Lost in the Elysian Fields, Volume Iii PDF Download
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Author: Craig Bell
Publisher: Xlibris Corporation
ISBN: 1469122022
Category : Fiction
Languages : en
Pages : 613
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Book Description
There is no available information at this time.
Author: Craig Bell
Publisher: Xlibris Corporation
ISBN: 1469122022
Category : Fiction
Languages : en
Pages : 613
Get Book Here
Book Description
There is no available information at this time.
Author: Craig Bell
Publisher: Xlibris Corporation
ISBN: 1401025781
Category : Fiction
Languages : en
Pages : 613
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Book Description
Author: Jack Donovan
Publisher: Routledge
ISBN: 1317905148
Category : Literary Criticism
Languages : en
Pages : 941
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Book Description
Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the third volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were composed between autumn 1819 and autumn 1820. The poems written in response to the political crisis in England following the ‘Peterloo’ massacre in August 1819 feature largely, among them The Mask of Anarchy and 'An Ode (Arise, arise, arise!)'. The popular songs, which Shelley intended to gather into a volume to inspire reformers from the labouring classes, several accompanied by significantly new textual material recovered from draft manuscripts, are included, as are the important political works 'Ode to Liberty', 'Ode to Naples' and Oedipus Tyrannus, Shelley's burlesque Greek tragedy on the Queen Caroline affair. Other major poems featured include 'The Sensitive-Plant', 'Ode to the West Wind', 'Letter to Maria Gisborne', an exuberant translation from the ancient Greek of the Homeric 'Hymn to Mercury', and the brilliantly inventive 'The Witch of Atlas'. In addition to accompanying commentaries, there are extensive bibliographies, a chronology of Shelley’s life, and indexes to titles and first lines. Leigh Hunt's informative Preface of 1832 to The Mask of Anarchy is also included as an Appendix. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars.
Author: Mark Gregory LaFlaur
Publisher:
ISBN: 9780615729862
Category : Fiction
Languages : en
Pages : 399
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Book Description
Named to Kirkus Reviews' Best Books of 2013. * Winner of rare "double crown" of starred reviews from both Publishers Weekly and Kirkus Reviews. * Publishers Weekly Featured Fiction selection. Simpson Weems is a 36-year-old aspiring poet whose life has been on hold -- to the breaking point. All he needs to fulfill his potential is to move to San Francisco, but he's torn between his long-held dream of being a great artist and obligations to his aged, ailing mother and his emotionally volatile brother, the all-demanding Bartholomew. Will someone in his family have to die before he can get to California? And how might that be arranged?Written "on location" in New Orleans and set shortly before Hurricane Katrina, Elysian Fields combines menace, the comic strangeness of Flannery O'Connor, and hints of magical realism to convey vivid, original characters and a Crescent City that is both recognizable and more offbeat and seductive than visitors usually see.PRAISE FOR "ELYSIAN FIELDS""A wholly involving story with Faulknerian characters in a fully realized setting. [A] tale of brotherly love and menace. . . . LaFlaur's descriptive talent shines. Fertile imagery drips like Spanish moss: the old buildings collapsing, 'as though the humidity-sodden bricks were returning to mud,' while 'cloud stacks glowed like the battlements of heaven.' [Main character] Simpson's mental landscape is equally vivid, drawn with such empathy and depth that readers will forgive his perpetual indecision and may even root for him to carry out the removal of his near-deranged brother." --Kirkus Reviews (starred review)"[R]eaders will find the author's portrayal of New Orleans convincing and his characters fascinating and fully developed. . . . Life in the