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Author: Felicia Bonaparte
Publisher: University of Virginia Press
ISBN: 0813937337
Category : Literary Criticism
Languages : en
Pages : 430
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Book Description
Examining novels written in nineteenth-century England and throughout most of the West, as well as philosophical essays on the conception of fictional form, Felicia Bonaparte sees the novel in this period not as the continuation of eighteenth-century "realism," as has commonly been assumed, but as a genre unto itself. Determined to address the crises in religion and philosophy that had shattered the foundations by which the past had been sustained, novelists of the nineteenth century felt they had no real alternative but to make the world anew. Finding in the new ideas of the early German Romantics a theory precisely designed for the remaking of the world, these novelists accepted Friedrich Schlegel’s challenge to create a form that would render such a remaking possible. They spoke of their theory as poesis, etymologically "a making," to distinguish it from the mimesis associated with "realism." Its purpose, however, was not only to embody, as George Eliot put it in Middlemarch, "the idealistic in the real," giving as faithful an account of the real as observation can yield, but also to embody in that conception of the real a discussion of ideas that are its "symbolic signification," as Edward Bulwer-Lytton described it in one of his essays. It was to carry this double meaning that the nineteenth-century novelist created, Bonaparte concludes, the language of mythical symbolism that came to be the norm for this form, and she argues that it is in this doubled language that nineteenth-century fiction must be read.
Author: Felicia Bonaparte
Publisher: University of Virginia Press
ISBN: 0813937337
Category : Literary Criticism
Languages : en
Pages : 430
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Book Description
Examining novels written in nineteenth-century England and throughout most of the West, as well as philosophical essays on the conception of fictional form, Felicia Bonaparte sees the novel in this period not as the continuation of eighteenth-century "realism," as has commonly been assumed, but as a genre unto itself. Determined to address the crises in religion and philosophy that had shattered the foundations by which the past had been sustained, novelists of the nineteenth century felt they had no real alternative but to make the world anew. Finding in the new ideas of the early German Romantics a theory precisely designed for the remaking of the world, these novelists accepted Friedrich Schlegel’s challenge to create a form that would render such a remaking possible. They spoke of their theory as poesis, etymologically "a making," to distinguish it from the mimesis associated with "realism." Its purpose, however, was not only to embody, as George Eliot put it in Middlemarch, "the idealistic in the real," giving as faithful an account of the real as observation can yield, but also to embody in that conception of the real a discussion of ideas that are its "symbolic signification," as Edward Bulwer-Lytton described it in one of his essays. It was to carry this double meaning that the nineteenth-century novelist created, Bonaparte concludes, the language of mythical symbolism that came to be the norm for this form, and she argues that it is in this doubled language that nineteenth-century fiction must be read.
Author: Augustin Ostace
Publisher: Alpha & Omega Sapiens - Uppublishing Being / Augustin Ostace
ISBN:
Category : Poetry
Languages : en
Pages : 89
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Book Description
In the world of self-meditation and self-contemplation, by thinking and rethinking not only the individuality of our Sapiens species, but also the generality of our Sapiens species, that is, by ourselves and ourselves, you also become a community of Sapiens, so, by knowing yourself, nosce yourself and the knowledge of ourselves through nosce nos ipsum... ...The flowering of the Ego? or the restored fortress? Pain in self-confidence in the gold of resentment unspoken, unruly... ... Is it possible to achieve this goal? This purpose? Through the Age of Philosophy Systems, through the huge waves of data and information of our Cyber - Space - Ere, as a rethink of the Era of Causality, our intuition, secondary Enriched with Internet Data, Digital E - mail Submissions and Summary Data by www.website.com, Info - Rolling stock data, reinstalling and rebuilding whole and part... ...you become in doubt, re-espousing any doubt Face-to-face reuse of all seven Unfortunately golden scouting the gods behind... In this confusion of endless worlds and re-confusions of reality, the world of virtue overlaps, making it possible or feasible to leap from ECCE HOMO to ECCE SAPIENS (Look, Sapiens, reported in the Augustine Aera of Philosophical Systems), and together at ECCE POETRY, Look at / Here's the poetry! ...Would it be possible to cross-evaluate all the Sapiens species values? A revaluation of these? A revival of the whole human treasure? By revalorizing Umwertung by summing up values in Werte-in-der-Werdung? A summary sum of all this?... Our book, in small letters, but in a gold leaflet, THIS IS POEZIA! Explained by POESIS IN UPSAPIENS attempts to respond to such bio-ontological, or pre-biological, or post-biological problems, through a philosopho-Lyriker coming and becoming, in making and restoring philosophy through poetry and poetry through philosophy... ...singing the hymn to the human dynasty The flow of all ideas Return to ransom... Poet and poetologist Sapientist and sapientologist witness Seal like a lick Poetologist and Sapientologist... Upsapientolog Nord Köln, Deutschland, February, 2019
Author: Amorak Huey
Publisher: Bloomsbury Publishing
ISBN: 1350020184
Category : Language Arts & Disciplines
Languages : en
Pages : 296
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Book Description
Poetry: A Writers' Guide and Anthology is a complete introduction to the art and craft of writing poetry. The authors map out more than 25 key elements of poetry including image, lyric, point of view, metaphor, and movement and use these elements as starting points for discussion questions and writing prompts. The book guides the reader through a range of poetic modes including: - Elegy - Found poems - Nocturne - Ode - Protest poems - Ars Poetica - Lyric - Narrative Poetry also offers inspiring examples of contemporary poetry covering all the modes and elements discussed by the book, including poems by: Billy Collins, Sherman Alexie, Aimee Nezhukumatathil, Natalie Diaz, Traci Brimhall, Terrance Hayes, Richard Blanco, Danez Smith, Natasha Trethewey, Mark Halliday, Eileen Myles, Mary Jo Bang, Tracy K. Smith, Ocean Vuong, and many others.
