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Author: Ilja Van Damme
Publisher: University of Toronto Press
ISBN: 1487537956
Category : Architecture
Languages : en
Pages : 310
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Book Description
Looking at suburbs as places of creativity gives rise to novel and thought-provoking narratives that typically run counter to the idea that suburbs are sites of "ordinary," "mundane," and "everyday" practices. Far from being geographies of "nowhere" – dull, materialistic, and monotone – suburbs are unpacked as being heterogeneous and historically layered places of living, work, and creation. Situating creativity in place and time, Creativity from Suburban Nowheres displaces mainstream understandings of creativity and widespread stereotypes commonly associated with the suburbs. Contributors explore the particular forms of creativity that suburbs elicit both in the process of their making, materialization, and community construction, and in the myriad ways in which suburbs are inhabited and experienced. They highlight accounts of suburbs as places that give people the space and latitude to shape individual and collective identities through creative practices at odds with mainstream culture, and often remote from the classic agglomeration "assets" associated with inner cities. Anchored in historical and geographical research, this volume highlights how and in what forms creativity should be understood in the suburbs, why and when creativity can be found, and how the notion of suburban creativity overthrows ingrained and dominant normative viewpoints. Rather than seeing creativity arise despite its suburban location, Creativity from Suburban Nowheres illuminates the emancipatory potential of suburbs for creativity.
Author: Ilja Van Damme
Publisher: University of Toronto Press
ISBN: 1487537956
Category : Architecture
Languages : en
Pages : 310
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Book Description
Looking at suburbs as places of creativity gives rise to novel and thought-provoking narratives that typically run counter to the idea that suburbs are sites of "ordinary," "mundane," and "everyday" practices. Far from being geographies of "nowhere" – dull, materialistic, and monotone – suburbs are unpacked as being heterogeneous and historically layered places of living, work, and creation. Situating creativity in place and time, Creativity from Suburban Nowheres displaces mainstream understandings of creativity and widespread stereotypes commonly associated with the suburbs. Contributors explore the particular forms of creativity that suburbs elicit both in the process of their making, materialization, and community construction, and in the myriad ways in which suburbs are inhabited and experienced. They highlight accounts of suburbs as places that give people the space and latitude to shape individual and collective identities through creative practices at odds with mainstream culture, and often remote from the classic agglomeration "assets" associated with inner cities. Anchored in historical and geographical research, this volume highlights how and in what forms creativity should be understood in the suburbs, why and when creativity can be found, and how the notion of suburban creativity overthrows ingrained and dominant normative viewpoints. Rather than seeing creativity arise despite its suburban location, Creativity from Suburban Nowheres illuminates the emancipatory potential of suburbs for creativity.
Author: Charles Green
Publisher: Taylor & Francis
ISBN: 1040144969
Category : Art
Languages : en
Pages : 345
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Book Description
This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art from 1962, the date of publication of a foundational book, Australian Painting 1788–1960, up to 1988, the year of the Australian Bicentennial. Across nine chapters about art, exhibitions, curators and critics, this book describes the shift from modern art to contemporary art through the successive attempts to define a place in the world for Australian art. But by 1988, Australian art looked less and less like a viable tradition inside which to interpret ‘our’ art. Instead, vast gaps appeared, since mostly male and often older White writers had limited their horizons to White Australia alone. National stories by White men, like borders, had less and less explanatory value. Underneath this, a perplexing subject remained: the absence of Aboriginal art in understanding what Australian art was during the period that established the idea of a distinctive Australian modern and then contemporary art. This book reflects on why the embrace of Aboriginal art was so late in art museums and histories of Australian art, arguing that this was because it was not part of a national story dominated by colonial, then neo-colonial dependency. It is important reading for all scholars of both global and Australian art, and for curators and artists.
Author: Claire Roberts
Publisher: Text Publishing
ISBN: 1922253847
Category : Biography & Autobiography
Languages : en
Pages : 601
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Book Description
A self-portrait by one of Australia’s greatest artists, a man mistakenly portrayed as a hermit
Author: Dylan Hyde
Publisher: Fremantle Press
ISBN: 1925815900
Category : History
Languages : en
Pages : 485
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Book Description
The politics, art and culture of Perth's Workers Art Guildare detailed in this comprehensive history, as well as the personal andprofessional lives of some of the movement's key figures.The Workers' Art Guild was a left-leaning political force andinfluential cultural movement of the 1930s and 1940s in Perth. Policeand intelligence arms kept close tabs on the Guild and its members,jailing some and intimidating many others prior to and during theperiod of the banning of the Communist Party in Australia.The book covers the personal and professional lives of key figuressuch as writer Katharine Susannah Prichard and theatre maverickKeith George, while charting the influence of the Communist Party onWestern Australian artists.
Author: Kirsten Strom
Publisher: Taylor & Francis
ISBN: 1000735931
Category : Art
Languages : en
Pages : 516
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Book Description
This book provides a conceptual and global overview of the field of Surrealist studies. Methodologically, the companion considers Surrealism’s many achievements, but also its historical shortcomings, to illuminate its connections to the historical and cultural moment(s) from which it originated and to assess both the ways in which it still shapes our world in inspiring ways and the ways in which it might appear problematic as we look back at it from a twenty-first-century vantage point. Contributions from experienced scholars will enable professors to teach the subject more broadly, by opening their eyes to aspects of the field that are on the margins of their expertise, and it will enable scholars to identify new areas of study in their own work, by indicating lines of research at a tangent to their own. The companion will reflect the interdisciplinarity of Surrealism by incorporating discussions pertaining to the visual arts, as well as literature, film, and political and intellectual history.