Weems family of 1999 New Orleans is anything but Elysian in this engrossing Southern Gothic snapshot." --Publishers Weekly (starred review)"A stunning debut . . . shades of Tennessee Williams, Faulkner and John Kennedy Toole. . . . LaFlaur gently and expertly pulls readers along with his characters, never flinching in the face of their foibles . . ." --Antigravity magazine (New Orleans)"[A] wonderful debut novel, a southern gothic that is at times comedic, at times heartbreaking . . . In places Elysian Fields is as heavy as summer air in New Orleans, but it most definitely has a sense of humor. . . . [A]n impressive debut that will leave readers looking forward to LaFlaur's next offering." --Self-Publishing Review
Author: John Pope
Publisher: Univ. Press of Mississippi
ISBN: 1496803760
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
No city in America knows how to mark death with more funerary panache than New Orleans. The pageants commemorating departed citizens are often in themselves works of performance art. A grand obituary remains key to this Stygian passage. And no one writes them like New Orleanian John Pope. Collected here are not just simple, mindless recitations of schools and workplaces, marriages, and mourners bereft. These pieces in Getting Off at Elysian Fields: Obituaries from the New Orleans “Times-Picayune” are full-blooded life stories with accounts of great achievements, dubious dabblings, unavoidable foibles, relationships gone sour, and happenstances that turn out to be life-changing. To be sure, there are stories about Carnival monarchs, great philanthropists, and a few politicians. But because New Orleans embraces eccentric behavior, there are stories of people who colored way outside the lines. For instance, there was the doctor who used his plasma to make his flowers grow, and the philanthropist who took money she had put aside for a fur coat to underwrite the lawsuit that desegregated Tulane University. A letter carrier everyone loved turned out to have been a spy during World War II, and a fledgling lawyer changed his lifelong thoughts about race when he saw blind people going into a Christmas party through separate doors—one for white people and another for African Americans. Then there was the punctilious judge who got down on his hands and knees to edge his lawn—with scissors. Because New Orleans funerals are distinctive, the author includes accounts of four that he covered, complete with soulful singing and even some dancing. As a popular, local bumper sticker indisputably declares, “New Orleans—We Put the Fun in Funeral.”
Author: James Lee Burke
Publisher: Simon and Schuster
ISBN: 074326097X
Category : Fiction
Languages : en
Pages : 349
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Book Description
Sheriff Dave Robicheaux returns to New Orleans to investigate the beating of a controversial Catholic priest and murder of three teenage girls in this intense, atmospheric entry in the New York Times bestselling series. For Dave Robicheaux, there is no easy passage home. New Orleans, and the memories of his life in the Big Easy, will always haunt him. So to return there means visiting old ghosts, exposing old wounds, opening himself up to new, yet familiar, dangers. When Robicheaux, now a police officer based in the somewhat quieter Louisiana town of New Iberia, learns that an old friend, Father Jimmie Dolan, a Catholic priest always at the center of controversy, has been the victim of a particularly brutal assault, he knows he has to return to New Orleans to investigate, if only unofficially. What he doesn’t realize is that in doing so he is inviting into his life—and into the lives of those around him—an ancestral evil that could destroy them all. A masterful exploration of the troubled side of human nature and the darkest corners of the heart, and filled with the kinds of unforgettable characters that are the hallmarks of his novels, Last Car to Elysian Fields is Burke in top form in the kind of lush, atmospheric thriller that is “an outstanding entry in an excellent series” (Publishers Weekly).
