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Author: Richard M. Sudhalter
Publisher: Oxford University Press on Demand
ISBN: 019514838X
Category : Music
Languages : en
Pages : 928
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Book Description
Too many jazz fans and critics--and even some jazz musicians--still contend that white players have contributed little of substance to the music; that even, with every white musician removed from the canon, the history and nature of jazz would remain unchanged. Now, with Lost Chords, musician-historian Richard M. Sudhalter challenges this narrow view, with a book that pays definitive tribute to a generation of white jazz players, many unjustly forgotten--while never scanting the role of the great black pioneers. Greeted enthusiastically by the jazz community upon its original publication, this monumental volume offers an exhaustively documented, vividly narrated history of white jazz contribution in the vital years 1915 to 1945. Beginning in New Orleans, Sudhalter takes the reader on a fascinating multicultural odyssey through the hot jazz gestation centers of Chicago and New York, Indiana and Texas, examining such bands such as the New Orleans Rhythm Kings, the Original Memphis Five, and the Casa Loma Orchestra. Readers will find luminous accounts of many key soloists, including Bix Beiderbecke, Benny Goodman, Jack Teagarden, Red Norvo, Bud Freeman, the Dorsey Brothers, Bunny Berigan, Pee Wee Russell, and Artie Shaw, among others. Sudhalter reinforces the reputations of these and many other major jazzmen, pleading their cases persuasively and eloquently, without ever descending to polemic. Along the way, he gives due credit to Louis Armstrong, Lester Young, Duke Ellington, Coleman Hawkins, and countless other major black figures. Already hailed as a basic reference book on the subject--and now incorporating information that has come to light since its first publication--Lost Chords is a ground-breaking book that should significantly alter perceptions about jazz and its players, reminding readers of this great music's multicultural origins.
Author: Richard M. Sudhalter
Publisher: Oxford University Press on Demand
ISBN: 019514838X
Category : Music
Languages : en
Pages : 928
Get Book Here
Book Description
Too many jazz fans and critics--and even some jazz musicians--still contend that white players have contributed little of substance to the music; that even, with every white musician removed from the canon, the history and nature of jazz would remain unchanged. Now, with Lost Chords, musician-historian Richard M. Sudhalter challenges this narrow view, with a book that pays definitive tribute to a generation of white jazz players, many unjustly forgotten--while never scanting the role of the great black pioneers. Greeted enthusiastically by the jazz community upon its original publication, this monumental volume offers an exhaustively documented, vividly narrated history of white jazz contribution in the vital years 1915 to 1945. Beginning in New Orleans, Sudhalter takes the reader on a fascinating multicultural odyssey through the hot jazz gestation centers of Chicago and New York, Indiana and Texas, examining such bands such as the New Orleans Rhythm Kings, the Original Memphis Five, and the Casa Loma Orchestra. Readers will find luminous accounts of many key soloists, including Bix Beiderbecke, Benny Goodman, Jack Teagarden, Red Norvo, Bud Freeman, the Dorsey Brothers, Bunny Berigan, Pee Wee Russell, and Artie Shaw, among others. Sudhalter reinforces the reputations of these and many other major jazzmen, pleading their cases persuasively and eloquently, without ever descending to polemic. Along the way, he gives due credit to Louis Armstrong, Lester Young, Duke Ellington, Coleman Hawkins, and countless other major black figures. Already hailed as a basic reference book on the subject--and now incorporating information that has come to light since its first publication--Lost Chords is a ground-breaking book that should significantly alter perceptions about jazz and its players, reminding readers of this great music's multicultural origins.
Author: Ian Bradley
Publisher: Hymns Ancient and Modern Ltd
ISBN: 0334044219
Category : Religion
Languages : en
Pages : 257
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Book Description
Arthur Sullivan is best known as W. S. Gilbert's collaborator in the Savoy Operas, However, Sullivan was far from being simply a composer of light operettas. At the height of his fame and popularity in late Victorian Britain, Sullivan was regarded as the nation's leading composer of sacred oratorios on a par with Mendelssohn and Brahms. Yet despite his contemporary popularity and enduring legacy, little attention has been given to Sullivan's sacred work. The last twenty years have seen a considerable revival of interest in and critical appreciation for this aspect of Sullivan's work. Lost Chords and Christian Soldiers provides the first detailed, comprehensive, critical study and review of Sullivan's church and sacred music. As well as exploring issues of repertoire and ecclesiology involved in these and other formative influences and experiences, consideration will be given to how far Sullivan's own personal beliefs and faith influenced his settings of sacred texts and the extent to which his own spiritual and theological leaning are expressed in his choice of material and style of setting. Sullivan's motivation in setting religious texts will be probed and comparison will be made with the motivation, output and approach of his closest contemporaries in this field, most notably Stainer.
