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Author: Lee Cheshire
Publisher: Tate
ISBN: 9781849765015
Category : Art
Languages : en
Pages : 0
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Book Description
The hustle and bustle of London, its changing landscape and world-renowned sights have provided a rich subject for the many artists who have visited and inhabited the city. Drawing from Tate's superb collection and beyond, this stunning book presents 100 paintings from the 17th century to the present. Whether iconic or unusual, topographical or verging on the abstract, each work offers a special perspective. Contextualised by an insight into the chosen view or location, the artist, and their particular technique, the paintings are accompanied by revealing and memorable anecdotes which vividly bring the images to life. Featuring some of the world's most influential artists -Canaletto, Turner, Constable, Pissarro, Monet, Kossoff and Auerbach - as well as lesser-known contemporary artists, such as David Hepher and Lisa Milroy, London in Paint brings together a selection of artworks which portray the changing faces of London, and provide a fresh look - through artists' eyes - at this much-loved global city.
Author: Lee Cheshire
Publisher: Tate
ISBN: 9781849765015
Category : Art
Languages : en
Pages : 0
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Book Description
The hustle and bustle of London, its changing landscape and world-renowned sights have provided a rich subject for the many artists who have visited and inhabited the city. Drawing from Tate's superb collection and beyond, this stunning book presents 100 paintings from the 17th century to the present. Whether iconic or unusual, topographical or verging on the abstract, each work offers a special perspective. Contextualised by an insight into the chosen view or location, the artist, and their particular technique, the paintings are accompanied by revealing and memorable anecdotes which vividly bring the images to life. Featuring some of the world's most influential artists -Canaletto, Turner, Constable, Pissarro, Monet, Kossoff and Auerbach - as well as lesser-known contemporary artists, such as David Hepher and Lisa Milroy, London in Paint brings together a selection of artworks which portray the changing faces of London, and provide a fresh look - through artists' eyes - at this much-loved global city.
Author: Geoff Kersey
Publisher: Search Press
ISBN: 9781844484195
Category : London (England)
Languages : en
Pages : 0
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Book Description
Geoff Kersey uses clear instructions and step-by-step photography to show how to paint five famous London scenes, from the drawing stage, which is provided as a tracing, to the finished painting. Follow every step of the way as Geoff creates beautiful, convincing paintings of the London Eye, Buckingham Palace, Tower Bridge, the Tower of London and Trafalgar Square. There are several other wonderful paintings of London scenes to inspire you, and an extra tracing is provided for the stunning picture of St Paul's Cathedral that accompanies the Introduction.
Author:
Publisher: Getty Publications
ISBN: 089236906X
Category : Museum conservation methods
Languages : en
Pages : 332
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Book Description
Paint formulations and historyAnalysis and characterizationTreatmentsCleaning issuesBehavior and propertiesPosters.
Author: David Gentleman
Publisher: Penguin UK
ISBN: 014199312X
Category : Art
Languages : en
Pages : 187
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Book Description
David Gentleman has lived in London for almost seventy years, most of it on the same street. This book is a record of a lifetime spent observing, drawing and getting to know the city, bringing together work from across his whole career, from his earliest sketches to watercolours painted just a few months ago. Here is London as it was, and as it is today: the Thames, Hampstead Heath; the streets, canals, markets and people of his home of Camden Town; and at the heart of it all, his studio and the tools of his work. Accompanied by reflections on the process of drawing and personal thoughts on the ever-changing city, this is a celebration of London, and the joy of noticing, looking and capturing the world. 'David has spent a lifetime depicting with wit and affection a London he has made his own' Alan Bennett 'He delivers a poetry of exultant concentration ... The surface fusion of the sensuous and the sharply modern is echoed by Gentleman's imagery' Guardian 'The artist and illustrator has been responsible for some of the most-seen public artworks in this country' The Times 'Perhaps the last of the great polymath designer-painters' Camden New Journal
Author: Museum of London
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 600
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Book Description
Author: David Peters Corbett
Publisher: Manchester University Press
ISBN: 9780719069659
Category : Art
Languages : en
Pages : 346
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Book Description
This anonymous manuscript play has long been the subject of scholarly dispute regarding its relationship with Shakespeare's Richard II. This edition, which thoroughly re-examines the text, situates the play within its historical and political context, relating it to the genre of chronicle drama to which it belongs. The manuscript is of particular interest in that it appears to have been used in the playhouse over a considerable period of time and contains what seems to be evidence of the theatre practice of the time. The play is also of special interest for its skilful and original handling of source material which may well have influenced Shakespeare's Richard II. The extensive appendices drawn from Holinshed, Grafton and Stow provide the reader with the opportunity to investigate the manner in which the dramatist has shaped the material. The editors argue for the play's stage-worthiness and dramatic complexity, suggesting that its range both of dramatic tone and social inclusiveness indicate the work of a dramatist of considerable skill and subtlety, equal or superior to the Shakespeare of the Henry VI plays.
