Author: Amy Bauer
Publisher: Routledge
ISBN: 1351560190
Category : Music
Languages : en
Pages : 358
Book Description
When the Hungarian composer Gy?rgy Ligeti passed away in June 2006, he was widely feted as being one of the greatest composers of our time. His complete published works were recorded during his lifetime and his music continues to inspire a steady stream of performances and scholarship. Ligeti's Laments provides a critical analysis of the composer's works, considering both the compositions themselves and the larger cultural implications of their reception. Bauer both synthesizes and challenges the prevailing narratives surrounding the composer's long career and uses the theme of lament to inform a discussion of specific musical topics, including descending melodic motives, passacaglia and the influence of folk music. But Ligeti 'laments' in a larger sense; his music fuses rigour and sensuality, tradition and the new and influences from disparate high and low cultures, with a certain critical and ironic distance, reflected in his spoken commentary as well as in the substance of his music. The notions of nostalgia, exoticism and the absolute are used to relate works of different eras and genres, along with associated concepts of allegory, melancholy, contemporary subjectivity and the voice.
"Ligeti's Laments: Nostalgia, Exoticism, and the Absolute "
György Ligeti's Cultural Identities
Author: Amy Bauer
Publisher: Routledge
ISBN: 1317105109
Category : Music
Languages : en
Pages : 289
Book Description
Since György Ligeti’s death in 2006, there has been a growing acknowledgement of how central he was to the late twentieth-century cultural landscape. This collection is the first book devoted to exploring the composer’s life and music within the context of his East European roots, revealing his dual identities as both Hungarian national and cosmopolitan modernist. Contributors explore the artistic and socio-cultural contexts of Ligeti’s early works, including composition and music theory, the influence of East European folk music, notions of home and identity, his ambivalent attitude to his Hungarian past and his references to his homeland in his later music. Many of the valuable insights offered profit from new research undertaken at the Paul Sacher Foundation, Basel, while also drawing on the knowledge of long-time associates such as the composer’s assistant, Louise Duchesneau. The contributions as a whole reveal Ligeti’s thoroughly cosmopolitan milieu and values, and illuminate why his music continues to inspire new generations of performers, composers and listeners.
Publisher: Routledge
ISBN: 1317105109
Category : Music
Languages : en
Pages : 289
Book Description
Since György Ligeti’s death in 2006, there has been a growing acknowledgement of how central he was to the late twentieth-century cultural landscape. This collection is the first book devoted to exploring the composer’s life and music within the context of his East European roots, revealing his dual identities as both Hungarian national and cosmopolitan modernist. Contributors explore the artistic and socio-cultural contexts of Ligeti’s early works, including composition and music theory, the influence of East European folk music, notions of home and identity, his ambivalent attitude to his Hungarian past and his references to his homeland in his later music. Many of the valuable insights offered profit from new research undertaken at the Paul Sacher Foundation, Basel, while also drawing on the knowledge of long-time associates such as the composer’s assistant, Louise Duchesneau. The contributions as a whole reveal Ligeti’s thoroughly cosmopolitan milieu and values, and illuminate why his music continues to inspire new generations of performers, composers and listeners.
György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque
Author: Peter Edwards
Publisher: Routledge
ISBN: 1315531283
Category : Music
Languages : en
Pages : 175
Book Description
György Ligeti’s Le Grand Macabre (1974–77, revised 1996) has consolidated its position as one of the major operatic works of the twentieth century. Few operas composed since the 1970s have received such numerous productions, bringing the eclectic score to a global audience. Famously dubbed by Ligeti as an ‘anti-anti-opera’, the piece is a highly ambiguous, apocalyptic fable about the human condition, fear of death and the final judgement. As the first book in English solely dedicated to discussion of this work, György Ligeti’s Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque offers new perspectives on the opera’s musico-dramatic identity in the context of musical postmodernism. Peter Edwards draws on a range of modernist and postmodernist theories to explore the collision of past styles and genre models in the opera, its expressive states and its engagement with the grotesque. This is ably supported by musical analysis and extensive study of Ligeti’s sketch materials held at the Paul Sacher Foundation in Basel. Edwards’s analyses culminate in a new approach to examining the opera’s rich multiplicities, the composition of the musical material and the nature of Ligeti’s relationship with the musical past. This is a key reference work in the fields of musical modernism and postmodernism, opera studies and the music of Ligeti.
