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Author: Peter Starr
Publisher: Stanford University Press
ISBN: 9780804724456
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Using the events of May '68 as a historical touchstone, this book examines the political ramifications of the literary, philosophical, and psychoanalytic work known as French theory.
Author: Peter Starr
Publisher: Stanford University Press
ISBN: 9780804724456
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Using the events of May '68 as a historical touchstone, this book examines the political ramifications of the literary, philosophical, and psychoanalytic work known as French theory.
Author: Grant H. Kester
Publisher: Duke University Press
ISBN: 0822349876
Category : Art
Languages : en
Pages : 330
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Book Description
DIVExamines questions of agency, artisanship, and identity in relation to collaborative art practice./div
Author: Paul Carter
Publisher: U of Minnesota Press
ISBN: 1452940185
Category : Social Science
Languages : en
Pages : 212
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Book Description
In this remarkable and often dazzling book, Paul Carter explores the conditions for sociability in a globalized future. He argues that we make many assumptions about communication but overlook barriers to understanding between strangers as well as the importance of improvisation in overcoming these obstacles to meeting. While disciplines such as sociology, legal studies, psychology, political theory, and even urban planning treat meeting as a good in its own right, they fail to provide a model of what makes meeting possible and worth pursuing: a yearning for encounter. The volume’s central narrative—between Northern cultural philosophers and Australian societies—traverses the troubled history of misinterpretation that is characteristic of colonial cross-cultural encounter. As he brings the literature of Indigenous and non-Indigenous anthropological research into dialogue with Western approaches of conceptualizing sociability, Carter makes a startling discovery: that meeting may not be desirable and, if it is, its primary objective may be to negotiate a future of non-meeting. To explain the phenomenon of encounter, Carter performs it in differing scales, spaces, languages, tropes, and forms of knowledge, staging in the very language of the book what he calls “passages.” In widely varying contexts, these passages posit the disjunction of Greco-Roman and Indigenous languages, codes, theatrics of power, social systems, and visions of community. In an era of new forms of technosocialization, Carter offers novel ways of presenting the philosophical dimensions of waiting, meeting, and non-meeting.
Author: William H. Sewell Jr.
Publisher: University of Chicago Press
ISBN: 0226749193
Category : Social Science
Languages : en
Pages : 425
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Book Description
While social scientists and historians have been exchanging ideas for a long time, they have never developed a proper dialogue about social theory. William H. Sewell Jr. observes that on questions of theory the communication has been mostly one way: from social science to history. Logics of History argues that both history and the social sciences have something crucial to offer each other. While historians do not think of themselves as theorists, they know something social scientists do not: how to think about the temporalities of social life. On the other hand, while social scientists’ treatments of temporality are usually clumsy, their theoretical sophistication and penchant for structural accounts of social life could offer much to historians. Renowned for his work at the crossroads of history, sociology, political science, and anthropology, Sewell argues that only by combining a more sophisticated understanding of historical time with a concern for larger theoretical questions can a satisfying social theory emerge. In Logics of History, he reveals the shape such an engagement could take, some of the topics it could illuminate, and how it might affect both sides of the disciplinary divide.
Author: Sven Spieker
Publisher: MIT Press
ISBN: 026204871X
Category : Art
Languages : en
Pages : 360
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Book Description
How artists wield demonstration to question the status quo both aesthetically and politically, marshaling art and education as powerful agents of change. Demonstration, in short, says: See here. It is the practice of pointing to something in order to explain or contest it. As such, Sven Spieker argues that demonstration has helped reshape art from the height of the Cold War to the late twentieth century, reformatting our understanding of how art and political engagement relate to each other. Focusing on Western Europe (especially Germany), Eastern Europe, and the United States, Art as Demonstration expands on contemporary discussions of art-as-protest, activism, and resistance. Spieker shows how a closer, more historical look at art’s connection with demonstration reconnects us with earlier efforts, notably by the early twentieth-century avant-garde, to marshal art for the purpose of instruction and engagement. Art as Demonstration reconceives the history of postwar art in Eastern and Western Europe from the perspective of demonstration, understood formally (as a technique for showing and pointing) as well as politically (as protest, resistance, etc.). Close analyses of individual artworks reveal how the deployment of demonstration has changed over time. Spieker shows how “protest” and “resistance” organize art and artists not only politically but also and especially formally and aesthetically—a development of particular importance in the Cold War art and politics of Eastern Europe. The book illustrates how from the 1960s onward demonstration radically changed the way artists thought about art: no longer as an object but as a form of education.