Author: Gerald L. Bruns
Publisher: Dalkey Archive Press
ISBN: 9781564782694
Category : Language Arts & Disciplines
Languages : en
Pages : 314
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Book Description
-- Gerald Bruns's ground-breaking analysis compares two contrasting functions of language: the hermetic, where language is self-contained and self-referencing, and the Orphic, which originates from a belief in the mythical unity of word and being. Bruns lucidly depicts the distinctions and convergences between these two lines of thought by examining the works of Mallarme, Flaubert, Joyce, Beckett, and others.
Author: Wendy Dasler Johnson
Publisher: SIU Press
ISBN: 0809335018
Category : Language Arts & Disciplines
Languages : en
Pages : 282
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Book Description
At a time when a woman speaking before a mixed-gender audience risked acquiring the label “promiscuous,” thousands of women presented their views about social or moral issues through sentimental poetry, a blend of affect with intellect that allowed their participation in public debate. Bridging literary and rhetorical histories, traditional and semiotic interpretations, Antebellum American Women's Poetry: A Rhetoric of Sentiment explores an often overlooked, yet significant and persuasive pre–Civil War American discourse. Considering the logos, ethos, and pathos—aims, writing personae, and audience appeal—of poems by African American abolitionist Frances Watkins Harper, working-class prophet Lydia Huntley Sigourney, and feminist socialite Julia Ward Howe, Wendy Dasler Johnson demonstrates that sentimental poetry was an inportant component of antebellum social activism. She articulates the ethos of the poems of Harper, who presents herself as a properly domestic black woman, nevertheless stepping boldly into Northern pulpits to insist slavery be abolished; the poetry of Sigourney, whose speaker is a feisty, working-class, ambiguously gendered prophet; and the works of Howe, who juggles her fame as the reformist “Battle Hymn” lyricist and motherhood of five children with an erotic Continental sentimentalism. Antebellum American Women's Poetry makes a strong case for restoration of a compelling system of persuasion through poetry usually dismissed from studies of rhetoric. This remarkable book will change the way we think about women’s rhetoric in the nineteenth century, inviting readers to hear and respond to urgent, muffled appeals for justice in our own day.
Author: Tom O'Connor
Publisher: University Press of America
ISBN: 9780761836308
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Poetic Acts & New Media advances the fields of literary and new media studies by clarifying boundaries between competing genres and media through the creation of a new artistic genre, "media poetry." This aesthetic mode of expression/becoming seeks to transform mass culture (our codes of communication) by self-consciously acknowledging how textual, audio, and/or visual signs are constructed according to their simulation and not their representation. This study draws heavily upon literary media theories that intersect with Gilles Deleuze's philosophy of 'Sense' as a simulated power of sensory transformations. Media poetry becomes a complex power of 'Sense' by blending conventional mass-media codes with poetic simulations that provide alternative forms of creating meaning. Poetic Acts & New Media specifically examines the works of several poets that exemplify this multi-sensory approach to printed-text poetry, especially: -Langston Hughes -Tony Medina -David Wojahn -John Kinsella -David Trinidad. It also analyzes several contemporary films that embody the multi-modal logic of media poetry: -David Lynch's Mullholland Drive -Cameron Crowe's Vanilla Sky -Spike Jonze's Being John Malkovich. In addition, this study interprets two influential primetime TV shows as exemplars of media poetry: Twin Peaks and Buffy the Vampire Slayer. All media poetry, regardless of genre or medium, allows readers/viewers to envision "reality production" as a rewriteable and poetic enterprise that can productively remediate any transparent abstraction or common-sense realism.