Publisher: Routledge
ISBN: 1315531283
Category : Music
Languages : en
Pages : 175
Book Description
György Ligeti’s Le Grand Macabre (1974–77, revised 1996) has consolidated its position as one of the major operatic works of the twentieth century. Few operas composed since the 1970s have received such numerous productions, bringing the eclectic score to a global audience. Famously dubbed by Ligeti as an ‘anti-anti-opera’, the piece is a highly ambiguous, apocalyptic fable about the human condition, fear of death and the final judgement. As the first book in English solely dedicated to discussion of this work, György Ligeti’s Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque offers new perspectives on the opera’s musico-dramatic identity in the context of musical postmodernism. Peter Edwards draws on a range of modernist and postmodernist theories to explore the collision of past styles and genre models in the opera, its expressive states and its engagement with the grotesque. This is ably supported by musical analysis and extensive study of Ligeti’s sketch materials held at the Paul Sacher Foundation in Basel. Edwards’s analyses culminate in a new approach to examining the opera’s rich multiplicities, the composition of the musical material and the nature of Ligeti’s relationship with the musical past. This is a key reference work in the fields of musical modernism and postmodernism, opera studies and the music of Ligeti.
György Ligeti's Cultural Identities
Author: Amy Bauer
Publisher: Routledge
ISBN: 1317105095
Category : Music
Languages : en
Pages : 289
Book Description
Since György Ligeti’s death in 2006, there has been a growing acknowledgement of how central he was to the late twentieth-century cultural landscape. This collection is the first book devoted to exploring the composer’s life and music within the context of his East European roots, revealing his dual identities as both Hungarian national and cosmopolitan modernist. Contributors explore the artistic and socio-cultural contexts of Ligeti’s early works, including composition and music theory, the influence of East European folk music, notions of home and identity, his ambivalent attitude to his Hungarian past and his references to his homeland in his later music. Many of the valuable insights offered profit from new research undertaken at the Paul Sacher Foundation, Basel, while also drawing on the knowledge of long-time associates such as the composer’s assistant, Louise Duchesneau. The contributions as a whole reveal Ligeti’s thoroughly cosmopolitan milieu and values, and illuminate why his music continues to inspire new generations of performers, composers and listeners.
Publisher: Routledge
ISBN: 1317105095
Category : Music
Languages : en
Pages : 289
Book Description
Since György Ligeti’s death in 2006, there has been a growing acknowledgement of how central he was to the late twentieth-century cultural landscape. This collection is the first book devoted to exploring the composer’s life and music within the context of his East European roots, revealing his dual identities as both Hungarian national and cosmopolitan modernist. Contributors explore the artistic and socio-cultural contexts of Ligeti’s early works, including composition and music theory, the influence of East European folk music, notions of home and identity, his ambivalent attitude to his Hungarian past and his references to his homeland in his later music. Many of the valuable insights offered profit from new research undertaken at the Paul Sacher Foundation, Basel, while also drawing on the knowledge of long-time associates such as the composer’s assistant, Louise Duchesneau. The contributions as a whole reveal Ligeti’s thoroughly cosmopolitan milieu and values, and illuminate why his music continues to inspire new generations of performers, composers and listeners.
Gyorgy Ligeti
Author: Richard Toop
Publisher: Phaidon
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
A study of the influential Hungarian composer, teacher and mentor.
Publisher: Phaidon
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
A study of the influential Hungarian composer, teacher and mentor.
