Lothario is the eleventh in David Handler's original, hilarious and charming series featuring the engaging biracial couple that fans love.
The New Monthly Magazine
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 732
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 732
Book Description
New Monthly Magazine, and Universal Register
Goethe's Faust
Author: Jane K. Brown
Publisher: Cornell University Press
ISBN: 9780801493904
Category :
Languages : en
Pages : 274
Book Description
In this book, Jane K. Brown offers an original reading of Goethe's complex masterpiece in the context of European Romanticism. Looking at the two parts of Faust in sequence, she views the second part as an elaboration of what was implicit in the first, and she clarifies the patterns of thought and organization underlying the play. In Faust, she argues, Goethe not only situates German culture within the wider European literary tradition, but also demonstrates that all literature is by its nature allusive--that it exists only as part of a tradition.
Publisher: Cornell University Press
ISBN: 9780801493904
Category :
Languages : en
Pages : 274
Book Description
In this book, Jane K. Brown offers an original reading of Goethe's complex masterpiece in the context of European Romanticism. Looking at the two parts of Faust in sequence, she views the second part as an elaboration of what was implicit in the first, and she clarifies the patterns of thought and organization underlying the play. In Faust, she argues, Goethe not only situates German culture within the wider European literary tradition, but also demonstrates that all literature is by its nature allusive--that it exists only as part of a tradition.