Lettre de Maurice Ravel à Roland-Manuel, Montfort l'Amaury, 26 février 1924

Lettre de Maurice Ravel à Roland-Manuel, Montfort l'Amaury, 26 février 1924 PDF Author: Maurice Ravel
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Languages : fr
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Lettre de Maurice Ravel à Roland-Manuel, Montfort l'Amaury, 26 février 1924

Lettre de Maurice Ravel à Roland-Manuel, Montfort l'Amaury, 26 février 1924 PDF Author: Maurice Ravel
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Languages : fr
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Lettre de Maurice Ravel à Roland-Manuel, Montfort l'Amaury, 14 novembre 1924

Lettre de Maurice Ravel à Roland-Manuel, Montfort l'Amaury, 14 novembre 1924 PDF Author: Maurice Ravel
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Languages : fr
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Lettre de Maurice Ravel à Roland-Manuel, Montfort l'Amaury, 10 avril 1924

Lettre de Maurice Ravel à Roland-Manuel, Montfort l'Amaury, 10 avril 1924 PDF Author: Maurice Ravel
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Lettre de Roland-Manuel à Maurice Ravel

Lettre de Roland-Manuel à Maurice Ravel PDF Author: Roland-Manuel
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Languages : en
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Lettre de Maurice Ravel à Lucien Garban, Montfort l'Amaury, 27 février 1924

Lettre de Maurice Ravel à Lucien Garban, Montfort l'Amaury, 27 février 1924 PDF Author: Maurice Ravel
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The Operas of Maurice Ravel

The Operas of Maurice Ravel PDF Author: Emily Kilpatrick
Publisher: Cambridge University Press
ISBN: 1316395707
Category : Music
Languages : en
Pages : 287

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Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.

320 Rue St Jacques

320 Rue St Jacques PDF Author: Wendy Michallat
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ISBN: 9781912482122
Category : France
Languages : en
Pages : 410

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Book Description
In November 1939 Madeleine Blaess, a French-born, British-raised student, set off for Paris to study for a doctorate in Medieval French literature at the Sorbonne. She was forced to remain in France for the duration of the German Occupation and in October 1940 began to write a diary.

The Cambridge Companion to Ravel

The Cambridge Companion to Ravel PDF Author: Deborah Mawer
Publisher: Cambridge University Press
ISBN: 9780521648561
Category : Biography & Autobiography
Languages : en
Pages : 316

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Book Description
A comprehensive introduction to the life, music and compositional aesthetic of Maurice Ravel.

Ravel According to Ravel

Ravel According to Ravel PDF Author: Vlado Perlemuter
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ISBN: 9781871082784
Category : Piano music
Languages : en
Pages : 0

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Book Description
Vlado Perlemuter had the privilege of studying all Ravel's solo piano music with the reclusive composer himself. The origins of this book lie in a series of programmes broadcast in 1950 by Radio Francaise in which Perlemuter played all Ravel's compositions for solo piano and discussed them with Helene Joudan-Morange - a distinguished violinist who had been one of Ravel's closest friends. This is a transcript of their conversations, with numerous musical examples. This edition also deals with the two piano concertos.

Resonant Recoveries

Resonant Recoveries PDF Author: Jillian C. Rogers
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401

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"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--