Long Tone Duets for Trombone - PDF Download
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Author: David Vining
Publisher:
ISBN: 9781935510321
Category : Trombone
Languages : en
Pages : 23
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Book Description
One of the best ways to grow as a musician is to emulate the great masters of your instrument. In this volume of Long Tone Duets, trombone players have the opportunity to improve by playing along with Ralph Sauer, long time principal trombonist of the Los Angeles Philharmonic. This edition not only captures Mr. Sauer's sound on an included CD, but also reflects some of his teaching ideas embedded in the duets. By playing along with the CD, you can match Mr. Sauer's clear tone, exquisite intonation, and superb articulation.
Author: David Vining
Publisher:
ISBN: 9781935510321
Category : Trombone
Languages : en
Pages : 23
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Book Description
One of the best ways to grow as a musician is to emulate the great masters of your instrument. In this volume of Long Tone Duets, trombone players have the opportunity to improve by playing along with Ralph Sauer, long time principal trombonist of the Los Angeles Philharmonic. This edition not only captures Mr. Sauer's sound on an included CD, but also reflects some of his teaching ideas embedded in the duets. By playing along with the CD, you can match Mr. Sauer's clear tone, exquisite intonation, and superb articulation.
Author: Himie Voxman
Publisher: Rubank Publications
ISBN: 9781423445319
Category : Music
Languages : en
Pages : 0
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Book Description
(Ensemble Collection). This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. (Vol. I Easy to Medium, Vol. 2 Medium to Advanced)
Author: David Vining
Publisher:
ISBN: 9781935510758
Category : Euphonium
Languages : en
Pages : 100
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Book Description
The Big Book of Sight Reading Duets provides a fun and effective way to improve sight reading. The 100 duets are progressively arranged so every skill level is addressed, and there are a wide variety of styles, keys, time signatures, and other musical requirements for plenty of diversity.The Big Book of Sight Reading Duets comes in trumpet, trombone, euphonium, and tuba editions designed to coordinate with one another. If you have the euphonium edition, for example, you can play along with a trombonist who has the trombone edition or a tuba player with the tuba edition. The only exception is duet #55, which is specific to each instrument.Whether you play these duets with a friend or a teacher, sight reading with a partner provides an incentive for playing each duet without stopping because you don't want to let down your partner. Using this simple principle and providing additional tips and advice for improvement, this book addresses a skill so important and so lacking for so many musicians.Stop dreading sight reading-learn the secrets to reading music at first sight accurately every time with help from The Big Book of Sight Reading Duets.
Author: David Vining
Publisher:
ISBN: 9781935510086
Category : Euphonium
Languages : en
Pages : 0
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Book Description
Long Tone Duets provides an opportunity for euphonium players to play long tones together, learning to blend tone quality, balance dynamics, and play in tune. Long Tone Duets contains a duet in every major key, and provides the perfect forum for teachers to discuss details of intonation, tone quality, blend, and balance with their students.Additionally, the Long Tone Duets editions for euphonium, euphonium (TC), and tuba are designed to coordinate with one another. If you have the euphonium edition, for example, you can play along with a tuba player who has the tuba edition.
Author: Michael Becker
Publisher:
ISBN: 9781935510802
Category : Bass trombone
Languages : en
Pages : 0
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Book Description
Author: David Vining
Publisher:
ISBN: 9780615224107
Category : Music
Languages : en
Pages : 134
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Book Description
What Every Trombonist Needs to Know About the Body gives anatomical detail about how to move to play trombone.
Author: Brad Edwards
Publisher:
ISBN: 9781732600126
Category :
Languages : en
Pages :
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Book Description
Trombone Craft is a progressive method method targeted to high school or college trombone students. It can be useful for professionals as well. The first half of the book is in three main parts covering a variety of technical and rhythmic challenges. The second half of the book contains 8 appendices covering such topics as multiple tonguing, scales, high range development and tone/tuning.
