Author: Eva Louise Lillie
Publisher: Museum Tusculanum Press
ISBN: 9788772893617
Category : Art
Languages : en
Pages : 264
Book Description
This volume contains a collection of essays in honour of the late Professor of Comparative Literature, C Clifford Flanigan, who died suddenly in 1993 at the age of 52. The scholarship of this book constitutes an example of the interdisciplinary approach to the study of ecclesiastical history which is the aim of the newly established Centre for Christianity and the Arts at the Theological Faculty at the University of Copenhagen.
Liturgy and the Arts in the Middle Ages
Author: Eva Louise Lillie
Publisher: Museum Tusculanum Press
ISBN: 9788772893617
Category : Art
Languages : en
Pages : 264
Book Description
This volume contains a collection of essays in honour of the late Professor of Comparative Literature, C Clifford Flanigan, who died suddenly in 1993 at the age of 52. The scholarship of this book constitutes an example of the interdisciplinary approach to the study of ecclesiastical history which is the aim of the newly established Centre for Christianity and the Arts at the Theological Faculty at the University of Copenhagen.
Publisher: Museum Tusculanum Press
ISBN: 9788772893617
Category : Art
Languages : en
Pages : 264
Book Description
This volume contains a collection of essays in honour of the late Professor of Comparative Literature, C Clifford Flanigan, who died suddenly in 1993 at the age of 52. The scholarship of this book constitutes an example of the interdisciplinary approach to the study of ecclesiastical history which is the aim of the newly established Centre for Christianity and the Arts at the Theological Faculty at the University of Copenhagen.
A Companion to Medieval Art
Author: Conrad Rudolph
Publisher: John Wiley & Sons
ISBN: 1119077729
Category : Art
Languages : en
Pages : 1040
Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Publisher: John Wiley & Sons
ISBN: 1119077729
Category : Art
Languages : en
Pages : 1040
Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
The Liturgy of the Medieval Church
Author: E. Ann Matter
Publisher:
ISBN:
Category : History
Languages : en
Pages : 742
Book Description
This volume seeks to address the needs of teachers and advanced students who are preparing classes on the Middle Ages or who find themselves confounded in their studies by reference to the various liturgies that were fundamental to the lives of medieval peoples. In a series of essays, scholars of the liturgy examine The Shape of the Liturgical Year, Particular Liturgies, The Physical Setting of the Liturgy, The Liturgy and Books, and Liturgy and the Arts. A concluding essay, which originated in notes left behind by the late C. Clifford Flanigan, seeks to open the field, to examine liturgy within the larger and more inclusive category of ritual. The essays are intended to be introductory but to provide the basic facts and the essential bibliography for further study. They approach particular problems assuming a knowledge of medieval Europe but little expertise in liturgical studies per se.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 742
Book Description
This volume seeks to address the needs of teachers and advanced students who are preparing classes on the Middle Ages or who find themselves confounded in their studies by reference to the various liturgies that were fundamental to the lives of medieval peoples. In a series of essays, scholars of the liturgy examine The Shape of the Liturgical Year, Particular Liturgies, The Physical Setting of the Liturgy, The Liturgy and Books, and Liturgy and the Arts. A concluding essay, which originated in notes left behind by the late C. Clifford Flanigan, seeks to open the field, to examine liturgy within the larger and more inclusive category of ritual. The essays are intended to be introductory but to provide the basic facts and the essential bibliography for further study. They approach particular problems assuming a knowledge of medieval Europe but little expertise in liturgical studies per se.
Disability Human Rights Law 2018
Author: Anna Arstein-Kerslake (Ed.)
Publisher: MDPI
ISBN: 3038972509
Category : Law
Languages : en
Pages : 241
Book Description
This book is a printed edition of the Special Issue "Disability Human Rights Law" that was published in Laws
Publisher: MDPI
ISBN: 3038972509
Category : Law
Languages : en
Pages : 241
Book Description
This book is a printed edition of the Special Issue "Disability Human Rights Law" that was published in Laws
The Medieval Dominicans
Author: Eleanor Giraud
Publisher:
ISBN: 9782503569031
Category :
Languages : en
Pages : 420
Book Description
The Order of Preachers has famously bred some of the leading intellectual lights of the Middle Ages. While Dominican achievements in theology, philosophy, languages, law, and sciences have attracted much scholarly interest, their significant engagement with liturgy, the visual arts, and music remains relatively unexplored. These aspects and their manifold interconnections form the focal point of this interdisciplinary volume. The different chapters examine how early Dominicans positioned themselves and interacted with their local communities, where they drew their influences from, and what impact the new Order had on various aspects of medieval life. The contributors to this volume address issues as diverse as the making and illustrating of books, services for a king, the disposition of liturgical space, the creation of new liturgies, and a Dominican-made music treatise. In doing so, they seek to shed light on the actions and interactions of medieval Dominicans in the first centuries of the Order's existence.