Author: Peter Simpson
Publisher: Auckland University Press
ISBN: 1775588548
Category : Biography & Autobiography
Languages : en
Pages : 680
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Book Description
For two decades in Christchurch, New Zealand, a cast of extraordinary men and women remade the arts. Variously between 1933 and 1953, Christchurch was the home of Angus and Bensemann and McCahon, Curnow and Glover and Baxter, the Group, the Caxton Press and the Little Theatre, Landfall and Tomorrow, Ngaio Marsh and Douglas Lilburn. It was a city in which painters lived with writers, writers promoted musicians, in which the arts and artists from different forms were deeply intertwined. And it was a city where artists developed a powerful synthesis of European modernist influences and an assertive New Zealand nationalism that gave mid-century New Zealand cultural life its particular shape. In this book, Simpson tells the remarkable story of the rise and fall of this ‘Bloomsbury South' and the arts and artists that made it. Simpson brings to life the individual talents and their passions, but he also takes us inside the scenes that they created together: Bethell and her visiting coterie of younger poets; Glover and Bensemann's exacting typography at the Caxton Press; the yearly exhibitions and aesthetic clashes of the Group; McCahon and Baxter's developing friendship; the effects of Brasch's patronage; Marsh's Shakespearian re-creations at the Little Theatre. Simpson re-creates a Christchurch we have lost, where a group of artists collaborated to create a distinctively New Zealand art which spoke to the condition of their country as it emerged into the modern era.
Author: Leonard Bell
Publisher: Auckland University Press
ISBN: 1775589552
Category : History
Languages : en
Pages : 663
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Book Description
"None of us had the faintest idea where we were going [but] during 1938–39 . . . the town [Christchurch] was made strangely interesting for anyone like myself, [with the] scattered arrival of ‘the refugees'. All at once there were people among us who were actually from Vienna, or Chemnitz, or Berlin . . . who knew the work of Schoenberg and Gropius." —Anthony Alpers, 1985 From the 1930s through the 1950s, a substantial number of forced migrants – refugees from Nazism, displaced people after World War II and escapees from Communist countries – arrived in New Zealand from Europe. Among them were an extraordinary group of artists and writers, photographers and architects whose European modernism radically reshaped the arts in this country. In words and pictures, Strangers Arrive tells their story. Ranging across the arts from photographer Irene Koppel to art dealer and printmaker Kees Hos, architect Imric Porsolt to writer Antigone Kefala, Leonard Bell takes us inside New Zealand's bookstores and coffeehouses, studios and galleries to introduce us to a compelling body of artistic work. He asks key questions. How were migrants received by New Zealanders? How did displacement and settlement in New Zealand transform their work? How did the arrival of European modernists intersect with the burgeoning nationalist movement in the arts in New Zealand? Strangers Arrive introduces us to a talented group of ‘aliens' who were critical catalysts for change in New Zealand culture.
Author: Sue Ebury
Publisher: The Miegunyah Press
ISBN: 0522855466
Category : Biography & Autobiography
Languages : en
Pages : 643
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Book Description
When Kenneth Baillieu Myer's father fell dead on the footpath in 1934, Ken's life changed in an instant. As the eldest son of the Jewish immigrant retailing genius, Sidney Baevski Myer, who went from pedlar to philanthropist millionaire in fifteen years, 13-year-old Ken was immediately acknowledged as head of the family. Despite a conventional education at Geelong Grammar and a year at Princeton University, Ken was an unconventional man. He had hit headlines when he was born and continued to make news throughout his life-as the powerful Executive Chairman of Myer; in his refusal to be Governor-General of Australia; with his separation and divorce from his wife Prue and remarriage to a Japanese woman half his age, Yasuko Hiraoka; as Chairman of the Victorian Arts Centre and the National Library of Australia; and during his disastrous years as Chairman of the ABC-a reward for signing the 'Myer It's time' letter, acknowledged by Whitlam as influential in bringing the Labor Party to power in 1972. Ken Myer introduced Australia to the first regional shopping centres, with Chadstone changing the face of the Australian landscape. Parking meters, state of the art information systems at the National Library of Australia, ground-breaking medical research at The Howard Florey Institute and genetic engineering at CSIRO were all facilitated by him. Visionary and romantic, he was depressive and driven, charming one moment, icy the next. Unpretentious and a passionate conservationist, he was generous both publicly and anonymously, giving away his fortune and in doing so founding modern philanthropy in Australia. Happiest when finally free of the Store, he died with his wife Yasuko in a light plane crash in Alaska in 1992. With unprecedented access to family documents, Sue Ebury paints a vivid portrait of the many aspects of Ken Myer's life, and the man himself.
Author: National Library of Australia
Publisher: National Library Australia
ISBN: 9780642107305
Category : Acquisitions (Libraries)
Languages : en
Pages : 308
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Book Description
Author: Ian Fairweather
Publisher: Fine Art Publishing
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Catalogue of Fairweather Exhibition 1994.
