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Author: Luis Vélez de Guevara
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Category :
Languages : en
Pages :
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![Los Tres Portentos de Dios. Comedia Famosa. [In Three Acts and in Verse.]. PDF](https://books.google.com/books/content/images/frontcover/37UbMwEACAAJ?fife=w80-h100)
Author: Luis Vélez de Guevara
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 506
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 640
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Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1236
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Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 886
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Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 588
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Author: Vélez de Guevara. Luis
Publisher:
ISBN:
Category : Spanish literature
Languages : en
Pages : 130
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Book Description
Allgorical Spanish satire of the laws and customs of 16th and 17th C. Spain, made all the more humorous and ingenious by the illustrations of Ernesto Joan. Brown color type on glossy paper.
Author: Maria Chiara Scappaticcio
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110688662
Category : Literary Criticism
Languages : en
Pages : 436
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Book Description
The refreshed insights into early-imperial Roman historiography this book offers are linked to a recent discovery. In the spring of 2014, the binders of the archive of Robert Marichal were dusted off by the ERC funded project PLATINUM (ERC-StG 2014 n°636983) in response to Tiziano Dorandi’s recollections of a series of unpublished notes on Latin texts on papyrus. Among these was an in-progress edition of the Latin rolls from Herculaneum, together with Marichal’s intuition that one of them had to be ascribed to a certain ‘Annaeus Seneca’. PLATINUM followed the unpublished intuition by Robert Marichal as one path of investigation in its own research and work. Working on the Latin P.Herc. 1067 led to confirm Marichal’s intuitions and to go beyond it: P.Herc. 1067 is the only extant direct witness to Seneca the Elder’s Historiae. Bringing a new and important chapter of Latin literature arise out of a charred papyrus is significant. The present volume is made up of two complementary sections, each of which contains seven contributions. They are in close dialogue with each other, as looking at the same literary matter from several points of view yields undeniable advantages and represents an innovative and fruitful step in Latin literary criticism. These two sections express the two different but interlinked axes along which the contributions were developed. On one side, the focus is on the starting point of the debate, namely the discovery of the papyrus roll transmitting the Historiae of Seneca the Elder and how such a discovery can be integrated with prior knowledge about this historiographical work. On the other side, there is a broader view on early-imperial Roman historiography, to which the new perspectives opened by the rediscovery of Seneca the Elder’s Historiae greatly contribute.
Author: Jonathan Thacker
Publisher: Liverpool University Press
ISBN: 9780853235484
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
The theatrum mundi metaphor was well-known in the Golden Age, and was often employed, notably by Calderón in his religious theatre. However, little account has been given of the everyday exploitation of the idea of the world as stage in the mainstream drama of the Golden Age. This study examines how and why playwrights of the period time and again created characters who dramatize themselves, who re-invent themselves by performing new roles and inventing new plots within the larger frame of the play. The prevalence of metatheatrical techniques among Golden Age dramatists, including Lope de Vega, Tirso de Molina, Calderón de la Barca and Guillén de Castro, reveals a fascination with role-playing and its implications. Thacker argues that in comedy, these playwrights saw role-playing as a means by which they could comment on and criticize the society in which they lived, and he reveals a drama far less supportive of the social status quo in Golden Age Spain than has been traditionally thought to be the case.
Author: A. Katie Harris
Publisher: JHU Press
ISBN: 9780801885235
Category : History
Languages : en
Pages : 292
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Book Description
Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Prologue. Old Bones for a New City -- 1 Granada in the Sixteenth Century -- 2 Controversy and Propaganda -- 3 Forging History: Granadino Historiography and the Sacromonte -- 4 Civic Ritual and Civic Identity -- 5 The Plomos and the Sacromonte in Granadino Piety -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z.
