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Author: Mary Philadelphia Merrifield
Publisher:
ISBN:
Category : Artists' materials
Languages : en
Pages : 646
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Book Description
Author: Mary Philadelphia Merrifield
Publisher:
ISBN:
Category : Artists' materials
Languages : en
Pages : 646
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Book Description
Author: Mrs. Mary P. Merrifield
Publisher: Courier Corporation
ISBN: 0486404404
Category : Art
Languages : en
Pages : 1284
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Book Description
Rare 1849 work reprints 12th- through 17th-century manuscripts on painting and related arts — oil painting practices, mixing pigments, and much more. Commentary on each treatise, plus an extensive introduction.
Author: Jan Boyd Roberts
Publisher: University of Alabama Press
ISBN: 9780817308551
Category : History
Languages : en
Pages : 182
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Book Description
Godefroi de Buillon is an edition of folios 1 through 60 of Paris, Biblioth?que Nationale, fonds fran?ais 781, a prose version of the Old French Crusade Cycle dating from the close of the 13th century. It includes the Beatrix version of the Naissance du Chevalier au Cygne, Le Chevalier au Cygne, Les Enfances Godefroi, La Chanson dÕAntioche, Les ChŽtifs, and La Chanson de JŽrusalem. It is of considerable interest for the history of French literature because it is apparently one of the earliest mises en prose, preceded perhaps only by Robert de BoronÕs prose Merlin. The author explicitly refers to his purpose: ÒlÕai commenchie sans rime pour lÕestore avoir plus abregiet et si me sanle que le rime est mout plaisans et mout bele mais mout est longue [I undertook it without rhyme to have it shorter, for it seems to me that rhyme is beautiful but very long]Ó (1:3-5). In fact, he has rendered the original verse into prose by two distinct methods. The Swan Knight branches of the Cycle are severely abbreviated. Collation with the verse texts is impossible; individual verses are only rarely identifiable. On the other hand, the more historically based branches are the product of an almost verse for line dŽrimage, more often than not by the simple elimination of the second hemistich, as well as the elimination of repetitive, descriptive, and affective passages.
Author:
Publisher: TheBookEdition
ISBN:
Category :
Languages : en
Pages : 447
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Book Description
Author: Dorothy Gardiner
Publisher:
ISBN:
Category : Grail
Languages : en
Pages : 520
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Author:
Publisher: Manchester University Press
ISBN:
Category : French literature
Languages : en
Pages : 460
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Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1058
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Book Description
![Original treatises dating from the xiith to xviiith centuries on the arts of painting in oil ... and on glass, of gilding, dyeing [&c.] with tr., prefaces and notes by mrs. Merrifield PDF](https://books.google.com/books/content/images/frontcover/GksEAAAAQAAJ?fife=w80-h100)
Author: Original treatises
Publisher:
ISBN:
Category :
Languages : en
Pages : 642
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Book Description
Author: Maureen Barry McCann Boulton
Publisher: PIMS
ISBN: 9780888440709
Category : Bibles
Languages : en
Pages : 132
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Book Description
Author: Graham Johnson
Publisher: Routledge
ISBN: 1351566113
Category : Music
Languages : en
Pages : 489
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Book Description
The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a 'Master of Charms' circumscribed by the belleque. His status as a great composer of timeless
