Author: William Rounseville Alger
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
Book Description
Life of Edwin Forrest, the American Tragedian
Author: William Rounseville Alger
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
Book Description
Life of Edwin Forrest, the American Tragedian
Author: William Rounseville Alger
Publisher:
ISBN:
Category :
Languages : en
Pages : 864
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 864
Book Description
Life of Edwin Forrest, the American Tragedian
Author: Horatio Alger
Publisher: BoD – Books on Demand
ISBN: 3368911015
Category : Fiction
Languages : en
Pages : 317
Book Description
Reproduction of the original.
Publisher: BoD – Books on Demand
ISBN: 3368911015
Category : Fiction
Languages : en
Pages : 317
Book Description
Reproduction of the original.
Life of Edwin Forrest, the American Tragedian
Author: William Rounseville Alger
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
Book Description
Biography by Americans, 1658-1936
Author: Edward H. O'Neill
Publisher: University of Pennsylvania Press
ISBN: 1512804940
Category : Reference
Languages : en
Pages : 478
Book Description
This volume is the most comprehensive bibliography of purely biographical material written by Americans. It covers every possible field of life but, by design, excludes autobiographies, diaries, and journals.
Publisher: University of Pennsylvania Press
ISBN: 1512804940
Category : Reference
Languages : en
Pages : 478
Book Description
This volume is the most comprehensive bibliography of purely biographical material written by Americans. It covers every possible field of life but, by design, excludes autobiographies, diaries, and journals.
Rome and America
Author: Dean Hammer
Publisher: Cambridge University Press
ISBN: 1009249606
Category : History
Languages : en
Pages : 265
Book Description
"This Roman polish, and this smooth behaviour, That render man thus tractable and tame? Are they not only to disguise our passions, To set our looks at variance with our thoughts, To check the starts and sallies of the soul, And break off all its commerce with the tongue; In short, to change us into other creatures, Than what our nature and the gods designed us? (Joseph Addison, Cato: A Tragedy, I, 4, 40-47) What have we been changed into? Amidst Rome's civil war, the Numidian general, Syphax, questions the effects of Romanization endorsed by Numa, the prince of Numidia and ally of Cato the Younger in the fight against Caesar. This question is unsettling in part because answering it begins to undermine an assumption about the past upon which the question rests. The more one pushes the question, the more one realizes that there is no absolute beginning point, no from, but only ongoing experiences and memories that almost imperceptibly connect to identities. Yet cultures attempt to answer the question of identity definitively. Cultures naturalize, lending normativity to beliefs and actions that form identity. And cultures narrativize, giving constancy to identity over time. The assumptions that underlie these narratives - the symbolic resources that a culture draws on - rest in the background as something already familiar within which one remembers, makes sense of experiences, and forms 12 expectations. To ask about these assumptions unsettles, laying bare the anxieties that underlie the question, "Who are We?" We answer the question for America through familiar European categories that grow out of the Renaissance and Enlightenment. Questions of the American founding are organized around debates about its republican, liberal, or religious heritage. The space, itself, appears as an empty state of nature in which a new history (absent a feudal past) can begin. Belonging appears as a formal feature of the integrated nation-state (notably, citizenship) that is comprised of constitutional rights and sustained by market interactions. And the future is envisioned as a narrative of progress of reason, science, wealth, and rights. Early American social actors and observers defined it this way; scholars analyze America in these terms"--
Publisher: Cambridge University Press
ISBN: 1009249606
Category : History
Languages : en
Pages : 265
Book Description
"This Roman polish, and this smooth behaviour, That render man thus tractable and tame? Are they not only to disguise our passions, To set our looks at variance with our thoughts, To check the starts and sallies of the soul, And break off all its commerce with the tongue; In short, to change us into other creatures, Than what our nature and the gods designed us? (Joseph Addison, Cato: A Tragedy, I, 4, 40-47) What have we been changed into? Amidst Rome's civil war, the Numidian general, Syphax, questions the effects of Romanization endorsed by Numa, the prince of Numidia and ally of Cato the Younger in the fight against Caesar. This question is unsettling in part because answering it begins to undermine an assumption about the past upon which the question rests. The more one pushes the question, the more one realizes that there is no absolute beginning point, no from, but only ongoing experiences and memories that almost imperceptibly connect to identities. Yet cultures attempt to answer the question of identity definitively. Cultures naturalize, lending normativity to beliefs and actions that form identity. And cultures narrativize, giving constancy to identity over time. The assumptions that underlie these narratives - the symbolic resources that a culture draws on - rest in the background as something already familiar within which one remembers, makes sense of experiences, and forms 12 expectations. To ask about these assumptions unsettles, laying bare the anxieties that underlie the question, "Who are We?" We answer the question for America through familiar European categories that grow out of the Renaissance and Enlightenment. Questions of the American founding are organized around debates about its republican, liberal, or religious heritage. The space, itself, appears as an empty state of nature in which a new history (absent a feudal past) can begin. Belonging appears as a formal feature of the integrated nation-state (notably, citizenship) that is comprised of constitutional rights and sustained by market interactions. And the future is envisioned as a narrative of progress of reason, science, wealth, and rights. Early American social actors and observers defined it this way; scholars analyze America in these terms"--
Among Our Books
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 848
Book Description
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 848
Book Description
Monthly Bulletin
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 998
Book Description
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 998
Book Description
Monthly Bulletin of the Carnegie Library of Pittsburgh
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 852
Book Description
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 852
Book Description
The Drama of Celebrity
Author: Sharon Marcus
Publisher: Princeton University Press
ISBN: 0691210187
Category : History
Languages : en
Pages : 324
Book Description
Why do so many people care so much about celebrities? Who decides who gets to be a star? What are the privileges and pleasures of fandom? Do celebrities ever deserve the outsized attention they receive? In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable. Drawing on scrapbooks, personal diaries, and vintage fan mail, Marcus traces celebrity culture back to its nineteenth-century roots, when people the world over found themselves captivated by celebrity chefs, bad-boy poets, and actors such as the "divine" Sarah Bernhardt (1844-1923), as famous in her day as the Beatles in theirs. Known in her youth for sleeping in a coffin, hailed in maturity as a woman of genius, Bernhardt became a global superstar thanks to savvy engagement with her era's most innovative media and technologies: the popular press, commercial photography, and speedy new forms of travel. Whether you love celebrity culture or hate it, The Drama of Celebrity will change how you think about one of the most important phenomena of modern times.
Publisher: Princeton University Press
ISBN: 0691210187
Category : History
Languages : en
Pages : 324
Book Description
Why do so many people care so much about celebrities? Who decides who gets to be a star? What are the privileges and pleasures of fandom? Do celebrities ever deserve the outsized attention they receive? In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable. Drawing on scrapbooks, personal diaries, and vintage fan mail, Marcus traces celebrity culture back to its nineteenth-century roots, when people the world over found themselves captivated by celebrity chefs, bad-boy poets, and actors such as the "divine" Sarah Bernhardt (1844-1923), as famous in her day as the Beatles in theirs. Known in her youth for sleeping in a coffin, hailed in maturity as a woman of genius, Bernhardt became a global superstar thanks to savvy engagement with her era's most innovative media and technologies: the popular press, commercial photography, and speedy new forms of travel. Whether you love celebrity culture or hate it, The Drama of Celebrity will change how you think about one of the most important phenomena of modern times.