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Author:
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ISBN:
Category :
Languages : en
Pages : 728
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 728
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1048
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Author:
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Category : General
Languages : en
Pages : 1112
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Author: Angela Wright
Publisher: Bloomsbury Publishing
ISBN: 1350309370
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
What is the Gothic? Few literary genres have attracted so much praise and critical disdain simultaneously. This Guide returns to the Gothic novel's first wave of popularity, between 1764 and 1820, to explore and analyse the full range of contradictory responses that the Gothic evoked. Angela Wright appraises the key criticism surrounding the Gothic fiction of this period, from 18th century accounts to present-day commentaries. Adopting an easy-to-follow thematic approach, the Guide examines: - Contemporary criticism of the Gothic - The aesthetics of terror and horror - The influence of the French Revolution - Religion, nationalism and the Gothic - The relationship between psychoanalysis and the Gothic - The relationship between gender and the Gothic. Concise and authoritative, this indispensable Guide provides an overview of Gothic criticism and covers the work of a variety of well-known Gothic writers, such as Horace Walpole, Ann Radcliffe, Matthew Lewis and many others.
Author: Queensland. Parliament. Library
Publisher:
ISBN:
Category : Queensland
Languages : en
Pages : 462
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Category : Art
Languages : en
Pages : 1106
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Author: Elizabeth Effinger
Publisher: Anthem Press
ISBN: 1839986018
Category : Literary Criticism
Languages : en
Pages : 171
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Taxidermy and the Gothic: The Horror of Still Life is the first extended study of the Gothic’s collusion with taxidermy. It tells the story of the emergence in the long nineteenth century of the twin golden ages of the Gothic genre and the practice of taxidermy, and their shared rhetorical and narratological strategies, anxieties, and sensibilities. It follows the thread into twentieth- and twenty-first-century culture, including recent horror film, fiction, television, and visual arts to argue that the Gothic and taxidermy are two discursive bodies, stuffed and stitched together. Moving beyond the well-worn path that treats taxidermy as a sentimental art or art of mourning, this book takes readers down a new dark trail, finding an overlooked but rich tradition in the Gothic that aligns it with the affective and corporeal work of horror and the unsettling aesthetics, experiences, and pleasures that come with it. Over the course of four chapters, it argues that in addition to entwined origins, taxidermy’s uncanny appearance in Gothic and horror texts is a driving force in generating fear. For taxidermy embodies the phenomenological horror of stuckness, of being there. In sum, taxidermy’s imbrication with the Gothic is more than skin deep: these are rich discourses stuffed by affinities for corporeal transgressions, the uncanny, and the counterfeit.
Author: John Salkeld
Publisher:
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Category : Booksellers' catalogs
Languages : en
Pages : 26
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Author: Halliday, Bernard, Firm, Booksellers, Leicester, Eng
Publisher:
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Category :
Languages : en
Pages : 948
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Author:
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Category : Bibliography
Languages : en
Pages : 486
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