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Author: Alexis Arinze
Publisher: Xlibris Corporation
ISBN: 1543447201
Category : Fiction
Languages : en
Pages : 186
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Book Description
My name is Crystal White. I live in an apocalyptic, zombie-infested world. I was no one before the outbreak happened. Im still no one. But Ive been able to make it this far without dying. Im a lost kid just trying to navigate this new world on my own. With luck on my side, I plan on making it the rest of the way without turning into one of those flesh-eating monsters.
Author: Marc Gellman
Publisher: HarperCollins
ISBN: 9780688157524
Category : Juvenile Fiction
Languages : en
Pages : 176
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Book Description
Describes different kinds of losses--losing possessions, competitions, health, trust, and the permanent loss because of death--and discusses how to handle these situations.
Author: Elena Ferrante
Publisher: Text Publishing
ISBN: 1922253278
Category : Fiction
Languages : en
Pages : 473
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Book Description
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
Author: Alexis Arinze
Publisher: Xlibris Corporation
ISBN: 1543447201
Category : Fiction
Languages : en
Pages : 186
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Book Description
My name is Crystal White. I live in an apocalyptic, zombie-infested world. I was no one before the outbreak happened. Im still no one. But Ive been able to make it this far without dying. Im a lost kid just trying to navigate this new world on my own. With luck on my side, I plan on making it the rest of the way without turning into one of those flesh-eating monsters.
Author: Marghanita Laski
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Greg Ruth
Publisher:
ISBN: 9781484407707
Category :
Languages : en
Pages : 192
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Book Description
Nate's not happy about his family moving to a new house in a new town. But when he discovers a tape recorder and note addressed to him under the floorboards of his new bedroom, Nate is thrust into a dark mystery about a boy who went missing many, man
Author: Jan Joseph
Publisher: Strategic Book Publishing Rights Agency
ISBN: 1681813009
Category : Fiction
Languages : en
Pages : 288
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Book Description
On a sleepy Chicago street, author Jackie Steinway opens her door to find a scruffy-looking man wielding a gun and wanting her son, Max. This is the beginning of the fast-paced search for Max, after the boy is kidnapped and forced to assume a new identity in a new location with a new family. Jackie and her husband, actor Jeff Stanley, work with police to clear themselves and work to bring the focus to the kidnapper. Readers are introduced to CPD detectives Jane Peters and Jimmy Reardon, FBI investigator Tom Avalon, psychic Susan Nelson, and private investigator George Nicholas. Will they be able to find Max? And how long will the search take? Chicago author Jan Joseph brings her characters back from her first book, Vanished: The Search for Sally Hunt, to bring this detective story to life.
Author: Peter Pierce
Publisher: Cambridge University Press
ISBN: 9780521594998
Category : History
Languages : en
Pages : 234
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Book Description
This book traces the figure of the lost child in Australia's history and imagination.
Author: George E. Leary
Publisher: Hazelden Publishing
ISBN: 1616491191
Category : Family & Relationships
Languages : en
Pages : 319
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Book Description
What's Wrong with My Kid
Author: Annie O'Connell
Publisher: Annie O'Connell
ISBN:
Category : Fiction
Languages : en
Pages : 523
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Book Description
Life has never been easy for Jace, but things have quickly become more complicated. With a new family and new name, he is returning to the home he had when he was three years old. After learning he is being hunted, he knows his survival requires him to learn to control his newfound powers at an accelerated rate. Feeling like an outsider in what he hoped would be his forever home, Jace desperately tries to figure out where he truly belongs. Jace quickly learns that his impossible witch-werewolf hybrid presence has awoken the curiosity of many supernaturals. After a series of attacks, he realizes the stakes are even higher. Jace must discern who is a friend and who is a foe. Failure could mean death for him, his family, and his friends.
Author: Peter Straub
Publisher: Ballantine Books
ISBN: 0449149919
Category : Fiction
Languages : en
Pages : 369
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Book Description
A woman commits suicide for no apparent reason. A week later, her son– fifteen-year-old Mark Underhill–vanishes. His uncle, novelist Timothy Underhill, searches his hometown of Millhaven for clues that might help unravel this horrible dual mystery. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before his mother’s suicide, Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge. No mere empty building, the house whispers from attic to basement with the echoes of a long-hidden true-life horror story, and Tim Underhill comes to fear that in investigating its unspeakable history, Mark stumbled across its last and greatest secret: a ghostly lost girl who may have coaxed the needy, suggestible boy into her mysterious domain.
