Author:
Publisher:
ISBN:
Category : Music trade
Languages : en
Pages : 196

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Book Description

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 146

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Book Description
Toll free 800 numbers -- Artists and bands -- Artists managers -- Music attorneys -- Music industry services -- Music publishers -- Production companies -- Professional organizations -- Record companies -- Record producers -- Recording studios -- Talent and booking agencies -- Video production companies.

Author: Robert Allen Livingston
Publisher:
ISBN:
Category : Music trade
Languages : en
Pages : 0

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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 3310

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Author: Richard Bach
Publisher: Simon and Schuster
ISBN: 147679331X
Category : Fiction
Languages : en
Pages : 144

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Book Description
"Includes the rediscovered part four"--Cover.

Author: Rose Arny
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1418

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Book Description

Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 584

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Author: Robert Allen Livingston
Publisher: Glglc Music
ISBN: 9780932303189
Category : Business & Economics
Languages : en
Pages : 200

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Author: United States United States Copyright Office
Publisher: Createspace Independent Publishing Platform
ISBN: 9781522852155
Category :
Languages : en
Pages : 208

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Book Description
The Copyright Office has previously highlighted the outmoded rules for the licensing of musical works and sound recordings as an area in significant need of reform. Moreover, the Office has underscored the need for a comprehensive approach to copyright review and revision generally. This is especially true in the case of music licensing the problems in the music marketplace need to be evaluated as a whole, rather than as isolated or individual concerns of particular stakeholders.

Author: Simon Zagorski-Thomas
Publisher: Routledge
ISBN: 1317044436
Category : Music
Languages : en
Pages : 481

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Book Description
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.