Author: Clara Tuite
Publisher: Cambridge University Press
ISBN: 1107082595
Category : History
Languages : en
Pages : 347
Book Description
This book examines the relationship between Lord Byron's life and work, and the Regency culture of scandal.
Lord Byron and Scandalous Celebrity
Author: Clara Tuite
Publisher: Cambridge University Press
ISBN: 1107082595
Category : History
Languages : en
Pages : 347
Book Description
This book examines the relationship between Lord Byron's life and work, and the Regency culture of scandal.
Publisher: Cambridge University Press
ISBN: 1107082595
Category : History
Languages : en
Pages : 347
Book Description
This book examines the relationship between Lord Byron's life and work, and the Regency culture of scandal.
The Fall of the House of Byron
Author: Emily Brand
Publisher: John Murray
ISBN: 9781473664326
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
THE RADIO 4 BOOK OF THE WEEK 'Gobsmacking' The Times 'Luscious' Mail on Sunday 'Delectable . . . ravishing' Sunday Times 'A chocolate box full of delicious gothic delights - jump in' Lucy Worsley 'Stranger than fiction, as dark as any gothic drama . . . utterly gripping' Amanda Foreman 'Brings to life the colourful characters of the Georgian era's most notorious families with all the verve and skill of the era's finest novelists . . . A powdered and pomaded, sordid and silk-swathed adventure' Hallie Rubenhold Many know Lord Byron as leading poet of the Romantic movement. But few know the dynasty from which he emerged; infamous for its scandal and impropriety, with tales of elopement, murder, kidnaping, profligacy, doomed romance and adultery. A sumptuous story that begins in rural Nottinghamshire and plays out in the gentleman's clubs of Georgian London, amid tempests on far-flung seas, and in the glamour of pre-revolutionary France, The Fall of the House of Byron is the acclaimed account of intense family drama over three turbulent generations.
Publisher: John Murray
ISBN: 9781473664326
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
THE RADIO 4 BOOK OF THE WEEK 'Gobsmacking' The Times 'Luscious' Mail on Sunday 'Delectable . . . ravishing' Sunday Times 'A chocolate box full of delicious gothic delights - jump in' Lucy Worsley 'Stranger than fiction, as dark as any gothic drama . . . utterly gripping' Amanda Foreman 'Brings to life the colourful characters of the Georgian era's most notorious families with all the verve and skill of the era's finest novelists . . . A powdered and pomaded, sordid and silk-swathed adventure' Hallie Rubenhold Many know Lord Byron as leading poet of the Romantic movement. But few know the dynasty from which he emerged; infamous for its scandal and impropriety, with tales of elopement, murder, kidnaping, profligacy, doomed romance and adultery. A sumptuous story that begins in rural Nottinghamshire and plays out in the gentleman's clubs of Georgian London, amid tempests on far-flung seas, and in the glamour of pre-revolutionary France, The Fall of the House of Byron is the acclaimed account of intense family drama over three turbulent generations.
The Limits of Familiarity
Author: Lindsey Eckert
Publisher: Rutgers University Press
ISBN: 1684483905
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
What did Wordsworth wear, and where did he walk? Who was Byron’s new mistress, and how did his marriage fare? Answers—sometimes accurate, sometimes not—were tantalizingly at the ready in the Romantic era, when confessional poetry, romans à clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity? Widely recognized as a social virtue, familiarity—a feeling of emotional closeness or comforting predictability—could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling all too much.
Publisher: Rutgers University Press
ISBN: 1684483905
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
What did Wordsworth wear, and where did he walk? Who was Byron’s new mistress, and how did his marriage fare? Answers—sometimes accurate, sometimes not—were tantalizingly at the ready in the Romantic era, when confessional poetry, romans à clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity? Widely recognized as a social virtue, familiarity—a feeling of emotional closeness or comforting predictability—could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling all too much.
Byron's Don Juan
Author: Richard Cronin
Publisher: Cambridge University Press
ISBN: 100936619X
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
In this first full-length study of Byron's masterpiece in over thirty years, Richard Cronin boldly presents Don Juan as the epic poem of its age. Impressively illuminating the whole literary nineteenth century through a single work, he asks what kind of epic can be said to represent an era more readily defined by newspapers and magazines than by competitors such as Wordsworth's Excursion or Southey's Joan of Arc arose. Delving into questions of form and choice of hero, he also explores the controversies that informed the poem's reception, its contemporary interactions, and its influence on later nineteenth-century literature. Don Juan, he argues, is the epic poem demanded by an age of cant and dissembling, when people's feelings and the world they lived in had become disconnected. In it, he finds a powerful defence of liberal thinking at a time when that kind of thinking was under threat.