Author: Philippa Stockley
Publisher: Pimpernel Press
ISBN: 9781910258415
Category : Architecture
Languages : en
Pages : 0
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Book Description
What is it about old pine panelling layered with flaking paint that enchants the eye and tugs at the heart? The soft shine of wooden boards, worn and gappy. Sunlight shafting through an open door out to an unevenly flagged yard where a clay pipe might turn up alongside a Thames oyster shell or a pottery shard. Blue-and-and white export ware; the molten lustre of mahogany or worn silver; the curiosity of tricorn hat boxes or a fragment of Spitalfields silk; portraits whose owners might once have lived here. Would they have believed that these houses would stand 250 years later? Time has imbued all these things with unforgettable patina not only in museums, but even more in old Georgian houses still lived in and loved, repaired, and regenerated. The majority of these extraordinary dwellings began as ordinary terrace houses, built to a pattern, often in pairs or small groups. Clusters exist in the East End of London: in Spitalfields, Whitechapel, Shadwell, Mile End. They are mostly Grade II-listed, and their owners put up with the bone-curdling cold of winter howling through gaps, with mending and colour-matching, patching and piecing. Not just put up with-- they embrace it. And among them are some unrepentantly furnished with 20th- and 21st-century modern, finding poetic harmony across the centuries.
Author: Helen Gørrill
Publisher: Bloomsbury Publishing USA
ISBN: 150135275X
Category : Art
Languages : en
Pages : 297
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Book Description
In 2013 Georg Baselitz declared that 'women don't paint very well'. Whilst shocking, his comments reveal what Helen Gørrill argues is prolific discrimination in the artworld. In a groundbreaking study of gender and value, Gørrill proves that there are few aesthetic differences in men and women's painting, but that men's art is valued at up to 80 per cent more than women's. Indeed, the power of masculinity is such that when men sign their work it goes up in value, yet when women sign their work it goes down. Museums, the author attests, are also complicit in this vicious cycle as they collect tokenist female artwork which impinges upon its artists' market value. An essential text for students and teachers, Gørrill's book is provocative and challenges existing methodologies whilst introducing shocking evidence. She proves how the price of being a woman impacts upon all forms of artistic currency, be it social, cultural or economic and in the vanguard of the 'Me Too' movement calls for the artworld to take action.
Author: Linda Merrill
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 442
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Book Description
"A Pot of Paint reconstructs the lost transcript and revisits the highly contested issues surrounding one of the most celebrated trials in the history of art. A libel suit brought in the London courts by American expatriate artist James McNeill Whistler against John Ruskin, England's most powerful art critic, the trial was essentially a debate of aesthetic theory conducted at a critical hour in the evolution of modern art." "After viewing an 1877 exhibition that included some of Whistler's most abstract works, Ruskin declared in print that the artist had flung "a pot of paint in the public's face." He called Whistler a "coxcomb" and said that it was the height of "cockney impudence" to ask two hundred guineas for a painting such as Nocturne in Black and Gold: The Falling Rocket. The dispute was fully covered in the popular press. Using those newspaper accounts, as well as letters, legal papers, Ruskin's instructions to his counsel, and Whistler's later rendition of events in The Gentle Art of Making Enemies, Linda Merrill reveals the deeply held, contrary aesthetic ideals of the two parties, and shows that, in many ways, the real litigants in Whistler v. Ruskin were traditional, representational art and art that tended toward abstraction." "During eighteen months of pretrial delays and two days of testimony from Whistler and several well-known figures in the art world, London debated the value and the meaning of art. A Pot of Paint retrieves these debates for a society that continues to argue the merits of innovation in art and the place of art in the modern world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Jamie Camplin
Publisher: Getty Publications
ISBN: 1606065866
Category : Art
Languages : en
Pages : 14
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Book Description
“Why do artists love books?” This volume takes this tantalizingly simple question as a starting point to reveal centuries of symbiosis between the visual and literary arts. First looking at the development of printed books and the simultaneous emergence of the modern figure of the artist, The Art of Reading appraises works by the many great masters who took inspiration from the printed word. Authors Jamie Camplin and Maria Ranauro weave together an engaging cultural history that probes the ways in which books and paintings represent a key to understanding ourselves and the past. Paintings contain a world of information about religion, class, gender, and power, but they also reveal details of everyday life often lost in history texts. Such artworks show us not only how books have been valued over time but also how the practice of reading has evolved in Western society. Featuring over one hundred works by artists from across Europe and the United States and all painting genres, The Art of Reading explores the two-thousand-year story of the great painters and the preeminent information-providing, knowledge-endowing, solace-giving, belief-supporting, leisure-enriching, pleasure-delivering medium of all time: the book.
