Author: OLIMPIADE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
L'Olimpiade. A serious opera [altered from P. A. D. B. Metastasio], as performed at the King's Theatre, etc. Ital. & Eng
Author: OLIMPIADE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
L'Olimpiade. A serious opera in two acts [altered from P. A. D. B. Metastasio], as performed at the King's Theatre, etc. Ital. & Eng
Author: OLIMPIADE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Book Description
L'Olimpiade. Drama per musica, pel Teatro di S. M. B. [Altered from P. A. D. B. Metastasio.] Ital. & Eng
Author: OLIMPIADE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
L'Olimpiade. Drama per musica: da rappresentarsi sopra il Teatro di S. M. B. ... La Poesia originariamente è del Signor Metastasio, alla quale Giovan Gualberto Bottarelli ... ha dato ... un nuovo giro, etc. (The Olimpiad. An opera, etc.) Ital. & Eng
Author: Pietro Metastasio
Publisher:
ISBN:
Category :
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 54
Book Description
Catalog of Pre-1900 Vocal Manuscripts in the Music Library, University of California at Berkeley
Author: John A. Emerson
Publisher: Univ of California Press
ISBN: 0520331400
Category : Music
Languages : en
Pages : 366
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
Publisher: Univ of California Press
ISBN: 0520331400
Category : Music
Languages : en
Pages : 366
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
Catalogue of Opera Librettos Printed Before 1800
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 516
Book Description
Catalogue of Opera Librettos Printed Before 1800
Author: Oscar George Theodore Sonneck
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516
Book Description
Essays on Handel and Italian Opera
Author: Reinhard Strohm
Publisher: Cambridge University Press
ISBN: 9780521088350
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
Reinhard Strohm examines the relationship between Handel's great operas and the earlier European Baroque tradition.
Publisher: Cambridge University Press
ISBN: 9780521088350
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
Reinhard Strohm examines the relationship between Handel's great operas and the earlier European Baroque tradition.
Dictionary-catalogue of Operas and Operettas which Have Been Performed on the Public Stage
Author:
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 1058
Book Description
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 1058
Book Description
Opera and Sovereignty
Author: Martha Feldman
Publisher: University of Chicago Press
ISBN: 0226044548
Category : Music
Languages : en
Pages : 574
Book Description
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.
Publisher: University of Chicago Press
ISBN: 0226044548
Category : Music
Languages : en
Pages : 574
Book Description
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.