Publisher: Cambridge University Press
ISBN: 100936619X
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
In this first full-length study of Byron's masterpiece in over thirty years, Richard Cronin boldly presents Don Juan as the epic poem of its age. Impressively illuminating the whole literary nineteenth century through a single work, he asks what kind of epic can be said to represent an era more readily defined by newspapers and magazines than by competitors such as Wordsworth's Excursion or Southey's Joan of Arc arose. Delving into questions of form and choice of hero, he also explores the controversies that informed the poem's reception, its contemporary interactions, and its influence on later nineteenth-century literature. Don Juan, he argues, is the epic poem demanded by an age of cant and dissembling, when people's feelings and the world they lived in had become disconnected. In it, he finds a powerful defence of liberal thinking at a time when that kind of thinking was under threat.
Celebrity Across the Channel, 1750–1850
Author: Anaïs Pédron
Publisher: Rutgers University Press
ISBN: 164453214X
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
Celebrity Across the Channel, 1750-1850 is the first book to study and compare the concept of celebrity in France and Britain from 1750 to 1850 as the two countries transformed into the states we recognize today. It offers a transnational perspective by placing in dialogue the growing fields of celebrity studies in the two countries, especially by engaging with Antoine Lilti’s seminal work, The Invention of Celebrity, translated into English in 2017. With contributions from a diverse range of scholarly cultures, the volume has a firmly interdisciplinary scope over the time period 1750 to 1850, which was an era marked by social, political, and cultural upheaval. Bringing together the fields of history, politics, literature, theater studies, and musicology, the volume employs a firmly interdisciplinary scope to explore an era marked by social, political, and cultural upheaval. The organization of the collection allows for new readings of the similarities and differences in the understanding of celebrity in Britain and France. Consequently, the volume builds upon the questions that are currently at the heart of celebrity studies.
Publisher: Rutgers University Press
ISBN: 164453214X
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
Celebrity Across the Channel, 1750-1850 is the first book to study and compare the concept of celebrity in France and Britain from 1750 to 1850 as the two countries transformed into the states we recognize today. It offers a transnational perspective by placing in dialogue the growing fields of celebrity studies in the two countries, especially by engaging with Antoine Lilti’s seminal work, The Invention of Celebrity, translated into English in 2017. With contributions from a diverse range of scholarly cultures, the volume has a firmly interdisciplinary scope over the time period 1750 to 1850, which was an era marked by social, political, and cultural upheaval. Bringing together the fields of history, politics, literature, theater studies, and musicology, the volume employs a firmly interdisciplinary scope to explore an era marked by social, political, and cultural upheaval. The organization of the collection allows for new readings of the similarities and differences in the understanding of celebrity in Britain and France. Consequently, the volume builds upon the questions that are currently at the heart of celebrity studies.
The Myth and Identity of the Romantic Artist in European Literature
Author: Elena Anastasaki
Publisher: Taylor & Francis
ISBN: 1000627276
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
This study addresses the question of artistic identity and the myth of the artist as it has been shaped by the artists themselves. While the term artist is to be understood in a broad sense, the focus of this study is the literature of the Romantic tradition. Identity is largely perceived as a construct, and a central hypothesis of this book concerns its aesthetic value and the ways it creates dominant narratives of self-perception that produce powerful myths. The construction of the artist’s identity, be it collective or personal, rests on a series of aesthetic praxes. Caught between the mythic idealisation of poetic genius and its social devaluation, the Romantic artist seeks to create a place for himself, and in doing so, he engages in his own mythmaking. This process is studied in an interdisciplinary perspective, approaching texts and writers from different traditions. The study analyses various typologies of the artist, numerous mythmaking strategies as well as several postural techniques; all of which have sketched major direct or indirect fictional self-portraits in the European tradition.
Publisher: Taylor & Francis
ISBN: 1000627276
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
This study addresses the question of artistic identity and the myth of the artist as it has been shaped by the artists themselves. While the term artist is to be understood in a broad sense, the focus of this study is the literature of the Romantic tradition. Identity is largely perceived as a construct, and a central hypothesis of this book concerns its aesthetic value and the ways it creates dominant narratives of self-perception that produce powerful myths. The construction of the artist’s identity, be it collective or personal, rests on a series of aesthetic praxes. Caught between the mythic idealisation of poetic genius and its social devaluation, the Romantic artist seeks to create a place for himself, and in doing so, he engages in his own mythmaking. This process is studied in an interdisciplinary perspective, approaching texts and writers from different traditions. The study analyses various typologies of the artist, numerous mythmaking strategies as well as several postural techniques; all of which have sketched major direct or indirect fictional self-portraits in the European tradition.
