Author: Perrin Stein
Publisher: Metropolitan Museum of Art
ISBN: 0870998927
Category : Drawing
Languages : en
Pages : 257
Book Description
Eighteenth-century French Drawings in New York Collections
Author: Perrin Stein
Publisher: Metropolitan Museum of Art
ISBN: 0870998927
Category : Drawing
Languages : en
Pages : 257
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870998927
Category : Drawing
Languages : en
Pages : 257
Book Description
Drawing
Author: Harvard Art Museums
Publisher: Harvard Art Museums
ISBN: 9781891771712
Category :
Languages : en
Pages :
Book Description
"This catalogue accompanies the exhibition Drawing: The Invention of a Modern Medium, on view at the Harvard Art Museums, Cambridge, Massachusetts, from January 21 through May 7, 2017."
Publisher: Harvard Art Museums
ISBN: 9781891771712
Category :
Languages : en
Pages :
Book Description
"This catalogue accompanies the exhibition Drawing: The Invention of a Modern Medium, on view at the Harvard Art Museums, Cambridge, Massachusetts, from January 21 through May 7, 2017."
Portraits by Ingres
Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Borromini's San Carlo Alle Quattro Fontane
Author: Leo Steinberg
Publisher: Garland Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 516
Book Description
Publisher: Garland Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 516
Book Description
Pieter Bruegel the Elder
Author: Pieter Bruegel
Publisher: Metropolitan Museum of Art
ISBN: 0870999915
Category : Art, Flemish
Languages : en
Pages : 337
Book Description
Pieter Bruegel the Elder (1525/30-1569) was a remarkable draftsman and designer of prints as well as a great painter. His independent drawings and designs for engravings and etchings, which were carried out by the leading printmakers of his day, have fascinated scholars and the general public alike since they were created. They have recently been the subject of research that has given rise to a reevaluation of the parameters of Bruegel's oeuvre. The new scholarship has been brought to bear in the texts of the present volume, which accompanies a major exhibition of 140 of Bruegel's prints and drawings to be shown at the Museum Boijmans Van Beuningen, Rotterdam, from May to August 2001 and at The Metropolitan Museum of Art, New York, from September to December 2001. An international group of experts discusses the new Bruegel who has emerged from recent studies, in essays on the artist's life, his contributions as a draftsman and as a printmaker, the survival of his art, and his relationship to the humanism of his day. They also illuminate his genius in entries on all the works in the exhibition. Every work is illustrated and rich comparative illustrations are included. Provenances an
Publisher: Metropolitan Museum of Art
ISBN: 0870999915
Category : Art, Flemish
Languages : en
Pages : 337
Book Description
Pieter Bruegel the Elder (1525/30-1569) was a remarkable draftsman and designer of prints as well as a great painter. His independent drawings and designs for engravings and etchings, which were carried out by the leading printmakers of his day, have fascinated scholars and the general public alike since they were created. They have recently been the subject of research that has given rise to a reevaluation of the parameters of Bruegel's oeuvre. The new scholarship has been brought to bear in the texts of the present volume, which accompanies a major exhibition of 140 of Bruegel's prints and drawings to be shown at the Museum Boijmans Van Beuningen, Rotterdam, from May to August 2001 and at The Metropolitan Museum of Art, New York, from September to December 2001. An international group of experts discusses the new Bruegel who has emerged from recent studies, in essays on the artist's life, his contributions as a draftsman and as a printmaker, the survival of his art, and his relationship to the humanism of his day. They also illuminate his genius in entries on all the works in the exhibition. Every work is illustrated and rich comparative illustrations are included. Provenances an
Wash and Gouache
Author: Marjorie B. Cohn
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
Book Description
On Virginity ; Against Remarriage
Author: Saint John Chrysostom
Publisher: New York ; Toronto : E. Mellen Press
ISBN:
Category : Religion
Languages : en
Pages : 216
Book Description
This is an English translation of these treatises. The work is also introduced by Elizabeth Clark, who sets forth the context of the treatises and makes an extended comparison between John's teaching and that of Paul in 1 Corinthians.
Publisher: New York ; Toronto : E. Mellen Press
ISBN:
Category : Religion
Languages : en
Pages : 216
Book Description
This is an English translation of these treatises. The work is also introduced by Elizabeth Clark, who sets forth the context of the treatises and makes an extended comparison between John's teaching and that of Paul in 1 Corinthians.