Publisher:
ISBN: 9782503569031
Category :
Languages : en
Pages : 420
Book Description
The Order of Preachers has famously bred some of the leading intellectual lights of the Middle Ages. While Dominican achievements in theology, philosophy, languages, law, and sciences have attracted much scholarly interest, their significant engagement with liturgy, the visual arts, and music remains relatively unexplored. These aspects and their manifold interconnections form the focal point of this interdisciplinary volume. The different chapters examine how early Dominicans positioned themselves and interacted with their local communities, where they drew their influences from, and what impact the new Order had on various aspects of medieval life. The contributors to this volume address issues as diverse as the making and illustrating of books, services for a king, the disposition of liturgical space, the creation of new liturgies, and a Dominican-made music treatise. In doing so, they seek to shed light on the actions and interactions of medieval Dominicans in the first centuries of the Order's existence.
Painted Prayers
Author: Roger S. Wieck
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
This book features 107 of the finest examples of illuminated pages from medieval and Renaissance Books of Hours. Roger Wieck's comprehensive text introduces the Book of Hours -- a "bestseller" for three hundred years -- to the general reader, discussing its iconography, the artists who illuminated this genre, and its role as a religious text in the lives of its owners. As a collection of both stirring words and inspiring images, the Book of Hours thus comprised a series of "painted prayers".
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
This book features 107 of the finest examples of illuminated pages from medieval and Renaissance Books of Hours. Roger Wieck's comprehensive text introduces the Book of Hours -- a "bestseller" for three hundred years -- to the general reader, discussing its iconography, the artists who illuminated this genre, and its role as a religious text in the lives of its owners. As a collection of both stirring words and inspiring images, the Book of Hours thus comprised a series of "painted prayers".
The Virgin of Chartres
Author: Margot Elsbeth Fassler
Publisher: Yale University Press
ISBN: 030011088X
Category : Religion
Languages : en
Pages : 626
Book Description
Medieval Christians knew the past primarily through what they saw and heard. History was reenacted every year in ritual observances particular to each place and region and rooted in the legends of local saints.This richly illustrated book explores the layers of history found in the cult of the Virgin of Chartres as it developed in the eleventh and twelfth centuries. Focusing on the major relic of Chartres Cathedral, the Virgin’s gown, and the Feast of Mary's Nativity, Margot Fassler employs a wide range of historical evidence including local histories, letters, obituaries, chants, liturgical sources, and reports of miracles, leading to a detailed reading of the cathedral's west façade. This interdisciplinary volume will prove invaluable to historians who work in religion, politics, music, and art but will also serve as a guidebook for all interested in the history of Chartres Cathedral.
Publisher: Yale University Press
ISBN: 030011088X
Category : Religion
Languages : en
Pages : 626
Book Description
Medieval Christians knew the past primarily through what they saw and heard. History was reenacted every year in ritual observances particular to each place and region and rooted in the legends of local saints.This richly illustrated book explores the layers of history found in the cult of the Virgin of Chartres as it developed in the eleventh and twelfth centuries. Focusing on the major relic of Chartres Cathedral, the Virgin’s gown, and the Feast of Mary's Nativity, Margot Fassler employs a wide range of historical evidence including local histories, letters, obituaries, chants, liturgical sources, and reports of miracles, leading to a detailed reading of the cathedral's west façade. This interdisciplinary volume will prove invaluable to historians who work in religion, politics, music, and art but will also serve as a guidebook for all interested in the history of Chartres Cathedral.
Theophilus and the Theory and Practice of Medieval Art
Author: Heidi C. Gearhart
Publisher: Penn State Press
ISBN: 0271079819
Category : Art
Languages : en
Pages : 519
Book Description
In this study of the rare twelfth-century treatise On Diverse Arts, Heidi C. Gearhart explores the unique system of values that guided artists of the High Middle Ages as they created their works. Written in northern Germany by a monk known only by the pseudonym Theophilus, On Diverse Arts is the only known complete tract on art to survive from the period. It contains three books, each with a richly religious prologue, describing the arts of painting, glass, and metalwork. Gearhart places this one-of-a-kind treatise in context alongside works by other monastic and literary thinkers of the time and presents a new reading of the text itself. Examining the earliest manuscripts, she reveals a carefully ordered, sophisticated work that aligns the making of art with the virtues of a spiritual life. On Diverse Arts, Gearhart shows, articulated a distinctly medieval theory of art that accounted for the entire process of production—from thought and preparation to the acquisition of material, the execution of work, the creation of form, and the practice of seeing. An important new perspective on one of the most significant texts in art history and the first study of its kind available in English, Theophilus and the Theory and Practice of Medieval Art provides fresh insight into the principles and values of medieval art making. Scholars of art history, medieval studies, and Christianity will find Gearhart’s book especially edifying and valuable.