The Censorship of Eighteenth-Century Theatre
Author: David O'Shaughnessy
Publisher: Cambridge University Press
ISBN: 1108496253
Category : Drama
Languages : en
Pages : 281
Book Description
A far-reaching analysis of censorship's profound impact on Georgian theatrical culture and its development across the long eighteenth century, showcasing how the analysis of plays can be helpful for historical research.
Publisher: Cambridge University Press
ISBN: 1108496253
Category : Drama
Languages : en
Pages : 281
Book Description
A far-reaching analysis of censorship's profound impact on Georgian theatrical culture and its development across the long eighteenth century, showcasing how the analysis of plays can be helpful for historical research.
Popular Music Autobiography
Author: Oliver Lovesey
Publisher: Bloomsbury Publishing USA
ISBN: 1501355856
Category : Music
Languages : en
Pages : 264
Book Description
The 1960s saw the nexus of the revolution in popular music by a post-war generation amid demographic upheavals and seismic shifts in technology. Over the past two decades, musicians associated with this period have produced a large amount of important autobiographical writing. This book situates these works -- in the forms of formal autobiographies and memoirs, auto-fiction, songs, and self-fashioned museum exhibitions -- within the context of the recent expansion of interest in autobiography, disability, and celebrity studies. It argues that these writings express anxiety over musical originality and authenticity, and seeks to dispel their writers' celebrity status and particularly the association with a lack of seriousness. These works often constitute a meditation on the nature of postmodern fame within a celebrity-obsessed culture, and paradoxically they aim to regain the private self in a public forum.
Publisher: Bloomsbury Publishing USA
ISBN: 1501355856
Category : Music
Languages : en
Pages : 264
Book Description
The 1960s saw the nexus of the revolution in popular music by a post-war generation amid demographic upheavals and seismic shifts in technology. Over the past two decades, musicians associated with this period have produced a large amount of important autobiographical writing. This book situates these works -- in the forms of formal autobiographies and memoirs, auto-fiction, songs, and self-fashioned museum exhibitions -- within the context of the recent expansion of interest in autobiography, disability, and celebrity studies. It argues that these writings express anxiety over musical originality and authenticity, and seeks to dispel their writers' celebrity status and particularly the association with a lack of seriousness. These works often constitute a meditation on the nature of postmodern fame within a celebrity-obsessed culture, and paradoxically they aim to regain the private self in a public forum.
David Bowie and Romanticism
Author: James Rovira
Publisher: Springer Nature
ISBN: 303097622X
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
David Bowie and Romanticism evaluates Bowie’s music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists. These chapters expand our understanding of both the literature studied as well as Bowie’s music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to provide insight into identity formation, drawing from Romantic theories of self to understand Bowie’s oeuvre and periods of his career. The chapters discuss key themes in Bowie’s work and analyze what Bowie has to teach us about Romantic art and literature as well.
Publisher: Springer Nature
ISBN: 303097622X
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
David Bowie and Romanticism evaluates Bowie’s music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists. These chapters expand our understanding of both the literature studied as well as Bowie’s music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to provide insight into identity formation, drawing from Romantic theories of self to understand Bowie’s oeuvre and periods of his career. The chapters discuss key themes in Bowie’s work and analyze what Bowie has to teach us about Romantic art and literature as well.
The Right to Privacy
Author: Megan Richardson
Publisher: Cambridge University Press
ISBN: 1108318916
Category : Law
Languages : en
Pages : 187
Book Description
Using original and archival material, The Right to Privacy traces the origins and influence of the right to privacy as a social, cultural and legal idea. Richardson argues that this right had emerged as an important legal concept across a number of jurisdictions by the end of the nineteenth century, providing a basis for its recognition as a universal human right in later centuries. This book is a unique contribution to the history of the modern right to privacy. It covers the transition from Georgian to Victorian England, developments in Second Empire France, insights in the lead up to the Bürgerliches Gesetzbuch (BGB) of 1896, and the experience of a rapidly modernising America around the turn of the twentieth century. It will appeal to an audience of academic and postgraduate researchers, as well as to the judiciary and legal practice.
Publisher: Cambridge University Press
ISBN: 1108318916
Category : Law
Languages : en
Pages : 187
Book Description
Using original and archival material, The Right to Privacy traces the origins and influence of the right to privacy as a social, cultural and legal idea. Richardson argues that this right had emerged as an important legal concept across a number of jurisdictions by the end of the nineteenth century, providing a basis for its recognition as a universal human right in later centuries. This book is a unique contribution to the history of the modern right to privacy. It covers the transition from Georgian to Victorian England, developments in Second Empire France, insights in the lead up to the Bürgerliches Gesetzbuch (BGB) of 1896, and the experience of a rapidly modernising America around the turn of the twentieth century. It will appeal to an audience of academic and postgraduate researchers, as well as to the judiciary and legal practice.