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 722
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Book Description
Author: Various Authors
Publisher: Library of Alexandria
ISBN: 1613102445
Category : Fiction
Languages : en
Pages : 580
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Book Description
The wonders of Egyptian archæology are the latest and most precious harvest of scholars and explorers. From Belzoni to Flinders Petrie there has been a succession of discoveries in the valley of the Nile with which it is hard for ordinary students to keep pace. Our knowledge of Egyptian life to-day is far clearer and more complete than Bentley's or Porson's acquaintance with the antiquities of Greece and Rome, and we have far more complete access to the treasures of Egyptian literature than Dante or Thomas Aquinas had to the remains of Attic poets and mystics. We know exactly how an Egyptian of the twelfth dynasty dressed; what was the position of women in Egypt; and what uniform was worn by the Egyptian soldiers who took part in the campaign against Khitasis. We can see Rameses II riding in his war-chariot; we know the very names of the horses by whose side his tame lion is running and thirsting for the blood of his master's foes. We know all about the domestic animals, the funeral customs, the trades, the gods, the agriculture of the Nile valley thirty centuries ago. We see the whole many-sided civilization portrayed in the brightest colors in the poetry, the books of ritual, the hieratic inscriptions, the tablets, papyri, and hieroglyphics which day by day come to light in exhaustless abundance from the mounds and ruins of that fertile plain that stretches from Thebes to the Mareotic lake. For instance, we can learn exact particulars about the mode in which Rameses II made war, from the poem of Penta-Our, a Theban writer of the fourteenth century b.c. It is only by a figure of speech that this poem can be called an epic; it is rather a historical narrative couched in terms of poetic exaggeration with the object of flattering the royal vanity of Pharaoh. The campaign in which Rameses then engaged was directed against Kadesh, a city built on an island in the Orontes. It is, according to Penta-Our, inhabited by a people known as Khita, whose spies are brought into the tent of Rameses and questioned as to the whereabouts of the King of Kadesh. The spies are forced by blows to answer, and they tell the Egyptian monarch that the King of the Khita “is powerful with many soldiers, and with chariot soldiers, and with their harness, as many as the sand of the seashore, and they are ready to fight behind Kadesh.” The King is very angry; for he had been deceived by false news to the effect that his enemy had fled in terror to Khilibu. “The fault is great,” he cries, “that the governors of the land and the vassal princes of Pharaoh have committed, in neglecting to watch the movements of the Khita.” He sends to bring back the legions he had sent away, and meanwhile the approach of the enemy is announced. The camp of Rameses is surprised by the Asiatics; many foot-soldiers are killed before they can seize their weapons, but a faithful band rallies in front of the royal quarters. Suddenly a cry is heard; Rameses has quickly put on his armor, seized his lance, ordered his war lion to be loosed, and dashed into the fight. Pharaoh with his master of the horse, Menni, is soon hemmed in by foes. “My Lord, O generous King!” cries Menni, “Egypt's great protector in the day of battle! behold we stand alone in the midst of the enemy, for the archers and the chariots have left us. Let us return, that our lives may be saved. Save us, O my Lord, Rameses Miamun!” Then Rameses called upon Amen, his god, and under his protection charged the enemy, and “his hand devoured them in the space of an instant.” Five times he rushed upon them, and five times they repulsed him. The sixth time he breaks their ranks and regains his own lines. Then the legions of Ptah, which had returned to the camp, join the battle, and the Asiatics are routed. The first care of Rameses is to refresh his brave horses, Victory-in-Thebes and Maut-is-Satisfied. Neither they nor Rameses and his lion are wounded, though all stained with blood and dust, while the head-plumes of the team are torn and tattered and their caparison broken.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 728
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Author: Robert Maltby
Publisher: Cambridge Scholars Publishing
ISBN: 1527574083
Category : History
Languages : en
Pages : 711
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Book Description
This book presents the first commentary on the whole of [Tibullus] 3 in English. It consists of a text, translation, introduction and commentary. The text rests on the author’s autopsy of the most important manuscripts of [Tibullus]. The prose translation is as literal as possible, in order to bring out clearly the meaning of the Latin. The detailed line-by-line commentary serves to clarify the language and literary associations of the poems and to back up the theory that the whole work was composed by a single unitary author. It argues that what were previously thought of as separate sections of the book, composed by different authors at different times, were in fact the product of a single anonymous poet impersonating, or adopting the mask of, different characters in each section: Lygdamus (poems 1-6), a young Tibullus (7), a commentator on Sulpicia’s affair with Cerinthus (8-12), Sulpicia (13-18) and Tibullus (19-20). The close connections and associations between these different sections and their use of the same Augustan intertexts are shown to favour a unitary interpretation of the work. The main literary inspiration for the work, this volume argues, comes from the elegists of the Augustan period, but its date of composition could have been late in the first century AD, linking it with the other pseudepigraphical writings of this century such as the Virgilian and Ovidian Appendices.