Barefoot Through Mauretania
Author: Odette Du Puigaudeau
Publisher: Hardinge Simpole Limited
ISBN: 9781843822011
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
Odette du Puigaudeau is best known for her major ethnographic work, Arts et Coutumes des Maures, a detailed study, in words and drawings, of the cultural world of the nomads of Mauretania. The present work explains how she came to write it. Barefoot Through Mauretania is an account of her first journey across the country by camel in 1933-4, with her life-long companion, Marion Senones. The book records the adventures of the two women during that year, often with a touch of humour. Above all, however, it presents a picture of a way of life that has, as they feared, almost vanished, and their determination that it should be recorded. Odette du Puigaudeau wrote a number of other books on different aspects of nomad life, such as the salt caravans and date markets, as well as articles on prehistoric rock-drawings, and a charming tribute to her pet leopard, Rachid."
Publisher: Hardinge Simpole Limited
ISBN: 9781843822011
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
Odette du Puigaudeau is best known for her major ethnographic work, Arts et Coutumes des Maures, a detailed study, in words and drawings, of the cultural world of the nomads of Mauretania. The present work explains how she came to write it. Barefoot Through Mauretania is an account of her first journey across the country by camel in 1933-4, with her life-long companion, Marion Senones. The book records the adventures of the two women during that year, often with a touch of humour. Above all, however, it presents a picture of a way of life that has, as they feared, almost vanished, and their determination that it should be recorded. Odette du Puigaudeau wrote a number of other books on different aspects of nomad life, such as the salt caravans and date markets, as well as articles on prehistoric rock-drawings, and a charming tribute to her pet leopard, Rachid."
After the Revolution
Author: David O'Brien
Publisher: Penn State University Press
ISBN: 0271023058
Category : Art
Languages : en
Pages : 288
Book Description
"The many color illustrations in After the Revolution enable the reader to follow O'Brien's informative analysis of the mixing of fact and fiction in such famed paintings as The Battlefield of Eylau. This book will be of interest to art historians, students of political and military history, and all those fascinated by Napoleon."--BOOK JACKET.
Publisher: Penn State University Press
ISBN: 0271023058
Category : Art
Languages : en
Pages : 288
Book Description
"The many color illustrations in After the Revolution enable the reader to follow O'Brien's informative analysis of the mixing of fact and fiction in such famed paintings as The Battlefield of Eylau. This book will be of interest to art historians, students of political and military history, and all those fascinated by Napoleon."--BOOK JACKET.
Learning to Draw
Author: Ann Bermingham
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300080391
Category : Art
Languages : en
Pages : 304
Book Description
As early as the sixteenth century, drawing in England came to be seen as something more than an activity exclusive to artists; it became a polite and useful art, a practice of everyday life. This generously illustrated book explores the social and cultural processes that enabled drawing to emerge as an amateur pastime, as well as the meanings that drawing had for people who were not artists. Ann Bermingham shows how the history of drawing in England, from the age of Elizabeth I to the era of early photography, mirrored changes in society, politics, the practical world, and notions of self. The book examines how drawing intersected with a wide range of social phenomena, from political absolutism, writing, empirical science, and Enlightenment pedagogy to nationalism, industrialism, tourism, bourgeois gentility, and religious instruction. Bermingham discusses the central role of drawing and the visual arts in Renaissance debates about government and self-government, then considers the relations between seventeenth-century drawing, natural science, and the masculine ideal of the honest gentleman. She also investigates landscape drawing in the context of eighteenth-century views on sens
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300080391
Category : Art
Languages : en
Pages : 304
Book Description
As early as the sixteenth century, drawing in England came to be seen as something more than an activity exclusive to artists; it became a polite and useful art, a practice of everyday life. This generously illustrated book explores the social and cultural processes that enabled drawing to emerge as an amateur pastime, as well as the meanings that drawing had for people who were not artists. Ann Bermingham shows how the history of drawing in England, from the age of Elizabeth I to the era of early photography, mirrored changes in society, politics, the practical world, and notions of self. The book examines how drawing intersected with a wide range of social phenomena, from political absolutism, writing, empirical science, and Enlightenment pedagogy to nationalism, industrialism, tourism, bourgeois gentility, and religious instruction. Bermingham discusses the central role of drawing and the visual arts in Renaissance debates about government and self-government, then considers the relations between seventeenth-century drawing, natural science, and the masculine ideal of the honest gentleman. She also investigates landscape drawing in the context of eighteenth-century views on sens