Liberty Theatres of the United States Army, 1917-1919 PDF Download
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Author: Weldon B. Durham
Publisher: McFarland
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232
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Book Description
"Created by the War Department's Commission on Training Camp Activities, Liberty Theatres aimed to produce "morally uplifting" plays and movies for thousands of troops, but they became little more than public relations ploys. This volume provides an in-depth look at the 42 Liberty Theatres created by the War Department from 1917 to 1919"--Provided by publisher.
Author: Weldon B. Durham
Publisher: McFarland
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232
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Book Description
"Created by the War Department's Commission on Training Camp Activities, Liberty Theatres aimed to produce "morally uplifting" plays and movies for thousands of troops, but they became little more than public relations ploys. This volume provides an in-depth look at the 42 Liberty Theatres created by the War Department from 1917 to 1919"--Provided by publisher.
Author: United States. Department of the Army. Office of Military History
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 518
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Book Description
Author: United States Historical Division (Army).
Publisher:
ISBN:
Category :
Languages : en
Pages : 516
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Book Description
Author:
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 292
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Book Description
Author: Haidee Wasson
Publisher: Univ of California Press
ISBN: 0520291514
Category : Business & Economics
Languages : en
Pages : 396
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Book Description
The vast, and vastly influential, American military machine has been aided and abetted by cinema since the earliest days of the medium. The US military realized very quickly that film could be used in myriad ways: training, testing, surveying and mapping, surveillance, medical and psychological management of soldiers, and of course, propaganda. Bringing together a collection of new essays, based on archival research, Wasson and Grieveson seek to cover the complex history of how the military deployed cinema for varied purposes across the the long twentieth century, from the incipient wars of US imperialism in the late nineteenth century to the ongoing War on Terror. This engagement includes cinema created and used by and for the military itself (such as training films), the codevelopment of technologies (chemical, mechanical, and digital), and the use of film (and related mass media) as a key aspect of American "soft power," at home and around the world. A rich and timely set of essays, this volume will become a go-to for scholars interested in all aspects of how the military creates and uses moving-image media.
Author:
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 520
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Book Description
A seventeen-volume compilation of selected AEF records gathered by Army historians during the interwar years. This collection in no way represents an exhaustive record of the Army's months in France, but it is certainly worthy of serious consideration and thoughtful review by students of military history and strategy and will serve as a useful jumping off point for any earnest scholarship on the war. --from Foreword by William A Stofft.
Author: Theatre History Studies
Publisher: University of Alabama Press
ISBN: 0817355022
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
Author: Sara Freeman
Publisher: Cambridge Scholars Publishing
ISBN: 1443838616
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Public Theatres and Theatre Publics presents sixteen focused investigations that connect theatre and performance studies with public sphere theory. The organizing critical lens of publics and publicness allows for the chapters to speak to one another other across time periods and geographies, inviting readers to think about how performing in public shapes and circulates concepts of identity, notions of taste or belonging, markers of class, and possibilities for political agency. Each essay presents a theorized case study that grapples with fundamental questions of how individuals perform in public contexts. The essays, written by a cross-section of prominent and emerging theatre and performance scholars, contribute new discussions and understandings of how theatre and performance work, as well as how publics, publicity, and modes of publicness have been constructed and contested over the last three centuries and in multiple national contexts including the US, Britain, France, Germany, Argentina and Egypt.
Author: United States. Army. Infantry Regiment, 332nd. Company D, (1917-1919)
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 90
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Book Description
Author: Dominique Brégent-Heald
Publisher: U of Nebraska Press
ISBN: 0803278861
Category : History
Languages : en
Pages : 449
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Book Description
The concept of North American borderlands in the cultural imagination fluctuated greatly during the Progressive Era as it was affected by similarly changing concepts of identity and geopolitical issues influenced by the Mexican Revolution and the First World War. Such shifts became especially evident in films set along the Mexican and Canadian borders as filmmakers explored how these changes simultaneously represented and influenced views of society at large. Borderland Films examines the intersection of North American borderlands and culture as portrayed through early twentieth-century cinema. Drawing on hundreds of films, Dominique Brégent-Heald investigates the significance of national borders; the ever-changing concepts of race, gender, and enforced boundaries; the racialized ideas of criminality that painted the borderlands as unsafe and in need of control; and the wars that showed how international conflict significantly influenced the United States’ relations with its immediate neighbors. Borderland Films provides a fresh perspective on American cinematic, cultural, and political history and on how cinema contributed to the establishment of societal narratives in the early twentieth century.
