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Author: Jean-Pierre Mileur
Publisher: Univ of California Press
ISBN: 0520311434
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Literary Revisionism places Bloom, his ally Geoffrey Hartman, and their contemporary literary situation in a borad historical and theoretical context by exploring the provenance of the revisionist stance in the origins of the New Testament canon, in the works of the Sensibility Poets and the great Romantics, and in the emergence of our own secular modernity. The results is an uncanny sense of the wholeness of the tradition, ironically coupled with an awareness that we are cut off from the past by the very insistence with which we employ criticism to maintain the fiction of an isolate modernity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
Author: Jean-Pierre Mileur
Publisher: Univ of California Press
ISBN: 0520311434
Category : Literary Criticism
Languages : en
Pages : 286
Get Book Here
Book Description
Literary Revisionism places Bloom, his ally Geoffrey Hartman, and their contemporary literary situation in a borad historical and theoretical context by exploring the provenance of the revisionist stance in the origins of the New Testament canon, in the works of the Sensibility Poets and the great Romantics, and in the emergence of our own secular modernity. The results is an uncanny sense of the wholeness of the tradition, ironically coupled with an awareness that we are cut off from the past by the very insistence with which we employ criticism to maintain the fiction of an isolate modernity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
Author: Jean-Pierre Mileur
Publisher: Univ of California Press
ISBN: 9780520052369
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Author: Anthony J. Cascardi
Publisher: Penn State Press
ISBN: 0271043547
Category : History
Languages : en
Pages : 337
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Book Description
Author: Chris Baldick
Publisher: Routledge
ISBN: 1317900987
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Presents a coherent and accessible historical account of the major phases of British and American Twentieth-century criticism, from 'decadent' aestheticism to feminist, decontsructonist and post-colonial theories. Special attention is given to new perspectives on Shakesperean criticism, theories of the novel and models of the literary canon. The book will help to define and account for the major developments in literary criticism during this century exploring the full diversity of critical work from major critics such as T S Eliot and F R Leavis to minor but fascinating figures and critical schools. Unlike most guides to modern literary theory, its focus is firmly on developments within the English speaking world.
Author: Anthony J. Cascardi
Publisher: Cambridge University Press
ISBN: 9780521423786
Category : History
Languages : en
Pages : 332
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Book Description
The question of modernity has provoked a vigorous debate in the work of thinkers from Hegel to Habermas. Anthony J. Cascardi offers an historical account of the origins and transformations of the rational subject of self as it is represented in Descartes, Cervantes, Pascal, Hobbes and the Don Juan myth.
Author: Thomas Pfau
Publisher: Routledge
ISBN: 131797865X
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Though traditionally defined as a relatively brief time period - typically the half century of 1780-1830 - the "Romantic era" constitutes a crucial, indeed unique, transitional phase in what has come to be called "modernity," for it was during these fifty years that myriad disciplinary, aesthetic, economic, and political changes long in the making accelerated dramatically. Due in part to the increased velocity of change, though, most of modernity’s essential master-tropes - such as secularization, instrumental reason, individual rights, economic self-interest, emancipation, system, institution, nation, empire, utopia, and "life" - were also subjected to incisive critical and methodological reflection and revaluation. The chapters in this collection argue that Romanticism’s marked ambivalence and resistance to decisive conceptualization arises precisely from the fact that Romantic authors simultaneously extended the project of European modernity while offering Romantic concepts as means for a sustained critical reflection on that very process. Focusing especially on the topics of form (both literary and organic), secularization (and its political correlates, utopia and apocalypse), and the question of how one narrates the arrival of modernity, this collection collectively emphasizes the importance of understanding modernity through the lens of Romanticism, rather than simply understanding Romanticism as part of modernity. This book was previously published as a special issue of European Romantic Review.
Author: Daniel Tiffany
Publisher: JHU Press
ISBN: 1421411458
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Reveals the hidden origins of kitsch in poetry from the eighteenth century. Taking its title from John Keats, My Silver Planet contends that the problem of elite poetry’s relation to popular culture bears the indelible mark of its turbulent incorporation of vernacular poetry—a legacy shaped by nostalgia, contempt, and fraudulence. Daniel Tiffany reactivates and fundamentally redefines the concept of kitsch, freeing it from modernist misapprehension and ridicule, by tracing its origin to poetry’s alienation from the emergent category of literature. Tiffany excavates the forgotten history of poetry’s relation to kitsch, beginning with the exuberant revival of archaic (and often spurious) ballads in Britain in the early eighteenth century. In these controversial events of poetic imposture, Tiffany identifies a submerged pact—in opposition to the bourgeois values of literature—between elite and vernacular poetries. Tiffany argues that the ballad revival—the earliest explicit formation of what we now call popular culture—sparked a perilous but seemingly irresistible flirtation (among elite audiences) with poetic forgery that endures today in the ambiguity of the kitsch artifact: Is it real or fake, art or kitsch? He goes on to trace the genealogy of kitsch in texts ranging from nursery rhymes and poetic melodrama to the lyric commodities of Baudelaire. He scrutinizes the fascist “paradise” inscribed in Ezra Pound’s Cantos as well as the avant-garde poetry of the New York School and its debt to pop and “plastic” art. By exposing and elaborating the historical poetics of kitsch, My Silver Planet transforms our sense of kitsch as a category of material culture.
Author: Jean-Pierre Mileur
Publisher: Univ of Wisconsin Press
ISBN: 9780299124144
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Jean-Pierre Mileur asserts that "the literary tradition, the great tradition of the Romantics, is now being carried on by criticism," and that modern criticism "is a late Romantic literary genre, a distinctive form of the romance." By collapsing the boundaries between the literary and the literary-critical traditions, Mileur embarks on a thought-provoking analysis of literary criticism. Criticism becomes a modern version of the age-old quest romance, and the critic becomes a romantic hero--a brooding figure fraught with self-doubt who strives, like Browning's Childe Roland, despite knowledge of certain failure. The Critical Romance is an exciting intervention in the critical study of criticism, and makes a significant contribution to the study of Romanticism as well.
Author: Alistair Heys
Publisher: Bloomsbury Publishing USA
ISBN: 1441120777
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Here at last is a comprehensive introduction to the career of America's leading intellectual. The Anatomy of Bloom surveys Harold Bloom's life as a literary critic, exploring all of his books in chronological order, to reveal that his work, and especially his classic The Anxiety of Influence, is best understood as an expression of reprobate American Protestantism and yet haunted by a Jewish fascination with the Holocaust. Heys traces Bloom's intellectual development from his formative years spent as a poor second-generation immigrant in the Bronx to his later eminence as an international literary phenomenon. He argues that, as the quintessential living embodiment of the American dream, Bloom's career-path deconstructs the very foundations of American Protestantism.
Author: Wolf Z. Hirst
Publisher: University of Delaware Press
ISBN: 9780874134018
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
This work consists of eight essays selected from papers given at the Twelfth International Byron Symposium. Much of Byron's poetry is examined, but the focus is on the Mysteries and Don Juan. The subjects include the Cain figure, Byron's skepticism, his attitude toward Christianity and religion in general, and his literary use of the Bible.
