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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Author: Joseph Mallord William Turner
Publisher:
ISBN:
Category : Landscape painting, English
Languages : en
Pages : 142
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Book Description
Author: David Blayney Brown
Publisher:
ISBN: 9781606064276
Category : Painting, British
Languages : en
Pages : 0
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Extraordinarily inventive and enduringly influential, J. M. W. Turner (1775–1851) produced his most important and famous pictures after the age of sixty, in the last fifteen years of his life. Demonstrating ongoing radicalism of technique and ever-original subject matter, these works show Turner constantly challenging his contemporaries while remaining keenly aware of the market for his art. Bringing together over sixty key oil paintings and watercolors, this major international loan exhibition is the first to focus on the unfettered creativity of Turner's final years.
Author: Brian Livesley
Publisher:
ISBN: 9781849761451
Category : Painters
Languages : en
Pages : 0
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When Turner died in 1851, the general view of an artist's late work was one of decline. Indeed, Turner's own painting from 1845 onwards was described as indulgent, eccentric and 'repulsive', and even his devoted champion John Ruskin commented on its 'wholly inferior value'. However, from the early 1900s there was a major reassessment of Turner's later paintings and sketches. Commentators hailed his study of light as a visionary precursor to the ideas of the Impressionists. This continued into the twentieth century, with curatorial choices in some museums presenting Turner's late and unfinished work as distinctly modern. Through a number of key themes and studies into his subject matter, technique and personal activities, this new analysis challenges the historical conceptions of Turner's late style. The idea that as an elderly artist Turner was seen as introverted and detached by the Victorian art world is set against the fact that his paintings from 1835 were some of the most popular, accessible and intellectual that he created. Meanwhile, questioning the notion that Turner's late work articulated a conclusive, radical vision that was heedless of public reaction, the texts explore how Turner had a very firm idea of the workings of the art market at that time. Fully illustrated in colour, and with contributions by some of the foremost Turner scholars, this book breaks new ground in the continuing study of the life and legacy of one of art's greatest masters.
Author: Alexander Nemerov
Publisher: Skira Editore
ISBN: 9788857240916
Category : Art
Languages : en
Pages : 208
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Turner's daringly loose brushwork and dazzling colors shine in his watercolors J.M.W. Turner, one of Britain's greatest painters, is perhaps known best for his oil paintings. But he was a lifelong watercolorist, and he fundamentally reshaped what would be understood as possible within the medium, both during his lifetime and after. Edited in partnership with Tate Britain, where the majority of the artist's works are conserved, Conversations with Turner: The Watercolorsis published on the occasion of a major exhibition spanning the entirety of Turner's career. Divided into six thematic sections, it focuses on the critical role played by watercolors in defining Turner's personal style. The book brings together texts by prominent scholars of Turner's art, including the art historians and curators Tim Barringer, Alexander Nemerov, Oliver Meslay and Susan Grace Galassi. Comprised of 100 works (all of which are reproduced in this volume), the exhibition was selected from upward of 30,000 works on paper, 300 oil paintings, and 280 sketchbooks donated after the artist's death in 1851, as part of the collection known as the "Turner Bequest." Turner's innovations in watercolor are illustrated in this book through an emphasis on landscapes and seascapes, many of which were painted during Turner's long stays abroad in continental Europe and beyond. The works showcase the development of Turner's stylistic language, focused on experimentation with the expressive potential of light and color, which anticipated trends in late-19th-century painting. J.M.W. Turner(1775-1851) was a controversial figure throughout his career, despite being championed by Ruskin and having played a key role in the elevation of pure landscape painting as a genre, which he took to unprecedented levels of abstraction. He traveled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year, and later making many visits to Venice.
Author: Agnew (Thos.) & Sons, London
Publisher:
ISBN:
Category : Drawing, English
Languages : en
Pages : 48
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Author: Thos. Agnew and Sons Ltd
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Author: National Gallery of Scotland
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 114
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Book Description
Over one hundred and forty years after his death, Turner's reputation as perhaps the greatest of all British painters remains as strong as ever. The popularity of the Turner watercolour exhibition shown at the National Gallery of Scotland every January remains equally undiminished, over ninety years after Henry Vaughan bequeathed thirty-eight of the artist's watercolours to Edinburgh. This new publication offers, for the first time, a catalogue of the whole of the permanent collection of Turner's works. Several drawings, which have not appeared in the recent literature on Turner, are included, in addition to the well known watercolours of the Vaughan Bequest and the vignette Illustrations to the Poetical Works of Thomas Campbell." SELLING POINTS: This catalogue offers, for the first time, a catalogue of the whole of the permanent collection of Turner's works Includes the prints from which so many of his drawings were made Many of the works featured have not previously appeared in recent literature on Turner 64 colour & 77 b/w illustrations
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Book Description
Author: George R. Goldner
Publisher: Getty Publications
ISBN: 0892362197
Category : Drawing
Languages : en
Pages : 374
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Book Description
The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
Author: Whitworth Art Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 76
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Book Description