Author: Juan Carlos Ubilluz
Publisher: Bucknell University Press
ISBN: 0838756255
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
Sacred Eroticism addresses a neglected chapter in Latin American literature, namely, the influence of Georges Bataille and Pierre Klossowski's atheist mysticism in the Latin American erotic novel of the twentieth century. Combining a Lacanian analytical framework with an (Inter)textualist approach. Juan Carlos Ubilluz reveals how Julio Cortazar, Salvador Elizondo, Mario Vargas Llosa, and Juan Garcia Ponce adopted Sataille and Klossowski's aesthetic and philosophical models as a point of departure to rearticulate the modern subject's buried dimension of the sacred through various Innovations on the erotic novel's form. Ubilluz examines the dialectical irruption of these literary experiments into their particular aesthetic, theoretical, and political contexts; showing, for instance, that Cortazar's
Author: Julie Stephens
Publisher: Cambridge University Press
ISBN: 9780521629768
Category : History
Languages : en
Pages : 184
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Book Description
The sixties were a time when anti-disciplinary politics blurred the boundaries between the political and the aesthetic, and, according to some critics, the time when the possibility for revolution died. In this book, first published in 1998, Stephens questions the frameworks which inform commonplace understandings of this period, arguing that the most distinctive forms of sixties protest are often marginalized or excluded from view. She looks at the problematic ways in which sixties radicalism has been narrativised, and critically evaluates the modernist and postmodern impulses that can be discerned in the anti-disciplinary protest of the time. Stephens develops a new theoretical framework for conceptualizing the relationship between the sixties and later political and theoretical developments. Drawing on broad-ranging, lively and often rare sources, this is a provocative contribution to contemporary social theory and cultural studies.
Author: Nick Hewlett
Publisher: A&C Black
ISBN: 9780826474230
Category : Political Science
Languages : en
Pages : 236
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Book Description
With its unique blend of political history and political theory, this book is a welcome addition to the series on Politics, Culture and Society in the New Europe. Nick Hewlett begins his fascinating study with a discussion of the various ways in which the concept of democracy has been interpreted. He continues by tracing the effect of France's revolutionary tradition on the theory and practice of democracy since the Enlightenment, looking in particular at both republican democracy and direct democracy. Hewlett examines the implications for democracy of profound social and political conflict in France and offers an unusual critique of the institutions and structures of formal politics, suggesting that their relationship with democracy is more tenuous than is often assumed. The political philosophy of `new liberals' such as Luc Ferry and Marcel Gauchet is also discussed in detail. Thought-provoking, original and closely-argued, this book explores some key aspects of politics in France whilst making a strong case for greater direct participation of ordinary people in politics. Nick Hewlett is Professor of French Studies and Director of the Centre for European Research at Oxford Brookes University. He is author of Modern French Politics. Conflict and Consensus since 1945 (1998), co-author of Contemporary France (with Jill Forbes and François Nectoux, 1994 and 2001), and co-editor of Currents in Contemporary French intellectual Life (with Christopher Flood, 2000) and Unity and Diversity in the New Europe (with Barrie Axford and Daniela Berghahn, 2000).
Author: Dominick LaCapra
Publisher: JHU Press
ISBN: 1421414015
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
An updated edition of a major work in trauma studies. Trauma and its aftermath pose acute problems for historical representation and understanding. In Writing History, Writing Trauma, Dominick LaCapra critically analyzes attempts by theorists and literary critics to come to terms with trauma and with the crucial role post-traumatic testimonies—notably Holocaust testimonies—assume in thought and in writing. These attempts are addressed in a series of six interlocking essays that adapt psychoanalytic concepts to historical analysis, while employing sociocultural and political critique to elucidate trauma and its aftereffects in culture and in people. This updated edition includes a substantive new preface that reconsiders some of the issues raised in the book.
Author: Nadir Lahiji
Publisher: Bloomsbury Publishing
ISBN: 1474228534
Category : Philosophy
Languages : en
Pages : 297
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Book Description
Analysing the reception of contemporary French philosophy in architecture over the last four decades, Adventures with the Theory of the Baroque and French Philosophy discusses the problematic nature of importing philosophical categories into architecture. Focusing particularly on the philosophical notion of the Baroque in Gilles Deleuze, this study examines traditional interpretations of the concept in contemporary architecture theory, throwing up specific problems such as the aestheticization of building theory and practice. Identifying these and other issues, Nadir Lahiji constructs a concept of the baroque in contrast to the contemporary understanding in architecture discourse. Challenging the contemporary dominance of the Neo-Baroque as a phenomenon related to postmodernism and late capitalism, he establishes the Baroque as a name for the paradoxical unity of 'kitsch' and 'high' art and argues that the digital turn has enhanced the return of the Baroque in contemporary culture and architectural practice that he brands a pseudo-event in the term 'neobaroque'. Lahiji's original critique expands on the misadventure of architecture with French Philosophy and explains why the category of the Baroque, if it is still useful to keep in architecture criticism, must be tied to the notion of Post-Rationalism. Within this latter notion, he draws on the work of Alain Badiou to theorize a new concept of the Baroque as Event. Alongside close readings of Walter Benjamin, Theodor Adorno and Michel Foucault related to the criticism of the Baroque and Modernity and discussions of the work of Frank Gehry, in particular, this study draws on Jacque Lacan's concept of the baroque and presents the first comprehensive treatment of the psychoanalytical theory of the Baroque in the work of Lacan.
