Liszt's Representation of Instrumental Sounds on the Piano PDF Download
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Author: Hyun Joo Kim
Publisher:
ISBN: 1580469469
Category : Art
Languages : en
Pages : 240
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Book Description
Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.
Author: Hyun Joo Kim
Publisher:
ISBN: 1580469469
Category : Art
Languages : en
Pages : 240
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Book Description
Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.
Author: Robert Doran
Publisher: Boydell & Brewer
ISBN: 1580469396
Category : Biography & Autobiography
Languages : en
Pages : 447
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Book Description
A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.
Author: David Breitman
Publisher: Boydell & Brewer
ISBN: 1648250106
Category : Music
Languages : en
Pages : 229
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Book Description
Preface -- Acknowledgements -- 1. Music making then and now -- 2. With broad strokes (an overview) -- 3. The early days of piano: Haydn and Mozart -- 4. Beethoven and the evolving piano -- 5. Schubert -- 6. Chopin -- 7. The clavichord -- Epilogue: creativity in the performance of old music -- Appendix: overtone structure of the Steinway and Waler, compared -- Glossary of terms -- Notes -- Bibliography -- Index of works -- General index.
Author: Andrew H. Weaver
Publisher: Boydell & Brewer
ISBN: 1648250890
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singer and pianist together function as a narrator, Andrew Weaver's groundbreaking study proposes a comprehensive theory of narratology for the German Romantic Lied and song cycle, using Schumann's complete song oeuvre as the test case. The theory, grounded in the work of narratologist Mieke Bal but also drawing upon recent work in literary theory and musicology, illuminates how music can open up new meanings for the poem, as well as how a narratological analysis of the poem can help us understand the music. Weaver's book offers new insights into Schumann's Lieder and the poetry he set while simultaneously proposing a methodology applicable to the analysis and interpretation of a wide range of works, including not only the rich treasury of German Lieder but also potentially any genre of accompanied song in any language from the Middle Ages to the present day.
Author: Violetta Kostka
Publisher: Routledge
ISBN: 1000397327
Category : Music
Languages : en
Pages : 241
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Book Description
The concept of intertextuality – namely, the meaning generated by interrelations between different texts – was coined in the 1960s among literary theorists and has been widely applied since then to many other disciplines, including music. Intertextuality in Music: Dialogic Composition provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals. Intertextual techniques, as this collection reveals, have borne a wide range of results, such as parody, paraphrase, collage and dialogues with and between the past and present. In the age of sampling and remix culture, the very notion of intertextuality seems to have gained increased momentum and visibility, even though the principle of creating new music on the basis of pre-existing music has a long history both inside and outside the Western tradition. The book provides a general survey of musical intertextuality, with a special focus on music from the second half of the twentieth century, but also including examples ranging from the nineteenth century to the second decade of the twenty-first century. The volume is intended to inspire and stimulate new work in intertextual studies in music.
Author: Zdenek Skoumal
Publisher: Boydell & Brewer
ISBN: 1580469949
Category : Biography & Autobiography
Languages : en
Pages : 305
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Book Description
The first thorough theoretical study of Janácek's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest.
Author: Marilyn Nonken
Publisher: Cambridge University Press
ISBN: 1107018544
Category : Music
Languages : en
Pages : 209
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Book Description
Marilyn Nonken finds precedent in the works of pianist-composers Liszt, Scriabin and Debussy for spectral attitudes towards the musical experience.
Author: Joshua S. Walden
Publisher: Cambridge University Press
ISBN: 110702157X
Category : Music
Languages : en
Pages : 333
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Book Description
This volume assembles leading scholars to provide a comprehensive study of representation in music from the nineteenth century to today.
Author: Joanne Cormac
Publisher: Cambridge University Press
ISBN: 1107181410
Category : Music
Languages : en
Pages : 381
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Book Description
A fresh evaluation of Liszt's symphonic poems, based on contextual, philosophical and musical evidence.
Author: Inge Van Rij
Publisher:
ISBN: 9781316252871
Category : Orchestral music
Languages : en
Pages : 372
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Book Description
Inge van Rij's book demonstrates how Berlioz used the sights and sounds of the orchestra to explore other worlds.
