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Author: Hans Belting
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 202
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Book Description
"In this new book by Hans Belting, three monographic essays are united by one common problem the need for perspective after the end of perspective in modern art. Hans Belting not only opens up new ways of looking at the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, but also deals with the concept of perspective in their work. The door that Marcel Duchamp installed in Philadelphia is a metaphor for a brilliant strategy that redirects the worn-out view of perspective back to ones self. Hiroshi Sugimoto and Jeff Wall, two protagonists of photography in contemporary art, both looked through this door as they became artists and have both referenced Duchamp time and again. Beltings analysis and surprising discoveries also open up a new way of looking at Duchamp a lifelong experiment, in which art, in the name of perspective, is freely negotiated with the viewer. It was a bout of seasickness on a trip to Buenos Aires that gave Duchamp the impulse for his highly original reflection on horizon, perspective and gravity. Hans Beltings very knowledgeable and coherent reasoning makes for a highly captivating book, embellished with 65 illustrations to help lead the reader through the pictorial art of perspective." --Book Jacket.
Author: Hans Belting
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 202
Get Book Here
Book Description
"In this new book by Hans Belting, three monographic essays are united by one common problem the need for perspective after the end of perspective in modern art. Hans Belting not only opens up new ways of looking at the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, but also deals with the concept of perspective in their work. The door that Marcel Duchamp installed in Philadelphia is a metaphor for a brilliant strategy that redirects the worn-out view of perspective back to ones self. Hiroshi Sugimoto and Jeff Wall, two protagonists of photography in contemporary art, both looked through this door as they became artists and have both referenced Duchamp time and again. Beltings analysis and surprising discoveries also open up a new way of looking at Duchamp a lifelong experiment, in which art, in the name of perspective, is freely negotiated with the viewer. It was a bout of seasickness on a trip to Buenos Aires that gave Duchamp the impulse for his highly original reflection on horizon, perspective and gravity. Hans Beltings very knowledgeable and coherent reasoning makes for a highly captivating book, embellished with 65 illustrations to help lead the reader through the pictorial art of perspective." --Book Jacket.
Author: Dalia Judovitz
Publisher: Univ of California Press
ISBN: 9780520213760
Category : Art
Languages : en
Pages : 330
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Book Description
"Transit, transitional, transition: Dalia Judovitz catches Marcel Duchamp on the run with his art in a suitcase and his thought all boxed and ready to go. . . . She demonstrates how the theme of transition, reappearing from work to work, makes each piece reproduce some other piece, while all continue to exemplify an original which can no longer be found and which has no creator."—Jean-François Lyotard
Author: Michael R. Taylor
Publisher:
ISBN: 9780876332115
Category :
Languages : en
Pages : 447
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Book Description
In his early thirties, Marcel Duchamp (1887-1968) convinced everyone that he had abandoned making art in favor of playing chess. But from 1946 to 1966, he was secretly at work in his studio on West 14th Street in New York City. There he produced his final masterpiece: Étant donnés: 1o la chute d'eau, 2o le gaz d'éclairage, composed of a battered wood door through which one views a prone, nude female, holding aloft an antique gas lamp against a landscape of trees, waterfall, and sky. Unveiled as a permanent installation at the Philadelphia Museum of Art in July 1969, the year after Duchamp's death, it startled the art world with its explicit eroticism and voyeurism, as well as its trompe l'oeil realism. Since its public debut, Étant donnés has been recognized as one of the most important and enigmatic works of the 20th century. Published to commemorate the fortieth anniversary of the original installation of Étant donnés and to accompany the first major exhibition on the artwork and its studies, this richly illustrated book presents a wealth of new research and documents that draw upon previously unpublished works of art and materials. The catalogue also examines the critical and artistic reception of Étant donnés, as evidenced by the subsequent work of Les Levine, Hannah Wilke, Robert Gober, Marcel Dzama, Ray Johnson, and other artists who have engaged with Duchamp's provocative and challenging tableau-construction.
Author: Jacquelynn Baas
Publisher: MIT Press
ISBN: 0262354217
Category : Art
Languages : en
Pages : 397
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Book Description
A groundbreaking reading of Duchamp's work as informed by Asian “esoterism, ” energetic spiritual practices identifying creative energy with the erotic impulse. Considered by many to be the most important artist of the twentieth century, the object of intensive critical scrutiny and extensive theorizing, Marcel Duchamp remains an enigma. He may be the most intellectual artist of all time; and yet, toward the end of his life, he said, “If you wish, my art would be that of living: each second, each breath is a work which is inscribed nowhere, which is neither visual or cerebral.” In Marcel Duchamp and the Art of Life, Jacquelynn Baas offers a groundbreaking new reading of Duchamp, arguing in particular that his work may have been informed by Asian “esoterism, ” energetic spiritual practices that identify creative energy with the erotic impulse. Duchamp drew on a wide range of sources for his art, from science and mathematics to alchemy. Largely overlooked, until now, have been Asian spiritual practices, including Indo-Tibetan tantra. Baas presents evidence that Duchamp's version of artistic realization was grounded in a western interpretation of Asian mind training and body energetics designed to transform erotic energy into mental and spiritual liberation. She offers close readings of many Duchamp works, beginning and ending with his final work, the mysterious, shockingly explicit Étant donnés: 1° la chute d'eau 2° le gaz d'éclairage, (Given: 1. The Waterfall, 2. The Illuminating Gas). Generously illustrated, with many images in color, Marcel Duchamp and the Art of Life speculates that Duchamp viewed art making as part of an esoteric continuum grounded in Eros. It asks us to unlearn what we think we know, about both art and life, in order to be open to experience.