Author: Ernest Clarke
Publisher:
ISBN:
Category : Trombone
Languages : en
Pages : 118
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Book Description
Author: Raquel Samayoa
Publisher:
ISBN: 9781951624026
Category :
Languages : en
Pages :
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Book Description
Octane Octaves, Dexterity Diatribe, Arban Freaks Out, and Friends in Low Places are just some of the fun-but make no mistake, also challenging!-duets included in Dueling Fundamentals for Two Trumpets. This book consists of five chapters: Long Tones; Flexibility; Scales and Arpeggios; Mixed Techniques; and Range Extenders. In each duet, both lines are challenging-there is no "student" line and no "teacher" line. Therefore, this book works well for lessons or as an excellent tool for two friends or classmates looking to challenge themselves and each other.
Author: Mark Hendricks
Publisher: Createspace Independent Publishing Platform
ISBN: 9781533210937
Category :
Languages : en
Pages : 90
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Book Description
The Full Range Studies for Trombone book is a complete step-by-step system that includes everything you need to develop and maintain your range, sound, endurance, and flexibility from Low E to Double High Bb ... and beyond! The Full Range Studies for Trombone book can be used by all trombone players, at any level of playing. Whether you''re a beginner, intermediate, advanced, comeback player, or professional - this book will be very valuable to you over the years to come.The "FRS" system consists of 18 studies. One study of the 18 should be played every other day on a rotation basis (1, 2, 3, 4...17, 18), and three times a week is recommended. You will do the complete rotation every 6 weeks. Don''t try to play all of the studies in one day, these are meant to build you up, not beat you up.Each study session will take you approximately 20-30 minutes to complete. If you rest correctly during the practice session, your embouchure should feel good, not beat up. If you feel beat up then you didn''t rest enough or you went too far in the study. Only goes as far in each study as you can without playing incorrectly. It does no good to practice incorrect habits. If you want to work on your pedal register, simply extend the exercises down into the lower octaves. A Few Things To Remember: - Be diligent in your practice, you will be rewarded for your discipline by following the routines in the 18 studies - using these studies in this step-by-step system will get you playing better, and much quicker, than a haphazard approach to practicing - Rest as much as you play and rest as much as you play within each practice session, you should still feel good at the end of each practice session - Always strive for a great sound on every note - Always play musically - don''t just play, make music - Slow and good is better than fast and bad - you will learn faster by practicing slowly, then speed up in small increments to improve your coordination to play faster and still sound good - Practice all of the articulations when indicated (S=Slur, T=Tongue, B=breath, etc.) - Use a metronome to help you improve your coordination as you speed things up - If you can''t reach some notes, give it three tries and then move on - they will come in time - Play with other people, whether it be duets, trios, quartets, quintets, band, orchestra, jazz ensemble, church services - get out there and rehearse, perform and make music with others - Each study is meant to be played once and then move to the next one on the next FRS practice day of the week (every other day, three days a week is fine). These are not technically hard, so you don''t have to "practice" them with repetition, so just move on to the next study in rotation. Just keep progressing step-by-step through the lessons - and start with Study 1 - When you get to the end of the 18 studies after 6 weeks, start at Study 1 again and continue through the studies to Study 18. Then once again go back to Study 1 and do the same, again and again for development and maintenance - As you advance in these studies, you can begin playing two phrases together without removing the mouthpiece and resting. Do the whole book this way (1-18 in rotation), then on the next time through the book do 3 phrases without removing the mouthpiece, and the next time through the book 4 times, etc. - always end your practice session feeling good so you can practice other things or perform later - Listen to great trombone players in all styles of music - this will help you know what a trombone is supposed to sound like so you can model your sound by emulating the best players around - Have fun!! If you have any questions, feel comfortable in contacting me at my email address that is on the bottom of each webpage at our website. Go for it and have a great time! Mark Hendricks - MPHmusic.com
