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Author: Oswaldo Chinchilla Mazariegos
Publisher: Yale University Press
ISBN: 0300224672
Category : Art
Languages : en
Pages : 303
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Book Description
This nuanced account explores Maya mythology through the lens of art, text, and culture. It offers an important reexamination of the mid-16th-century Popol Vuh, long considered an authoritative text, which is better understood as one among many crucial sources for the interpretation of ancient Maya art and myth. Using materials gathered across Mesoamerica, Oswaldo Chinchilla Mazariegos bridges the gap between written texts and artistic representations, identifying key mythical subjects and uncovering their variations in narratives and visual depictions. Central characters—including a secluded young goddess, a malevolent grandmother, a dead father, and the young gods who became the sun and the moon—are identified in pottery, sculpture, mural painting, and hieroglyphic inscriptions. Highlighting such previously overlooked topics as sexuality and generational struggles, this beautifully illustrated book paves the way for a new understanding of Maya myths and their lavish expression in ancient art.
Author: Oswaldo Chinchilla Mazariegos
Publisher: Yale University Press
ISBN: 0300224672
Category : Art
Languages : en
Pages : 303
Get Book Here
Book Description
This nuanced account explores Maya mythology through the lens of art, text, and culture. It offers an important reexamination of the mid-16th-century Popol Vuh, long considered an authoritative text, which is better understood as one among many crucial sources for the interpretation of ancient Maya art and myth. Using materials gathered across Mesoamerica, Oswaldo Chinchilla Mazariegos bridges the gap between written texts and artistic representations, identifying key mythical subjects and uncovering their variations in narratives and visual depictions. Central characters—including a secluded young goddess, a malevolent grandmother, a dead father, and the young gods who became the sun and the moon—are identified in pottery, sculpture, mural painting, and hieroglyphic inscriptions. Highlighting such previously overlooked topics as sexuality and generational struggles, this beautifully illustrated book paves the way for a new understanding of Maya myths and their lavish expression in ancient art.
Author: Joanne Pillsbury
Publisher: Metropolitan Museum of Art
ISBN: 1588397319
Category : Art
Languages : en
Pages : 251
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Book Description
An introduction to the complex stories of Mesoamerican divinity through the carvings, ceramics, and metalwork of the Maya Classic period Lives of the Gods reveals how ancient Maya artists evoked a pantheon as rich and complex as the more familiar Greco-Roman, Hindu-Buddhist, and Egyptian deities. Focusing on the period between A.D. 250 and 900, the authors show how this powerful cosmology informed some of the greatest creative achievements of Maya civilization.
Author: Carla McKinney Brenner
Publisher:
ISBN:
Category : Central America
Languages : en
Pages : 20
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Book Description
Author: Karen Bassie-Sweet
Publisher: University Press of Colorado
ISBN: 1646421310
Category : History
Languages : en
Pages : 341
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Book Description
Numerous archaeological projects have found substantial evidence of the military nature of Maya society, and warfare is a frequent theme of Maya art. Maya Gods of War investigates the Classic period Maya gods who were associated with weapons of war and the flint and obsidian from which those weapons were made. Author Karen Bassie-Sweet traces the semantic markers used to distinguish flint from other types of stone, surveys various types of Chahk thunderbolt deities and their relationship to flint weapons, and explores the connection between lightning and the ruling elite. Additional chapters review these fire and solar deities and their roles in Maya warfare and examine the nature and manifestations of the Central Mexican thunderbolt god Tlaloc, his incorporation into the Maya pantheon, and his identification with meteors and obsidian weapons. Finally, Bassie-Sweet addresses the characteristics of the deity God L, his role as an obsidian merchant god, and his close association with the ancient land route between the highland Guatemalan obsidian sources and the lowlands. Through analysis of the nature of the Teotihuacán deities and exploration of the ways in which these gods were introduced into the Maya region and incorporated into the Maya worldview, Maya Gods of War offers new insights into the relationship between warfare and religious beliefs in Mesoamerica. This significant work will be of interest to scholars of Maya religion and iconography.