Intégral
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 210
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 210
Book Description
Ligeti's Laments
Author: Amy Marie Bauer
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409400417
Category : Music
Languages : en
Pages : 256
Book Description
Kritische analyse van het werk en de composities van de Hongaars-Oostenrijkse componist (1923-2006).
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409400417
Category : Music
Languages : en
Pages : 256
Book Description
Kritische analyse van het werk en de composities van de Hongaars-Oostenrijkse componist (1923-2006).
The Rest Is Noise
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Gyorgy Ligeti
Author: Robert Richart
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 226
Book Description
Richart's bio-bibliography is a most welcome addition to the literature. For the first time, Richart has made available a comprehensive bibliography, discography, and up-to-date worklist. Ligeti's writings, writings about Ligeti, and reviews and analyses of his works, mainly after his 1956 flight from Hungary to the West, are listed and annotated. . . . Richart's short, concise biography is informative and well written. . . . Highly recommended for public, college, and university libraries with music collections. Choice Gyorgy Ligeti is one of the most significant of contemporary composers. Most often described as innovative, he has been able to combine beauty and emotional meaning with that innovation. This bio-bibliography describes rather than evaluates the considerable body of writings by and about Ligeti. The book is divided into four sections: biography, worklist, discography, and bibliography. The biography is a brief survey designed to acquaint the reader, if necessary, with the basic and widely available facts of Ligeti's life. The bibliography is divided into two parts: writings by Ligeti and writings about him. The largest section in the latter part consists of concert and record reviews. Cross references link all items dealing with each individual music work. An appendix lists, in chronological order, all of the concerts devoted entirely to works by Ligeti. Writings listed in the bibliography are dated from the 1940s onward. The bulk of the material was written after Ligeti's flight to the west in 1956. This first book-length work on Gyorgy Ligeti will be welcomed by music scholars.
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 226
Book Description
Richart's bio-bibliography is a most welcome addition to the literature. For the first time, Richart has made available a comprehensive bibliography, discography, and up-to-date worklist. Ligeti's writings, writings about Ligeti, and reviews and analyses of his works, mainly after his 1956 flight from Hungary to the West, are listed and annotated. . . . Richart's short, concise biography is informative and well written. . . . Highly recommended for public, college, and university libraries with music collections. Choice Gyorgy Ligeti is one of the most significant of contemporary composers. Most often described as innovative, he has been able to combine beauty and emotional meaning with that innovation. This bio-bibliography describes rather than evaluates the considerable body of writings by and about Ligeti. The book is divided into four sections: biography, worklist, discography, and bibliography. The biography is a brief survey designed to acquaint the reader, if necessary, with the basic and widely available facts of Ligeti's life. The bibliography is divided into two parts: writings by Ligeti and writings about him. The largest section in the latter part consists of concert and record reviews. Cross references link all items dealing with each individual music work. An appendix lists, in chronological order, all of the concerts devoted entirely to works by Ligeti. Writings listed in the bibliography are dated from the 1940s onward. The bulk of the material was written after Ligeti's flight to the west in 1956. This first book-length work on Gyorgy Ligeti will be welcomed by music scholars.
A Short Guide to Writing about Music
Author: Jonathan Bellman
Publisher: Longman Publishing Group
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 204
Book Description
Written in a clear and conversational style, A Short Guide to Writing About Music examines a wide range of writing assignments for music courses at all levels of the undergraduate curriculum. Employing a variety of writing samples as a means to illustrate effective writing, this brief and inexpensive text teaches writers how to deftly research and write about music.
Publisher: Longman Publishing Group
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 204
Book Description
Written in a clear and conversational style, A Short Guide to Writing About Music examines a wide range of writing assignments for music courses at all levels of the undergraduate curriculum. Employing a variety of writing samples as a means to illustrate effective writing, this brief and inexpensive text teaches writers how to deftly research and write about music.