Author: Sonja Tanner
Publisher: Lexington Books
ISBN: 0739143409
Category : Philosophy
Languages : en
Pages : 266
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Book Description
Plato has often been read as denigrating the cognitive and ethical value of poetry. In his dialogues, the faculty that corresponds to the poetic—the imagination—is located at the lowest level of human intelligence, and so it is furthest from true understanding. Simultaneously, the Platonic dialogues violate Plato’s own alleged prohibitions against quoting and imitating poets, and much of the writing in the dialogues is poetic. All too often, the voluminous literature on Plato dismisses Plato’s poetic formulations as merely the unintended contradictions of an otherwise meticulous author. In Praise of Plato’s Poetic Imagination asks whether this ubiquitous reading misses something truly significant in Plato’s understanding of the cognitive and ethical dimensions of human existence. Throughout the dialogues, Plato formulates ideas so precisely, utilizing carefully crafted images and structures, that we must question whether his flagrant and performative poetics can be mere mistakes, and inquire into how the poetic and creative arts contribute to true understanding. This book approaches the latter question by analyzing the role of the imagination in Platonic dialogues. It argues that critiquing poetry by poetic means, just as arguing against mimêsis mimetically in the Republic or writing against the written word in the Phaedrus, constitute performative contradictions that bear significant philosophical meaning on further examination. The book suggests that the elusive examples of dialectic referred to in the divided line are the dialogues themselves—the putting into practice of ethical ideals. If so, the role of the imagination is to be sought in the unfolding of the dialogues themselves, not simply in what is said, but also in what takes place within the dialogues.
Author: V. Vycinas
Publisher: Springer Science & Business Media
ISBN: 9401033595
Category : Philosophy
Languages : en
Pages : 339
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Book Description
Earth and Gods is an attempt to introduce the reader to Heidegger's fully developed philosophy. The title Earth and Gods gives an im pression of not being a general study of Heidegger's philosophy. However, this is not true - the earth and the gods are fundamental ontological symbols of his fully developed philosophy, namely, his third and final phase of thought. This phase repeats the problems of both preceding phases in a fuller and more developed manner; hence, it implies them. The two preceding phases are the phase of Dasein and the phase of Being. These two phases are a natural flow of fundamental problems which reach their final formation and development in the phase of earth and gods. Dasein (the first phase) leads to Being, and Being (the second phase) bursts into fundamental ontological powers of Being (Seinsmiichte) which are earth and sky, gods and mortals (the third phase). Since earth is unthinkable without sky and since gods are gods in the world of mortals - of men, the title Earth and Gods is an abbreviation of these four fundamental powers of Being. Hence, an investigation of earth and gods is an attempt to present Heidegger's philosophy as a whole. Such a presentation provides the reader with the background necessary for a more adequate and efficient understanding of the writings of Heidegger himself. Thus, Earth and Gods may rightly be considered an introduction to Hei degger's philosophy.
Author: Rana Saadi Liebert
Publisher: Cambridge University Press
ISBN: 1316885615
Category : Literary Collections
Languages : en
Pages : 229
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Book Description
This book offers a resolution of the paradox posed by the pleasure of tragedy by returning to its earliest articulations in archaic Greek poetry and its subsequent emergence as a philosophical problem in Plato's Republic. Socrates' claim that tragic poetry satisfies our 'hunger for tears' hearkens back to archaic conceptions of both poetry and mourning that suggest a common source of pleasure in the human appetite for heightened forms of emotional distress. By unearthing a psychosomatic model of aesthetic engagement implicit in archaic poetry and philosophically elaborated by Plato, this volume not only sheds new light on the Republic's notorious indictment of poetry, but also identifies rationally and ethically disinterested sources of value in our pursuit of aesthetic states. In doing so the book resolves an intractable paradox in aesthetic theory and human psychology: the appeal of painful emotions.
Author: Max Statkiewicz
Publisher: Penn State Press
ISBN: 0271047860
Category : Philosophy
Languages : en
Pages : 228
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Book Description
This book proposes to rethink the relationship between philosophy and literature through an engagement with Plato&’s dialogues. The dialogues have been seen as the source of a long tradition that subordinates poetry to philosophy, but they may also be approached as a medium for understanding how to overcome this opposition. Paradoxically, Plato then becomes an ally in the attempt &“to overturn Platonism,&” which Gilles Deleuze famously defined as the task of modern philosophy. Max Statkiewicz identifies a &“rhapsodic mode&” initiated by Plato in the dialogues and pursued by many of his modern European commentators, including Nietzsche, Heidegger, Irigaray, Derrida, and Nancy. The book articulates this rhapsodic mode as a way of entering into true dialogue (dia-logos), which splits any univocal meaning and opens up a serious play of signification both within and between texts. This mode, he asserts, employs a reading of Plato that is distinguished from interpretations emphasizing the dialogues as a form of dogmatic treatise, as well as from the dramatic interpretations that have been explored in recent Plato scholarship&—both of which take for granted the modern notion of the subject. Statkiewicz emphasizes the importance of the dialogic nature of the rhapsodic mode in the play of philosophy and poetry, of Platonic and modern thought&—and, indeed, of seriousness and play. This highly original study of Plato explores the inherent possibilities of Platonic thought to rebound upon itself and engender further dialogues.