Publisher: Penn State Press
ISBN: 0271079819
Category : Art
Languages : en
Pages : 519
Book Description
In this study of the rare twelfth-century treatise On Diverse Arts, Heidi C. Gearhart explores the unique system of values that guided artists of the High Middle Ages as they created their works. Written in northern Germany by a monk known only by the pseudonym Theophilus, On Diverse Arts is the only known complete tract on art to survive from the period. It contains three books, each with a richly religious prologue, describing the arts of painting, glass, and metalwork. Gearhart places this one-of-a-kind treatise in context alongside works by other monastic and literary thinkers of the time and presents a new reading of the text itself. Examining the earliest manuscripts, she reveals a carefully ordered, sophisticated work that aligns the making of art with the virtues of a spiritual life. On Diverse Arts, Gearhart shows, articulated a distinctly medieval theory of art that accounted for the entire process of production—from thought and preparation to the acquisition of material, the execution of work, the creation of form, and the practice of seeing. An important new perspective on one of the most significant texts in art history and the first study of its kind available in English, Theophilus and the Theory and Practice of Medieval Art provides fresh insight into the principles and values of medieval art making. Scholars of art history, medieval studies, and Christianity will find Gearhart’s book especially edifying and valuable.
Toward a Global Middle Ages
Author: Bryan C. Keene
Publisher: Getty Publications
ISBN: 160606598X
Category : Art
Languages : en
Pages : 300
Book Description
This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.
Publisher: Getty Publications
ISBN: 160606598X
Category : Art
Languages : en
Pages : 300
Book Description
This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.
Studies in the Art and Imagery of the Middle Ages
Author: Richard Marks
Publisher:
ISBN: 9781904597384
Category : Art, Medieval
Languages : en
Pages : 0
Book Description
Professor Marks has been a curator at the British Museum, Keeper of the Burrell Collection, Glasgow, and Director of the Royal Pavilion and Museums in Brighton. Subsequently he held a Personal Chair in the History of Art Department at the University of York, and is now Emeritus Professor; he also currently has an Honorary Professorship in the History of Art at Cambridge University. He has held honorary posts as Vice-President of The Society of Antiquaries of London and International President of the Corpus Vitrearum Medii Aevi project. He has worked on a number of major exhibitions, including Gothic. Art for England 1400-1547 (Victoria & Albert Museum, 2003-4), which he curated. Professor Marks' main interest is the religious imagery of medieval Europe, in all the visual arts. Much of his research has been on English stained glass, and, more recently, on the function and reception of devotional images. His works here include Stained Glass in England during the Middle Ages (1993), The Medieval Stained Glass of Northamptonshire (1998), The Golden Age of English Manuscript Painting 1200-1500 (1981) and Image and Devotion in Late Medieval England (2004). This volume brings together thirty-one of Professor Marks' studies, encompassing historiography, stained glass, manuscript illumination, screen and wall painting, sculpture and funerary monuments.
Publisher:
ISBN: 9781904597384
Category : Art, Medieval
Languages : en
Pages : 0
Book Description
Professor Marks has been a curator at the British Museum, Keeper of the Burrell Collection, Glasgow, and Director of the Royal Pavilion and Museums in Brighton. Subsequently he held a Personal Chair in the History of Art Department at the University of York, and is now Emeritus Professor; he also currently has an Honorary Professorship in the History of Art at Cambridge University. He has held honorary posts as Vice-President of The Society of Antiquaries of London and International President of the Corpus Vitrearum Medii Aevi project. He has worked on a number of major exhibitions, including Gothic. Art for England 1400-1547 (Victoria & Albert Museum, 2003-4), which he curated. Professor Marks' main interest is the religious imagery of medieval Europe, in all the visual arts. Much of his research has been on English stained glass, and, more recently, on the function and reception of devotional images. His works here include Stained Glass in England during the Middle Ages (1993), The Medieval Stained Glass of Northamptonshire (1998), The Golden Age of English Manuscript Painting 1200-1500 (1981) and Image and Devotion in Late Medieval England (2004). This volume brings together thirty-one of Professor Marks' studies, encompassing historiography, stained glass, manuscript illumination, screen and wall painting, sculpture and funerary monuments.