Author: Julian Jason Haladyn
Publisher:
ISBN: 9781846380594
Category : Art
Languages : en
Pages : 107
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Book Description
"Following Marcel Duchamp's death in 1968, the Philadelphia Museum of Art unveiled an installation on which he had been working secretly for twenty years. Etant donnes - known in English as Given, or literally, 'being given' - consists of a small room with a locked wooden door; through a peephole in this door one can see a landscape within which a naked female figure reclines, her arm outstretched, holding a lamp." "In this book, Julian Jason Haladyn argues that Marcel Duchamp's intention in his final artwork, Etant donnes, was not to provide a neat summation of his career, but the opposite: to question and even undermine definitive readings of his own previous work." --Book Jacket.
Author: Julian Jason Haladyn
Publisher: Routledge
ISBN: 100065110X
Category : Art
Languages : en
Pages : 97
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Book Description
This book is a significant re-thinking of Duchamp’s importance in the twenty-first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism. The readymade is understood as an act of accelerating art as a discourse, of pushing to the point of excess the philosophical precepts of modern aesthetics on which the notion of art in modernity is based. Julian Haladyn argues for an accelerated Duchamp that speaks to a contemporary condition of art within our era of globalized capitalist production.
Author: Alec Nevala-Lee
Publisher: Penguin
ISBN: 110157724X
Category : Fiction
Languages : en
Pages : 320
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Book Description
A controversial masterpiece resurfaces in Budapest. A ballerina's headless corpse is found beneath the boardwalk at Brighton Beach. And New York's Russian mob is about to collide with the equally ruthless art world... Maddy Blume, an ambitious young art buyer for a Manhattan hedge fund, is desperate to track down a priceless painting by Marcel Duchamp, the most influential artist of the twentieth century. The discovery of a woman’s decapitated body thrusts criminal investigator Alan Powell into a search for the same painting, with its enigmatic image of a headless nude. And a Russian thief and assassin known as the Scythian must steal the painting to save his reputation – and his life. The murderous race is on. And in the lead is an insidious secret society intent on reclaiming the painting for reasons of its own – and by any means necessary….
Author: Ruth Brandon
Publisher: Simon and Schuster
ISBN: 1643138626
Category : Biography & Autobiography
Languages : en
Pages : 218
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Book Description
In 1913 Marcel Duchamp's Nude Descending a Staircase exploded through the American art world. This is the story of how he followed the painting to New York two years later, enchanted the Arensberg salon, and—almost incidentally—changed art forever. In 1915, a group of French artists fled war-torn Europe for New York. In the few months between their arrival—and America’s entry into the war in April 1917—they pushed back the boundaries of the possible, in both life and art. The vortex of this transformation was the apartment at 33 West 67th Street, owned by Walter and Louise Arensberg, where artists and poets met nightly to talk, eat, drink, discuss each others’ work, play chess, plan balls, organise magazines and exhibitions, and fall in and out of love. At the center of all this activity stood the mysterious figure of Marcel Duchamp, always approachable, always unreadable. His exhibit of a urinal, which he called Fountain, briefly shocked the New York art world before falling, like its perpetrator, into obscurity. Many people (of both sexes) were in love with Duchamp. Henri-Pierre Roché and Beatrice Wood were among them; they were also, briefly, and (for her) life-changingly, in love with each other. Both kept daily diaries, which give an intimate picture of the events of those years. Or rather two pictures—for the views they offer, including of their own love affair, are stunningly divergent. Spellbound by Marcel follows Duchamp, Roché, and Beatrice as they traverse the twentieth century. Roché became the author of Jules and Jim, made into a classic film by François Truffaut. Beatrice became a celebrated ceramicist. Duchamp fell into chess-playing obscurity until, decades later, he became famous for a second time—as Fountain was elected the twentieth century’s most influential artwork.
Author: Rudolf E. Kuenzli
Publisher: MIT Press
ISBN: 9780262610728
Category : Art
Languages : en
Pages : 276
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Book Description
Artist of the Century. These eleven illustrated essays explore the structure and meaning of Duchamp's work as part of an ongoing critical enterprise that has just begun.
Author: Penelope Haralambidou
Publisher: Routledge
ISBN: 1351919997
Category : Architecture
Languages : en
Pages : 1154
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Book Description
While much has been written on Marcel Duchamp - one of the twentieth century's most beguiling artists - the subject of his flirtation with architecture seems to have been largely overlooked. Yet, in the carefully arranged plans and sections organising the blueprint of desire in the Large Glass, his numerous pieces replicating architectural fragments, and his involvement in designing exhibitions, Duchamp's fascination with architectural design is clearly evident. As his unconventional architectural influences - Niceron, Lequeu and Kiesler - and diverse legacy - Tschumi, OMA, Webb, Diller + Scofidio and Nicholson - indicate, Duchamp was not as much interested in 'built' architecture as he was in the architecture of desire, re-constructing the imagination through drawing and testing the boundaries between reality and its aesthetic and philosophical possibilities. Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou performs an architectural analysis of Duchamp’s final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas... demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes - allegory, visuality and desire - the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.