Author: Lulu Spears Dearing
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
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Book Description
Author: Russell Schroeder
Publisher:
ISBN: 9781532358074
Category :
Languages : en
Pages :
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Book Description
Author: Daniel Sapen
Publisher: Phoenix Publishing House
ISBN: 1781811636
Category : Psychology
Languages : en
Pages : 261
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Book Description
In Freud's Lost Chord, Dan Sapen explores what it means for the development of depth psychology that Freud was perplexed by music, and unlike nearly every other aspect of human life, had little to say about it - a problem shared by most others in the early generations of psychoanalytic thought. Psychoanalyst Charles Rycroft wrote One cannot help regretting that none of the pioneers of the unconscious thought naturally in auditory terms; more than this, over 100 years later, not only is music per se rarely looked it in psychodynamic terms, jazz music is almost completely absent from the literature. Dr. Sapen looks in depth at the intricate details of psychodynamic theory and practice, as well as an overview of its development, to address the possibility that a theoretical model that has little to say about such a basic and omni-present aspect of human life must be seriously flawed in its effort to explain what it is to be human, and how the mind functions and what it creates. However, Sapen illustrates how numerous other thinkers (Jung, Winnicott, Bion, Loewald, Rycroft), some seemingly at odds with and others serving as essential developments and re-workings of psychoanalytic principles, have managed to illuminate and integrate those missing principles so basic to music and creativity - to development, dreaming, thinking, and relating among other human beings intimately and in a society. Nearly uniquely in the psychodynamic literature, Sapen looks in depth at the music of Miles Davis and John Coltrane as examples of the living, breathing psychological processes so essential to understanding the meaning and dynamics of being human that Freud could not, for a variety of reasons, conceptualize.
Author: Julia Crowe
Publisher: ECW Press
ISBN: 1770903089
Category : Guitarists
Languages : en
Pages : 304
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Book Description
Whether it is a beautiful and classic model or an unglamorous and inexpensive starter instrument, a musician's first guitar can be the catalyst that motivates a lifelong passion. The pages of this book contain interviews with 70 of the world's most well-known guitarists across musical genres and playing styles to discover how their love of the instrument compelled them to pursue music as a career. These guitar icons reveal how they got their first instrument, the music they loved, and their heroes and inspirations. With an impressive list of subjectsincluding Dick Dale, Melissa Etheridge, Jimmy Page, Les Paul, and Carlos Santanaas well as childhood photos from such guitar legends as Alex Lifeson, Joe Satriani, and Jimmie Vaughan, this book has appeal for guitar heroes and nonmusicians alike.
Author: Garth Brooks
Publisher: Alfred Music
ISBN: 9780739041642
Category : Music
Languages : en
Pages : 0
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Book Description
Titles are: Good Ride Cowboy * Allison Miranda * Love Will Always Win * She Don't Care About Me * That Girl Is a Cowboy * Fishin' in the Dark * For a Minute There * I'd Rather Have Nothing * Cowgirl's Saddle * Under the Table * American Dream * I'll Be the Wind * Meet Me in Love * You Can't Help Who You Love * Please Operator (Could You Trace This Call) * My Baby No Esta Aqui * Last Night I Had the Strangest Dream.
Author: Mary Jane Grange R. N.
Publisher: Trafford Publishing
ISBN: 1426936257
Category : Education
Languages : en
Pages : 199
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Book Description
A nurse relies on her faith to explore and describe the layers of attention deficit disorders that accumulate in children and adults.
Author: Danny Goldberg
Publisher: Icon Books
ISBN: 1785782967
Category : Music
Languages : en
Pages : 243
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Book Description
' Danny Goldberg is probably one of the purest, most reasonable guides you could ask for to 1967.' Ex-Rolling Stones manager Andrew Loog Oldham. ' Weaves together rollicking, rousing, wonderfully colourful and disparate narratives to remind us how the energies and aspirations of the counterculture were intertwined with protest and reform ... mesmerising.' The Nation It was the year that saw the release of the Beatles' Sgt. Pepper's Lonely Hearts Club Band, and of debut albums from the Doors, the Grateful Dead, Jimi Hendrix and Janis Joplin. The year of the Summer of Love and LSD; the Monterey Pop Festival and Black Power; Muhammad Ali's conviction for draft avoidance and Martin Luther King Jr's public opposition to war in Vietnam. On its 50th anniversary, music business veteran Danny Goldberg analyses 1967, looking not only at the political influences, but also the spiritual, musical and psychedelic movements that defined the era, providing a unique perspective on how and why its legacy lives on today. Exhaustively researched and informed by interviews including Allen Ginsberg, Timothy Leary and Gil Scott-Heron, In Search of the Lost Chord is the synthesis of a fascinating and complicated period in our social and countercultural history that was about so much more than sex, drugs and rock n roll.
Author: T Storm Heter
Publisher: Rowman & Littlefield
ISBN: 1538162636
Category : Philosophy
Languages : en
Pages : 207
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Book Description
A central criticism emerging from Black and Creole thinkers is that mainstream, white dominated, culture, consumes sounds and images of Creole and Black people in music, theater, and the white press, while ignoring critiques of the white consumption of black culture. Ironically, critiques of whiteness are found not only in black literature and media, but also within the blues, jazz, and spirituals that whites listened to, loved, collected, and archived. This book argues that whiteness is not only a visual orientation; it is a way of hearing. Inspired by formulations of the race and whiteness in the existential writings of Frantz Fanon, Simone de Beauvoir, Jean-Paul Sartre, W.E.B. Du Bois, Richard Wright, Lewis Gordon, Angela Davis, bell hooks and Sara Ahmed, T Storm Heter introduces the notion of the white sonic gaze. Through case studies and musical examples from the history of American jazz, the book builds a phenomenological archive to demonstrate the bad habits of ‘white listening’, drawing from black journalism, the autobiographies of Creole musicians, and the lyrics and sonic content of early jazz music emerging from New Orleans. Studying white listening orientations on the plantation, in vaudeville minstrel shows, and in cabarets, the book portrays six types of bad faith white listeners, including the white minstrel listener, the white savior listener, white hipster listener, and the white colorblind listener. Connecting critical race studies, music studies, philosophy of race and existentialism, this book is for students to learn how to critique the phenomenology of whiteness and practice decolonial listening.