Author: Matthew G. Looper
Publisher: University of Texas Press
ISBN: 0292778171
Category : Social Science
Languages : en
Pages : 520
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Book Description
The ancient Maya city of Quirigua occupied a crossroads between Copan in the southeastern Maya highlands and the major centers of the Peten heartland. Though always a relatively small city, Quirigua stands out because of its public monuments, which were some of the greatest achievements of Classic Maya civilization. Impressive not only for their colossal size, high sculptural quality, and eloquent hieroglyphic texts, the sculptures of Quirigua are also one of the few complete, in situ series of Maya monuments anywhere, which makes them a crucial source of information about ancient Maya spirituality and political practice within a specific historical context. Using epigraphic, iconographic, and stylistic analyses, this study explores the integrated political-religious meanings of Quirigua's monumental sculptures during the eighth-century A.D. reign of the city's most famous ruler, K'ak' Tiliw. In particular, Matthew Looper focuses on the role of stelae and other sculpture in representing the persona of the ruler not only as a political authority but also as a manifestation of various supernatural entities with whom he was associated through ritual performance. By tracing this sculptural program from its Early Classic beginnings through the reigns of K'ak' Tiliw and his successors, and also by linking it to practices at Copan, Looper offers important new insights into the politico-religious history of Quirigua and its ties to other Classic Maya centers, the role of kingship in Maya society, and the development of Maya art.
Author: Mary Ellen Miller
Publisher:
ISBN: 9780691040332
Category : Bonampak (Mexico)
Languages : en
Pages : 176
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Book Description
The Description for this book, The Murals of Bonampak, will be forthcoming.
Author: Nikolai Grube
Publisher:
ISBN: 9783833143397
Category : Central America
Languages : en
Pages : 480
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Book Description
Lost cities in the jungle and towering temple pyramids form only a small part of Mayan culture. This fascinating people achieved the landmarks of an advanced civilisation - such as a highly developed writing system and densely populated cities - in the classical period (AD 300-600), earning them a place among the greatest civilisations in the world. However, this period represents just one phase in the history of the Mayan culture, which extends over thousands of years. Our knowledge of Mayan life has increased dramatically in recent decades. As a result, specialists from a wide range of disciplines have contributed to this book in order to represent all of the latest research on the Maya. The contributions included in this magnificent volume range from the origins of Mayan culture all the way to today, giving insight into everyday life and religion as well as the artistic accomplishments and intellectual abilities of this important culture.
Author: Stephen Houston
Publisher: Getty Publications
ISBN: 1606067451
Category : Art
Languages : en
Pages : 194
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Book Description
The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala. In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb’s expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced. Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of them. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala.
Author: Daniel Finamore
Publisher: Yale University Press
ISBN: 9780300161373
Category : Caribbean Area
Languages : en
Pages : 0
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Book Description
A revolutionary new interpretation of ancient Maya art and culture Maya art and hieroglyphs constitute one of the world's most fascinating, visually striking, and complex systems of expression. Most scholarly interpretations of Maya art and culture have emphasized that this ancient civilization was oriented toward inland centers and preoccupied with the blood of royal lineage and ritual sacrifice. Drawing on recent archaeological discoveries and developments in deciphering Maya glyphs, this groundbreaking volume presents a revisionist reading that shifts the emphasis of interpretation to the mythic power of the sea as the basis of a larger, deeper cultural narrative and history for the Maya. Surrounded by the sea in all directions, the Maya viewed water as a source of both life and danger. Through the artworks presented--including acknowledged masterpieces and many never before exhibited in the United States--readers will gain a new appreciation for water's influence on Maya cosmology, its role in their interpretation of the supernatural, as well as its impact on Maya cross-cultural contacts, trading practices, and power dynamics. Essays by prominent scholars provide an interdisciplinary context for understanding Maya art as well as new interpretations of traditional iconography and symbolism. Accompanying a monumental exhibition comprising almost 100 artworks ranging from carved stone monuments to delicate jade sculptures, this compelling, richly illustrated publication will fundamentally transform the interpretation of Maya art. Published in association with the Peabody Essex Museum Exhibition Schedule: Peabody Essex Museum, Salem, Massachusetts (3/27/10 - 7/18/10) Kimbell Art Museum, Fort Worth, Texas (8/29/10 - 1/2/11) St. Louis Art Museum (2/13/11 - 5/8/11)
Author: Virginia M. Fields
Publisher: Scala Books
ISBN:
Category : Art
Languages : en
Pages : 294
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Book Description
Offers a unique perspective on Mayan culture, documenting the
