Liszt's Representation of Instrumental Sounds on the Piano

Liszt's Representation of Instrumental Sounds on the Piano PDF Author: Hyun Joo Kim
Publisher:
ISBN: 1580469469
Category : Art
Languages : en
Pages : 240

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Book Description
Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.

Liszt's Representation of Instrumental Sounds on the Piano

Liszt's Representation of Instrumental Sounds on the Piano PDF Author: Hyun Joo Kim
Publisher:
ISBN: 1580469469
Category : Art
Languages : en
Pages : 240

Get Book Here

Book Description
Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.

Liszt and Virtuosity

Liszt and Virtuosity PDF Author: Robert Doran
Publisher: Boydell & Brewer
ISBN: 1580469396
Category : Biography & Autobiography
Languages : en
Pages : 447

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Book Description
A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.

Piano-playing Revisited

Piano-playing Revisited PDF Author: David Breitman
Publisher: Boydell & Brewer
ISBN: 1648250106
Category : MUSIC
Languages : en
Pages : 229

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Book Description
A guide, linked to an online suite of video examples, to how historical instruments influenced the composers of keyboard music, and a way to look at their scores with fresh eyes and ears.

Intertextuality in Music

Intertextuality in Music PDF Author: Violetta Kostka
Publisher: Routledge
ISBN: 1000397327
Category : Music
Languages : en
Pages : 233

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Book Description
The concept of intertextuality – namely, the meaning generated by interrelations between different texts – was coined in the 1960s among literary theorists and has been widely applied since then to many other disciplines, including music. Intertextuality in Music: Dialogic Composition provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals. Intertextual techniques, as this collection reveals, have borne a wide range of results, such as parody, paraphrase, collage and dialogues with and between the past and present. In the age of sampling and remix culture, the very notion of intertextuality seems to have gained increased momentum and visibility, even though the principle of creating new music on the basis of pre-existing music has a long history both inside and outside the Western tradition. The book provides a general survey of musical intertextuality, with a special focus on music from the second half of the twentieth century, but also including examples ranging from the nineteenth century to the second decade of the twenty-first century. The volume is intended to inspire and stimulate new work in intertextual studies in music.

The Music of Leos Janácek

The Music of Leos Janácek PDF Author: Zdenek Skoumal
Publisher: Boydell & Brewer
ISBN: 1580469949
Category : Biography & Autobiography
Languages : en
Pages : 305

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Book Description
The first thorough theoretical study of Janácek's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest.

Narrative and Robert Schumann's Songs

Narrative and Robert Schumann's Songs PDF Author: Andrew H. Weaver
Publisher: Boydell & Brewer
ISBN: 1648250890
Category : Literary Criticism
Languages : en
Pages : 309

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Book Description
Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singer and pianist together function as a narrator, Andrew Weaver's groundbreaking study proposes a comprehensive theory of narratology for the German Romantic Lied and song cycle, using Schumann's complete song oeuvre as the test case. The theory, grounded in the work of narratologist Mieke Bal but also drawing upon recent work in literary theory and musicology, illuminates how music can open up new meanings for the poem, as well as how a narratological analysis of the poem can help us understand the music. Weaver's book offers new insights into Schumann's Lieder and the poetry he set while simultaneously proposing a methodology applicable to the analysis and interpretation of a wide range of works, including not only the rich treasury of German Lieder but also potentially any genre of accompanied song in any language from the Middle Ages to the present day.

Franz Liszt’s Songs for Voice and Piano

Franz Liszt’s Songs for Voice and Piano PDF Author: Małgorzata Gamrat
Publisher: BRILL
ISBN: 9004548866
Category : Biography & Autobiography
Languages : en
Pages : 404

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Book Description
How does a Romantic composer approach the poetry he sets: as raw material to be remade, a pretext for self-expression, a sanctified artefact, or a message to be illustrated with music? In my book, I examine Franz Liszt’s songs for voice and piano, which remain little known to scholars, artists, and music lovers alike. The objective is to present Liszt’s songs in all their complexity and diversity as well as identifying the key elements of the composer’s broadly understood song-writing technique – both those that make him unique and those that relate him to the European tradition. This approach also makes it possible to shed light on a major though previously neglected aspect of the composer’s workshop, namely, his work with the poetic text, which to Liszt was just as important as the musical setting.

The Cambridge Companion to Liszt

The Cambridge Companion to Liszt PDF Author: Kenneth Hamilton
Publisher: Cambridge University Press
ISBN: 1139825755
Category : Music
Languages : en
Pages : 367

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Book Description
This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.

The Spectral Piano

The Spectral Piano PDF Author: Marilyn Nonken
Publisher: Cambridge University Press
ISBN: 1107018544
Category : Music
Languages : en
Pages : 209

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Book Description
Marilyn Nonken finds precedent in the works of pianist-composers Liszt, Scriabin and Debussy for spectral attitudes towards the musical experience.

Music in the Nineteenth Century

Music in the Nineteenth Century PDF Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0199796025
Category : Music
Languages : en
Pages : 840

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Book Description
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. In Music in the Nineteenth Century , Richard Taruskin offers a panoramic tour of this magnificent century in the history music. Major themes addressed in this book include the romantic transformation of opera, Franz Schubert and the German lied, the rise of virtuosos such as Paganini and Liszt, the twin giants of nineteenth-century opera, Richard Wagner and Giuseppe Verdi, the lyric dramas of Bizet and Puccini, and the revival of the symphony by Brahms. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.