Christie's New York Livres, Manuscrits, Autographes Et Christie's East PDF Download
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Author: Christie's (New York)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Christie's (New York)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Alfred Morrison
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 332
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Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 904
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Book Description
Author: William Tite
Publisher: BoD – Books on Demand
ISBN: 3382507307
Category : Fiction
Languages : en
Pages : 294
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Book Description
Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Alfred Morrison
Publisher: BoD – Books on Demand
ISBN: 3385309611
Category : Fiction
Languages : en
Pages : 242
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Reprint of the original, first published in 1883.
Author: Alfred Morrison
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 388
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Book Description
Author: Bodleian Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1040
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Author: Alfred Morrison
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 248
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1036
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Author: Tom Stammers
Publisher: Cambridge University Press
ISBN: 1108807224
Category : History
Languages : en
Pages : 375
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Book Description
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
