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Author: William Nelson Bartholomew
Publisher:
ISBN:
Category : Perspective
Languages : en
Pages : 68
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Book Description
Author: William Nelson Bartholomew
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 76
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Book Description
Author: William Newton Bartholomew
Publisher:
ISBN:
Category : Perspective
Languages : en
Pages : 64
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Book Description
Author: Homer E Woodbridge
Publisher: Legare Street Press
ISBN: 9781020043543
Category :
Languages : en
Pages : 0
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Book Description
This is an instructional book on the principles of perspective drawing. The authors provide an overview of the history and theory of perspective, as well as practical advice on how to apply these principles in drawing and painting. The book includes numerous examples and illustrations that help to clarify the concepts presented. This book is an essential guide for anyone interested in learning or teaching perspective drawing. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: M. Bartholomew
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544118017
Category :
Languages : en
Pages : 64
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Book Description
From the PREFACE. It is a matter well known to all who have given attention to the subject, that a very general and strongly-marked increase of interest has been manifested in the study of Drawing within a few years past in the United States. The time has come when some practical knowledge of drawing is getting to be generally recognized by the public as an essential part of every thorough system of education. Drawing is now very generally taught both in our public and private schools. There is, however, no branch of the art more worthy of attention than that which forms the subject of this work, and there is none which receives so little. The ambition to have something to show, or the desire to make something pretty, misleads multitudes from a proper and systematic course of instruction. Those fundamental principles which lie at the basis of the art, and which teach us how we may accurately represent the forms and proportions of objects, are entirely overlooked. Weeks, and oftentimes months, are spent in copying, line for line, and dot for dot, some old ruin, and its usual accompaniments. The whole field of Art, save that which relates to color, is run over without the knowledge of a single principle involved. Those who have attempted the study, have, in most instances, spent their time in learning to copy the characters used in the expression of ideas, instead of studying the principles of the art. They have spent their time in pursuing the shadow, to the neglect of the substance. It has been the aim of the author, in preparing this work, to furnish the young with a text-book designed to impart a practical knowledge of the art of making truthful pictures of objects. We have aimed to place the subject within the reach of the boy of twelve years, and, in doing this, have studied to avoid the error into which many have fallen in their efforts to make the subject easy of comprehension - that of superficiality. This work differs from all others with which we are acquainted in one or more of the following particulars: - It contains a full explanation of first principles. No principle is used in the explanation of another, which has not itself been explained. The problems given are of a practical character. The method of sketching objects is explained in connection with the method of determining their perspectives by means of vanishing points. In determining the perspectives of objects, a reason is given why every line is drawn as it is. All explanations are as concise as possible, and in language that all may understand. At the close of the book may be found a series of questions.
Author: William Nelson Bartholomew
Publisher: Forgotten Books
ISBN: 9780282585501
Category : Mathematics
Languages : en
Pages : 72
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Book Description
Excerpt from Linear Perspective Explained In drawing diagrams, the pencil should have a fine, delicate point, and the wood of the pencil should be scarfed back at least three fourths Of an inch from the point. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: David Drazil
Publisher:
ISBN: 9788090762800
Category : Architecture
Languages : en
Pages : 82
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Book Description
Master the basics of architectural sketching with this proven 6-step framework: 01/Lines & 2D Objects 02/Basic Perspective Rules 03/Shadows, Textures & Materiality 04/Populating Your Sketch 05/Adding Vegetation 06/Awesome Perspective Sketch This book also includes 40+ specific tips & tricks, 15 worksheets, and countless finished sketches.
Author: Jessica Newman
Publisher:
ISBN: 9780132574945
Category : Design
Languages : en
Pages : 0
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Book Description
For all first perspective drawing courses at the Freshman/Sophomore level for majors including Interior Design, Graphic Design, Game Art, Animation, and Industrial Design; and for all courses in Interior Design Perspective, Sketch, and/or Presentation. This book will also be useful in high school courses for students pursuing careers in the Applied Arts. This book helps students learn how to draw quickly and believably by mastering practical techniques for perspective drawing and estimating scale and proportion. Drawing on extensive experience teaching beginners, the authors overcome many limitations of previous books. Rather than featuring professional work that beginners can't possibly duplicate, they show examples of student drawings, helping students gain confidence and gauge their progress. Avoiding unnecessary theory, math, and jargon, they help students develop an intuitive sense of scale and proportion for creating believable perspectives, and offer valuable tricks and shortcuts throughout. In place of lengthy narratives, they support each lesson with supporting video walking through key techniques. The authors also devote lessons to SketchUp (for blocking out perspectives) and Photoshop (for enhancing sketches). This is the Stand Alone text. The text is available for purchase with MyInteriorDesignKit! MyInteriorDesignKit is an online supplement that offers book specific resources including flashcards, study aids, images, projects and additional material not found in the book. The package containing both this text and MIDK is ISBN: 0133012050. If you wish to purchase access to MyInteriorDesignKit stand alone, go to the site and click on BUY ACCESS next to the text in use.
Author: William Nelson Bartholomew
Publisher: Palala Press
ISBN: 9781343152601
Category :
Languages : en
Pages : 66
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Michael Kubovy
Publisher: CUP Archive
ISBN: 9780521368490
Category : Art
Languages : en
Pages : 212
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Book Description
Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achieve subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new theory to explain why Renaissance artists such as Leonardo and Mantegna used perspective in unorthodox ways which have puzzled art scholars. This theory illuminates the author's broader consideration of the evolution of art: the book proposes a resolution of the debate between those who believe that the invention/discovery of perspective is a stage in the steady progress of art and those who believe that perspective is merely a conventional and arbitrary system for the representation of space.
Author: Rex Vicat Cole
Publisher: Courier Corporation
ISBN: 0486134547
Category : Art
Languages : en
Pages : 287
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Book Description
Depth, perspective of sky and sea, shadows, much more, not usually covered. 391 diagrams, 81 reproductions of drawings and paintings.